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Movie Review: Upstream Color is ambiguous yet really beautiful


Director: Shane Carruth
Writers: Shane Carruth
Stars: Amy Seimetz, Shane Carruth

Synopsis: A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives.

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DIRECTION
Shane Carruth, who not only directed Upstream Color but also did the editing, cinematography, male lead, and score. Oh, he also acted as the distributor too. He doesn’t only just wear a lot of hats but he’s a genius at it too. The story he tells is so ambiguous and it makes no sense on the surface. However, it’s gorgeously shot and reminds you a lot of Terrence Malick in some scenes. In some cases, the cinematography is ambiguous and makes you wonder what he’s doing and it just adds to the complexity of the experience. The story really isn’t that complicated but it’s the way it’s pieced together and how it leaves gaps that make you scratch your head. This movie is so well crafted and thought out and will leave you weirdly satisfied at the end.

Grade: A

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SCRIPT
I don’t even know where to begin here. The story centers around a woman, Kris, to is drugged and is infected with a parasite which leaves her conscious but unaware of what’s going on. She’s forced to sign her assets away to the man who drugged her and when she awakens she isn’s sure what happened to her. It’s after that where this movie starts to really get ambiguous. Before she awakens she somehow is at a farm where she transfers the parasite from her to a pig. Yep, that’s right. Later she meets up with a man named Jeff, whom they start a relationship and she soon finds out Jeff had a similar experience. The two start to remember some things of their past and the pieces start to come together of what happened (sort of). At least that’s my best guess, although I don’t think anyone has figured out this beautiful puzzle yet. What makes the story work is how interesting the characters are. You find yourself interested, frustrated, angry, and engaged with the characters and their interactions all at the same time. You have no idea what’s going on yet you care for them and what happens to them. Jeff and Kris’ relationship is intriguing and gorgeously captured and you can’t help root for them, which is amazing once it all comes together. It’s so unique and different and it has Shane Carruth written (literally) all over it. While it’s beautiful art and geniously written, it will make some people extremely confused and could throw you off if you’re not into it. Although it makes you think, it’s within the thought you can find the awesomeness of this story.

Grade: A-

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PERFORMANCES
This film is mostly just our two main characters played by Amy Seimetz and Carruth. Their chemistry is amazing and they make it really easy to buy into their relationships. And not only are the characters written well (and extremely weird), it’s the way they make it come off screen that makes it also believable. The confusion and ambiguity is palpable all over both actors and it’s within the confusion where the beauty of this story lies. The characters are forced to grow together and are there for each other when the truth rises of what happened. And while there is little dialogue between Seimetz and Carruth, their body language and chemistry make it amazing and beautiful to watch. Extremely well done.

Grade: A-

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SCORE
Well as I mentioned before, Carruth also did the score and it’s incredible. The score fills this film quite well and it makes the movie feel really full. And because there is little dialogue the score really stands out here among the beautiful shots that will define this movie. The melodies are gorgeous and soft and will accompany the sad and confusing tone of the film really well. It’s actually a great score to listen to outside the film as well, although you need to be in the right mood for it. The music doesn’t have happy themes that you’ll want to party to but they are themes that fit well and sound great.

Grade: A-

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Overall Grade: A-

Movie News: James Cameron’s Avatar will become a quadrilogy

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James Cameron’s 2009 game-changing Avatar is the highest-grossing movie of all-time and was nominated for numerous Oscars — so putting a franchise together was inevitable.

And today, after years of countless rumors about sequel this, sequel that, Fox has finally confirmed that there will in fact be three sequels. We also now know who will be writing them and when they will be released.

Writing those sequels — presumably alongside Cameron — will be Josh Friedman (War of the Worlds and Terminator: The Sarah Connor Chronicles), Rick Jaffa and Amanda Silver (Rise of the Planet of the Apes and Jurassic Park IV) and Shane Salerno (Aliens vs. Predator: Requiem and Savages).

We also now know that Cameron will take a page from Peter Jackson and shoot all three sequels simultaneously with release dates set for December of 2016, 2017 and 2018. Cameron will once again produce with Jon Landau and WETA will work on the special effects.

Avatar, which grossed over $2 billion worldwide, was nominated for nine Oscars including Best Picture and Best Director, losing to The Hurt Locker (and Cameron’s ex-wife) in both. Avatar claimed awards for Best Art Direction, Best Cinematography and Best Visual Effects.

So what do I think of this news? Well, Avatar is still to this day the greatest theater-going experience I’ve ever had. The 3D experience was unlike anything I’ve ever seen. So with that being said, I’m all on-board for a sequel (maybe not three) and seeing more of the world of Pandora and more of those great special effects.

The writers Cameron chose are kind of surprising (especially Salerno), but he chose them so I’ll trust him. And let’s be real, Cameron is going to have the final say in everything he does.

Movie News: Lots of characters crammed into new Thor: The Dark World poster

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Marvel’s Phase 2 will continue with this fall’s Thor: The Dark World.

And today we got another poster (via Entertainment Weekly) that crams a lot of the characters we’ll be seeing into it. It’s not a terrible poster, but there sure is a lot going on. But you have to love the menacing grin Loki (Tom Hiddleston) has and the Asgardian armor Jane (Natalie Portman) is sporting next to a badass-looking Thor (Chris Hemsworth).

I thought 2011’s Thor was a pleasant surprise and enjoyed it very much — and I’m especially excited about Alan Taylor directing as I’ve just recently gotten into Game of Thrones (which is incredible). I just hope The Dark World is better than Marvel’s first Phase 2 outing, the disappointing Iron Man 3.

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Thor: The Dark World hits on November 8.

Podcast: The Way, Way Back and Upstream Color – Extra Film

This week on the InSession Film Podcast: Extra Film segment, we review The Way, Way Back starring Steve Carell and Sam Rockwell as well as Shane Carruth’s latest, Upstream Color.

The Way, Way Back Review
    Grades
    Nate: A
    JD: A

Upstream Color Review
    Grades
    Brent: A-
    JD: A-

– Music

    The Way Way back – Rob Simonsen
    As if It Would Have A Universal and Memorable Ending – Shane Carruth
    The Return of the Eagle – Atli Örvarsson

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Monthly Preview: Summer movie season wraps up with August releases

The summer movie season is quickly coming to an end as the August movie schedule is upon us.

So what’s there to see this month? You have a buddy-cop movie starring Denzel Washington and Mark Wahlberg, Neill Blomkamp’s follow-up to District 9, a sequel involving a hero who kicks ass, a couple of biopics and a third movie from the trio of Edgar Wright, Simon Pegg and Nick Frost.

So here it is: A list of some of the top films that are being released this month.

AUGUST 2

2 Guns

Director: Baltasar Kormakur
Stars: Denzel Washington, Mark Wahlberg, Bill Paxton
Synopsis: A DEA agent and a naval intelligence officer find themselves on the run after a botched attempt to infiltrate a drug cartel. While fleeing, they learn the secret of their shaky alliance: Neither knew that the other was an undercover agent.
Our Take: An R-rated buddy-cop movie featuring Denzel Washington and Mark Wahlberg? Sounds good to us. Here’s hoping it’s better than The Other Guys.

Smurfs 2

Director: Raja Gosnell
Stars: Hank Azaria, Neil Patrick Harris, Jayma Mays, Katy Perry
Synopsis: The Smurfs team up with their human friends to rescue Smurfette, who has been kidnapped by Gargamel since she knows a secret spell that can turn the evil sorcerer’s newest creation – creatures called the Naughties – into real Smurfs.
Our Take: There was no need to make a Smurfs, let alone a sequel.

The Spectacular Now

Director: James Ponsoldt
Stars: Shailene Woodley, Miles Teller, Jennifer Jason Leigh, Kyle Chandler
Synopsis: A hard-partying high school senior’s philosophy on life changes when he meets the not-so-typical “nice girl.”
Our Take: This one has gotten a lot of good buzz, and after watching the trailer, we can see why. The story and the acting appear to be top-notch, making this one one to watch.

AUGUST 9

Elysium

Director: Neill Blomkamp
Stars: Matt Damon, Jodie Foster, Sharlto Copely
Synopsis: A factory worker takes on a mission to hijack his way onto a man-made space habitat.
Our Take: Neill Blomkamp’s first movie, District 9, is a modern-day, sci-fi classic. Now with more star power and a bigger budget, can Blomkamp make it two classics in a row? We think so.

Percy Jackson: Sea of Monsters

Director: Thor Freudenthal
Stars: Logan Lerman, Alexandra Daddario, Nathan Fillion, Brandon T. Jackson
Synopsis: In order to restore their dying safe haven, the son of Poseidon and his friends embark on a quest to the Sea of Monsters to find the mythical Golden Fleece while trying to stop an ancient evil from rising.
Our Take: We never saw 2010’s Percy Jackson & the Olympians: The Lightning Thief but the premise involving Greek mythology always did look pretty interesting. And it does star The Perks of Being a Wallflower‘s Logan Lerman, so maybe we’ll check this out.

Planes

Director: Klay Hall
Stars: Val Kilmer, Dane Cook, Teri Hatcher, Julia Louis-Dreyfus
Synopsis: Dusty is a cropdusting plane who dreams of competing in a famous aerial race. The problem? He is hopelessly afraid of heights. With the support of his mentor Skipper and a host of new friends, Dusty sets off to make his dreams come true.
Our Take: A spin-off of Pixar’s Cars series, this looks more like a Direct-to-DVD movie. But one of us is pretty excited for this (that would be JD).

We’re the Millers

Director: Rawson Marshall Thurber
Stars: Jennifer Aniston, Jason Sudeikis, Emma Roberts, Ed Helms
Synopsis: A veteran pot dealer creates a fake family as part of his plan to move a huge shipment of weed into the U.S. from Mexico.
Our Take: This one had us sold when we heard Jennifer Anniston is playing a stripper. But the story (at least on paper) sounds like it could make for a very funny movie. But comedies are so hit-or-miss that it’s always hard to tell.

AUGUST 16

Kick-Ass 2

Director: Jeff Wadlow
Stars: Chloe Grace Moretz, Aaron Taylor-Johnson, Christopher Mintz-Plasse, Jim Carrey
Synopsis: The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume. Meanwhile, the Red Mist plots an act of revenge that will affect everyone Kick-Ass knows.
Our Take: The crew is back and everything looks to be amped up in this sequel to one of the best comic-book movies of all-time. This is a must-see, especially when you consider how awesome Jim Carrey’s performance looks.

Paranoia

Director: Robert Luketic
Stars: Harrison Ford, Gary Oldman, Liam Hemsworth, Amber Heard
Synopsis: An entry-level employee at a powerful corporation finds himself occupying a corner office, but at a dangerous price: he must spy on his boss’s old mentor to secure for him a multi-billion dollar advantage.
Our Take: Harrison Ford and Gary Oldman going toe-to-toe is all we need to know to get us excited about this one.

Lee Daniels’ The Butler

Director: Lee Daniels
Stars: Forest Whitaker, John Cusack, Oprah Winfrey, Robin Williams
Synopsis: An African-American eyewitnesses notable events of the 20th century during his tenure as a White House butler.
Our Take: Lee Daniels certainly has another Oscar nominee on his hands after 2009’s Precious. The story here looks extremely moving and the cast is phenomenal. This has the potential of being one of the best movies of the year.

Jobs

Director: Joshua Michael Stern
Stars: Ashton Kutcher, J.K. Simmons, Josh Gad
Synopsis: The story of Steve Jobs’ ascension from college dropout into one of the most revered creative entrepreneurs of the 20th century.
Our Take: The trailer for this one has a feel very reminiscent of 2010’s The Social Network. Will this be as good as that movie? Doubt it. But it does look interesting and Ashton Kutcher certainly does have the look of Steve Jobs down (acting-wise is another matter though).

AUGUST 23

The Mortal Instruments: City of Bones

Director: Harald Zwart
Stars: Lily Collins, Jamie Campbell Bower, Robert Sheehan
Synopsis: When her mom is attacked and taken from their home in New York City by a demon, a seemingly ordinary teenage girl, Clary Fray, finds out truths about her past and bloodline on her quest to get her back, that changes her entire life.
Our Take: Neither of us have read the books (and we never will), but this kind of looks like a mix between Twilight and Supernatural. The tweens will probably eat it up, but this will be a pass for us.

The World’s End

Director: Edgar Wright
Stars: Simon Pegg, Nick Frost, Martin Freeman, Rosamund Pike
Synopsis: Five friends who reunite in an attempt to top their epic pub crawl from 20 years earlier unwittingly become humankind’s only hope for survival.
Our Take: After 2004’s Shaun of the Dead and 2007’s Hot Fuzz, the trio of director Edgar Wright and stars Simon Pegg and Nick Frost are back for another crazy adventure, this time involving lots of booze and an alien invasion. If this is anywhere near as good as there first two outings, we’re going to be in for another classic.

AUGUST 30

Closed Circuit

Director: John Crowley
Stars: Eric Bana, Rebecca Hall, Jim Broadbent, Ciaran Hinds
Synopsis: Martin and Claudia are lawyers — and ex-lovers — who find themselves put at risk after they join the defense team for an international terrorist’s trial.
Our Take: There’s lots of talent surrounding this one, particularly screenwriter Steve Knight, who wrote 2007’s thriller Eastern Promises. This one could surprise some people, even us.

Movie Trailer: Peter Berg’s Lone Survivor won’t end well

It’s pretty apparent from the title that things won’t go so well for the Navy SEALs in Peter Berg’s latest.

Today we got the first trailer for Lone Survivor (via Moviefone), the true story about a group of SEALs who get ambushed by a group of Taliban. The trailer is very solid, bringing authenticity and intensity found in such movies as The Hurt Locker, Black Hawk Down and Zero Dark Thirty — and hopefully this movie ends up being just as great as all of those.

And like those other similar movies, Lone Survivor has a standout cast including the likes of Mark Wahlberg, Eric Bana, Emile Hirsch, Taylor Kitsch and Ben Foster. The movie is directed by Berg, who had a pretty good track record going (The Rundown, Friday Night Lights, The Kingdom and Hancock) before last year’s disastrous Battleship. But according to an article on Deadline, Berg agreed to direct that crapfest because Universal agreed to distribute his “passion project” of Lone Survivor. Interesting.

Lone Survivor hits theaters on January 10, 2014.

Movie Trailer: American Hustle looks great with incredible cast

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David O. Russell is back after directing Oscar-nominated films Silver Linings Playbook and The Fighter with a new trailer for his film, American Hustle.

The film is about a couple of con artists who get pressed into service for an FBI agent. The movie has an incredible cast that includes Christian Bale, Bradley Cooper, Amy Adams, Jennifer Lawrence, Jeremy Renner and Robert De Niro. Yep, that’s one heck of a cast.

This specific trailer comes from Good Morning America.

Movie Series Review: A Beautiful Mind (Recent Historical Figures)


Year Released: 2001
Director: Ron Howard
Writers: Akiva Goldsman, Sylvia Nasar (book)
Stars: Russell Crowe, Jennifer Connelly, Ed Harris, Paul Bettany

Synopsis: After a brilliant but asocial mathematician accepts secret work in cryptography, his life takes a turn to the nightmarish.

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DIRECTION
A Beautiful Mind is easily Ron Howard’s best directorial effort, earning him Oscars for both Best Director and Best Picture. Howard crafts a fascinating movie, one that can’t even be classified under one genre — it’s a drama, a mystery, a love story and a spy thriller. He does a great job of blending all of these together to make an extremely engrossing and engaging movie that never becomes too sentimental or too preachy when it comes to mental illness. A Beautiful Mind has a great script, one that is mainstream but isn’t formulaic, fantastic acting (not just the leads) and a wonderful score — and Howard does a great job of bringing it all together in one of the best movies of all-time.

Grade: A+

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SCRIPT
How is it that the guy who wrote Batman Forever, Batman & Robin and Lost in Space could also write A Beautiful Mind? I don’t know but that’s exactly what Akiva Goldsman did. Somehow, someway (probably with the help of Howard or the author of the book it’s based on), Goldsman wrote what is one of the best stories ever written for the movies. The way he was able to incorporate a bunch of different genres into a character study (which spans about 40 years of mathematician John Nash’s life, exploring his college years, his marriage and his Nobel Peace Prize-winning days) while dealing with mental illness and paranoia is a high achievement. And the best part about it is that while it’s a movie everyone can enjoy it also doesn’t take a by-the-numbers approach. It’s a movie that can be watched over and over again because the story is so engaging and always keeps you on your toes and the “twist” is implemented so well and so naturally that it’s kind of easy to forget it’s a “twist” at all. It’s just a truly remarkable story about a truly remarkable person that needs to be watched by anyone and everyone.

Grade: A+

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PERFORMANCES
From the supporting roles to the leads, A Beautiful Mind is filled with tremendous performances — but Russell Crowe and Jennifer Connelly are by far the standouts and their chemistry together is insanely good. Crowe is magnificent, earning an Oscar nomination for his portrayal of Nash. The way Crowe is able to bring to life the troubled genius is truly remarkable, bringing fragility and sensitivity to his already brooding intensity from his college years all the way through to his retirement. It’s easily one of the best performances he’s ever given. And Connelly isn’t too far behind, winning the Oscar for her role as Alicia, Nash’s wife. She is the heart to Nash’s mind, always loving on him and giving him hope as he struggles to deal with his demons. Connelly’s emotional depth is quite astounding, as she has some scenes and gives some little speeches that can make even a grown man shed a tear or two. While Crowe and Connelly are the standouts, everybody else is also really good, from Ed Harris to Paul Bettany and so on. A Beautiful Mind is just an all-around tremendously-acted movie.

Grade: A+

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SCORE
The score for A Beautiful Mind is simply incredible — which is to be expected considering James Horner composed it. The score is everything you want: haunting (particularly those female chants), thrilling, sweeping, emotional and easy-going. It certainly adds a lot to the movie, helping bring out those emotions, and it’s definitely one you can listen to outside of watching the movie (as I’m doing right now). And the original song, “All Love Can Be” by Charlotte Church, is pretty darn good, too.

Grade: A+

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Overall Grade: A+

Movie Trailer: Walter Mitty has lots of potential

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Fox has released the new trailer for Ben Stiller’s latest directorial film, The Secret Life of Walter Mitty, which looks pretty interesting actually. In the movie, Stiller plays photo editor at Life Magazine, who is quiet and looking to escape his day-to-day life by going into these crazy-weird fantasies. The movie co-stars Adam Scott, Sean Penn, Patton Oswalt and Shirley MacLaine and is based on a short story by James Thurber.

This looks much different from what we’ve seen so far from Stiller and looks like it could be really good. The cinematography looks great as well as the acting.

What do you think?

The Secret Life of Walter Mitty opens December 25.

Movie Review: The Way, Way Back is incredibly moving


Director: Nat Faxon, Jim Rash
Writers: Nat Faxon, Jim Rash
Stars: Steve Carell, Toni Collette, Allison Janney, Liam James, Sam Rockwell

Synopsis: Shy 14-year-old Duncan goes on summer vacation with his mother, her overbearing boyfriend, and her boyfriend’s daughter. Having a rough time fitting in, Duncan finds an unexpected friend in Owen, manager of the Water Wizz water park.

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DIRECTION
Well to start, The Way, Way Back is one of the best films so far in 2013. The duo of Nat Faxon and Jim Rash were incredible here bring us a movie that is powerful, moving and a ton of fun. While this theme as been explored many times before, it’s the journey along this path which makes it fun and interesting and this journey is a lot of fun. The movie is shot really well and explores relationships in a pretty interesting and engaging way. On some sort of level, there is at least one (probably more) character that is easy to relate with, especially in today’s world and the direction made it easy for you to experience that. The camera work isn’t stand out worthy but you understand the aesthetic and it’s the relationship dynamics that are captured brilliantly.

Grade: A-

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SCRIPT
The movie is about a young boy, Duncan, who is in his early, formative years as a teen and he’s learning who he is and what is identity is going to be. And this is something every boy goes through at some point in his life which makes Duncan relatable on some level. While our stories may not resemble his life at all, what makes Duncan great is the underdog factor. He’s not a popular kid and he’s not the “cool kid; you know something we’ve seen a thousand times before. But like I said, it’s the how and why in the journey that’s awesome, not the vehicle that gets you there. And Duncan’s journey is filled with escapism, wanting acceptance, love and somewhere to fit in. And he finds all of that with Sam Rockwell’s character, who is the manager of a water park in the town that Duncan’s family is staying at for the summer. It’s here Duncan finds his confidence and “his own path” that starts to set him free. In the middle of that, is a girl who is cute, adorable and also looking for escapism which leads to her attraction to Duncan. While not something likely, the two have amazing chemistry and the relationship formed leads to some amazing and fun screen time. Duncan’s relationship with his mom’s boyfriend (Steve Carrell) is a hindrance and becomes a burden for both Duncan and his mom which leads to some interesting questions and more importantly, choices. This is a coming of age tale that is fun, entertaining and likable on so many levels. An incredibly rich story.

Grade: A+

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PERFORMANCES
Let’s start off with Liam James as Duncan. James’ performance is either brilliant or not great. His dialogue is delivered so awkwardly and his expressions or movements mimic the same awkwardness. The thing is, that’s who his character is at the core of this story. He’s a weird, young teen, who has a hard time making friends, let alone getting girls or being “cool”. And at times with the deliverance of that, it can come off as bad acting because it is weird and awkward. Some though, may call it brilliant and I think I’m in that ballpark. However, Sam Rockwell steals the show here. He’s hysterical in what is perhaps his best role ever. Everything he does is funny, perhaps off the cuff, and brings a dynamic to this movie that just puts it over the top. The way he plays off as the silly manager who doesn’t take anything serious is perfect and yet, he’s serious when he needs to be. Steve Carell doesn’t make a single joke the whole movie, can you believe that? He’s the untrustworthy boyfriend who makes bad decisions and is not very likable. Yes, that Steve Carell. He’s really good at it too. All the other supporting roles are great as well for the most part aside from some of the younger teen female parts that came off cheesy and stereotypical but it didn’t detract from the film too much.

Grade: A

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SCORE
Rob Simonsen’s score is pretty good actually and is very appropriate for the story that we’re wrapped up in. It’s fun and energetic while in the background when it needs to be. It’s not overbearing and in the end it won’t be memorable but when you’re in the moment, it’s a good, fun little jam.

Grade: B+

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Overall Grade: A

Movie Review: Only God Forgives is dark and lacking


Director: Nicolas Winding Refn
Writers: Nicolas Winding Refn
Stars: Ryan Gosling, Kristin Scott Thomas, Vithaya Pansringarm

Synopsis: Julian, a drug-smuggler thriving in Bangkok’s criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother’s recent death.

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DIRECTION
In terms of style, Only God Forgives is pretty great. It’s very similar to Nicolas Winding Refn’s 2011 movie, Drive, which also stars Ryan Gosling and you can tell the similarities right off the bat. It’s slow paced with very little going on throughout the film and we get very little dialogue, especially from Gosling which is also similar to Drive. The aesthetic of the criminal underground in Thailand is great and we feel and know the environment we are in. The beautiful and vibrant colors stand out in this film and Refn uses that light really intentionally in almost every scene. The problem here is the script and the how hard it is to make anything story related likable. If you liked Drive, you may like this film, given the criminal nature and the snail-paced movements Refn uses here, but overall the substance is too lacking in this movie which makes it not quite as fun. But the aesthetic is really great and the fight scene is awesome, although the ending leaves you empty, like most of this movie.

Grade: B+

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SCRIPT
Let’s make this simple, since in nature, that’s what this movie is. There are no likable characters in this movie. Every character is awful, doing awful things and most likely thinking awful thoughts. Even Gosling’s character, Julian, who at times is conflicted between right and wrong, does things that make you keep an arm’s length in distance away, at least. The story is about revenge, revenge, and more revenge and how that cycle never ceases nor is it satisfying. Once Julian’s brother is killed (no spoiler there, see synopsis) for raping and murdering a 16-year-old girl, his mom flies in to guilt him into finding his brother’s killer. What a story, right? If that’s not low-browsing enough, it gets better. Every character is out to kill one another in some pretty violent ways and Julian’s mom is out to kill any sort of spirit he has left. What is interesting though is the fact that Julian is conflicted between his love for his brother and the painful decision he made and the respect for his mom even though he treats him like total s***. In middle of all this is an ex-cop, who is now called the Angel of Vengeance, who is seeking “justice” on all these criminals in a pretty violent way. He’s arguably the main character and is a main focus of the story and while is motives are “right”, his actions are nothing but. Overall, it’s a movie that is stunning visually but the story makes you look at your watch a few times throughout.

Grade: D+

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PERFORMANCES
For what Refn and gang are trying to do here, the performances aren’t terrible. Given the slow-natured style with a simple story that is bring forth a visual element, the actors aren’t given or expected to do much. Gosling more or less gives the exact same performance from Drive as this “bad-ass” character who doesn’t have much dialogue. Although his character here has more flaws and isn’t as fun, his performance drives (get it) home the point. Kristin Scott Thomas is amazing as Julian’s mom and is the leader of this drug ring in Thailand. She is so despicable and everything she does makes you root more and more for her to get the sword by the end of the film. She’s the worst person in movie history with a lack of love and understanding and is painful to watch every time she’s on screen. So yeah, Thomas pull it off to say the least. Everyone else has little dialogue and while they do a fine job, they are replaceable.

Grade: B

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SCORE
Finally, something worth talking about. Cliff Martinez’s score is incredible. A lot of digital sounds that are extremely appropriate given the criminal underground and bright-colored hypnotic aesthetic we are in. It’s a lot of fun and enhances this movie to a whole different level than it would of been without it. The fight scene music is really great and makes for that scene to really stand out among the rest. His low energy music in the intense moments make it really thrilling while making it fun at the same time. Hats off to easily the best part of the film.

Grade: A-

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Overall Grade: C

Podcast: Top 3 Marvel Movie Characters

This week on the InSession Film Podcast, we discuss one of our favorite categories, our Top 3 Marvel Movie Characters.

Nate

1) Peter Parker – Spider-Man
2) Magneto – X-Men: First Class
3) Tony Stark – Iron Man

JD

1) Peter Parker – Spider-Man
2) Agent Phil Coulson – Avengers
3) Logan, Wolverine – X-Men

For the entire podcast, click here.

Podcast: The Wolverine, Top 3 Marvel Movie Characters, A Beautiful Mind – Episode 23

This week on the InSession Film Podcast, Nate is back and we review Marvel’s latest in The Wolverine as well as discuss our Top 3 Marvel Movie Characters. We also start a brand new movie series on biopics that are based on recent historical figures and this week we review A Beautiful Mind starring Russell Crowe.

The Wolverine Review
    Grades
    Nate: C+
    JD: B-

Our Top 3 Marvel Movie Characters

– Movie Series Review – A Beautiful Mind (Recent Historical Figures)

– News

    – Rocky spin-off movie
    – 47 Ronin trailer
    – Avengers 2 gets a name

– Movies We’ve Seen This Week

    Nate: The Conjuring, Pacific Rim, Evil Dead, Cloud Atlas, Undefeated, Amber Alert,
    JD: The Pianist, Rise of the Planet of the Apes, Spring Breakers, Fruitvale Station

– Music

    Where To – Marco Beltrami
    Ironwing – Nick Phoenix
    A Kaleidascope of Mathematics – James Horner
    Main Title (Game of Thrones) – Ramin DJawadi
    The Return of the Eagle – Atli Örvarsson

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InSession Film Podcast – Episode 23

Box Office Report: The Wolverine claws its way to a big opening

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The Wolverine clawed its way to the top.

With an under-projected $55 million opening, the James Mangold-directed and Hugh Jackman-starring comic-book movie took the No. 1 spot at the box office over the weekend. Fox’s movie opened with substantially less than the awful X-Men Origins: Wolverine‘s $85 million four years ago. The Wolverine is certainly better than Origins and Jackman gives another great performance, but the story just isn’t quite up to snuff.

While The Wolverine‘s domestic haul wasn’t exactly impressive, it did do exceptionally well overseas. The movie, which stars many international actors, pulled in an astounding $141 million, which is the best ever for any X-Men movie.

The Conjuring dropped to second but still grossed a solid $22.1 million. The Warner Bros.’ horror hit has totaled $83 million in two weeks and should surpass $100 million sometime over the next week.

Not far behind in third was Universal’s Despicable Me 2, as the animated hit hauled in another $16 million to bring its total to a whopping $306.4 million to date. It’s currently the second-highest grossing movie of the year behind Iron Man 3‘s $407 million.

Another animated movie, DreamWorks’ Turbo, finished in fourth with $13.3 million and just $55.7 million in less than two weeks.

Sony’s Grown Ups 2 earned $11.5 million to round out the top five. The Adam Sandler-starring sequel has now grossed over $101 million.

The Wolverine has a strong chance to finish on top again next weekend as this week’s new releases include Smurfs 2 on Wednesday and 2 Guns on Friday.

Movie Poll: Which actor would you want as your buddy cop

This week on the InSession Film poll, as we get prepared for 2 Guns which is set to come out this Friday, we’re asking; which actor would you want as your buddy cop? Who would you want to be by your side? Vote here and let us know!

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Movie Trailer: Romeo & Juliet re-told from Downton Abbey creator

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A new adaptation of Romeo & Juliet will be coming to theaters this fall, and no this won’t be directed by Baz Luhrmann. Instead, we get the first trailer for the adaptation from Downton Abbey creator Julian Fellows.

The trailer looks really beautiful and while I liked Luhrmann’s version of the Shakespeare classic, this one seems to following the story pretty close. And while Fellows wrote this screenplay, it will be directed by Carlo Carlei and will star Hailee Steinfeld and Douglas Booth in the title roles, as well as Paul Giamatti, Stellan Skarsgård, Kodi Smit-McPhee, Natascha McElhone, Damian Lewis and Ed Westwick.

Romeo & Juliet opens October 11.

Movie News: John Williams discusses scoring Star Wars VII

Sof if you know me at all, you’ll know the scores are one of my favorite parts of film. And whenever you mention John Williams, it’s pretty easy to think of Star Wars. Anyway, here’s a pretty cool interview with Mr. Williams as he talks about scoring Episode VII and what we can look forward to. While, he doesn’t mention anything about the movie, it’s still pretty awesome.

Movie Review: Fruitvale Station is amazing


Director: Ryan Coogler
Writers: Ryan Coogler
Stars: Michael B. Jordan, Melonie Diaz, Octavia Spencer

Synopsis: The true story of Oscar, a 22-year-old Bay Area resident, who crosses paths with friends, enemies, family, and strangers on the last day of 2008.

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DIRECTION
Ryan Coogler’s debut film is a strong one and one that will put you right into the life of Oscar Grant. His camera work is amazing and is used with tons of purpose. Coogler is really intentional about putting you into the Oakland aesthetic showcasing Oscar’s home and the lifestyle he was living. The sense of realism is palpable as you fall right into the shoes of Oscar feeling what he felt and thinking what he thought. There is very little score so you feel every little whisper, car honk and firework that goes off in the background. The long tracking shots Coogler uses again puts you right smack dab in the middle of the story. We see several close ups on Michael B. Jordan, who plays Oscar, to give you a sense of what his last day might of been like. Coogler uses a lot of foreshadowing and sets up the big moment at the end of the movie really well. The actual events at Fruitvale Station seem to go pretty fast and is mostly from the perspective of Oscar. We don’t really get a full sense of the scale that was crazy and chaotic. However, because it’s from Oscars perspective, that’s all we need to see. Coogler does an amazing job in his first feature.

Grade: A-

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SCRIPT
Ryan Coogler’s script is obviously based on real-life events and it’s very much from Oscar’s point of view. The story begins in the morning of the last day of his life and we meet his girlfriend and young daughter who are beginning their day. Oscar and his girlfriend have had their issues in the past but are trying to work through things as their love is there but just a little bit mangled. We find out that Oscar has had issues with the law in the past but he’s trying to redeem his past and move past the issues that got him into trouble in the first place. His love for his girlfriend, daughter, mother and the rest of his family means more to him than the lifestyle of his past. Redemption and grace ore powerful motivators and are the one’s that define who we see Oscar to be in the film. However, with a criminal past and a sketchy background, finding honest jobs are difficult, especially with the recession happening. It’s important to understand that and his decision to rid of his drugs and look to a bright future was a very difficult decision. The story continues to raise the main character up but it doesn’t necessarily praise him at the same time. Coogler realizes that Oscar had issues and explored them to give you the sense of who Oscar was and why he wasn’t a saint. Coogler explores the tragedy of the event and shows that Oscar was a person trying to gain redemption because his past wasn’t the best and in the end, you really feel for him.

Grade: A

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PERFORMANCES
Michael B. Jordan is amazing as Oscar Grant. Jordan really gives you the impression of what his last day was like and really gets you into mindset and feelings of Grant. There are a couple of scenes of foreshadowing where your connection to Jordan’s performance and knowing how the story ends raises your heart levels just a little bit. Melonie Diaz as Oscar’s girlfriend and Octavia Spencer as his mom bring some great performances here too. Spencer especially has some really great moments that bring to life some of the family dynamics we get here. Specifically, in one scene she realized that she couldn’t see him in jail anymore and she just walks out. Coogler places the camera perfectly next to spencer which tracks with her as she walks out and Oscar in the background begging her not to leave. Amazing moment. She has another great scene at the end of the film after the doctors give her the news. The supporting roles that include Oscar’s friends are great and believable as well as Ariana Neal, who plays Oscar’s cute daughter. The film follows his daily routine for the time of life he’s in and the performers give it that realistic aesthetic Coolger was going for. You were a part of the family for a night.

Grade: A

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SCORE
Ludwig Göransson’s score is tough to grade here because Coogler doesn’t use it much and it’s incredibly intentional. The score fits in perfectly well it’s there and the transitions shots need it and it’s the kind of score that this film needs. It’s background noise that lifts up realism and sets the tone of the film. It’s a sad story that has a tragic ending and the music foreshadows that well, again when it’s used.

Grade: B+

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Overall Grade: A-

Movie Review: The Wolverine is sharper than Origins


Director: James Mangold
Writers: Mark Bomback (screenplay), Scott Frank (screenplay)
Stars: Hugh Jackman, Tao Okamoto, Rila Fukushima

Synopsis: Summoned to Japan by an old acquaintance, Wolverine becomes embroiled in a conflict that forces him to confront his own demons.

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DIRECTION
James Mangold does a pretty good job here minus a few hiccups as we continue Logan’s story as Wolverine. Mangold does a good job of capturing what is a mostly down-to-earth, realistic type setting until we get to some of the later action sequences. There’s a series of flashbacks and dreams used when Logan is dreaming that I thought was used well as Jean Gray comes back to haunt Logan, creating conflict with him and his immortality. In the middle of all of that Mangold captures the Logan-rugged aesthetic really well which brings you right into the character and what he’s doing. At one point, Logan loses his healing ability and the way that was captured, while used before, brought you into the character well so you could understand what he’s seeing and why he’s struggling. There are some elements toward the end of the film that make me question some of the continuity of the X-Men story and was even a little distracting. The action sequences become very comic book-y and you lose the sense of ruggedness and realism the film started out with. The story also seems to have little purpose and while it does come around at the end, Mangold lost the ability to make sense of the lead up to the reveal. Overall, the fun and the journey of this character is much better here than previous films and it will carry momentum into further X-Men films.

Grade: B+

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SCRIPT
The story is a descent one but it has a few flaws that does detract from the film. As the story picks up, we find Logan who is struggling with himself and the guilt of what happens at the end of X3. He begins to see Jean Gray in his dreams as well as an old friend he once saved during the drop of the atomic bomb on Japan, Yashida. Yashida is now dying and requests to see Logan before he dies and when they meet up, Yashida reveals he can end Logan’s immortality. From there, it’s revealed that Logan is beginning to lose his healing ability and he is keeping Yashida’s granddaughter, Mariko, from being killed by a Japanese mafia. It’s along this journey where the film starts to get away from itself and Logan apparently has the ability to not only heal quickly, but also fall in love pretty quickly. His relationship with Mariko becomes intimate and isn’t well explored. It seems forced, especially since Logan is in the middle of dealing with Jean Gray in his dreams and the hurt that came from that love with her. The antagonist story line isn’t very clear and it becomes clumsy and all over the place. Other story arcs including Mariko’s father, Mariko’s fiancé, and an old boyfriend of Mariko are introduced but mostly just add clutter. The father story arc makes sense and does add to the movie but the rest of them aren’t needed and just waste screen time. Give me more Logan. The reveal at the end doesn’t do anything either and won’t be surprising to many. However, because of the events in the final battle, it raises continuity questions and questions about Logan as the Wolverine. The script saves itself though in the post-credits where it teases X-Men: Days of Future Past which is easily the best part of the whole movie and it’s amazing.

Grade: B-

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PERFORMANCES
Hugh Jackman was born to play this role and he’s incredible with the iconic character once again. He just knows the ins and outs of how to bring Logan to life and Jackman knows what he’s doing here. He loves the character and you can tell every time he’s on screen. What’s important here though, is the fact that he has to carry this film the whole way. We get no other X-Men characters that people know and like, which will hurt this film as well. Hal Yamanouchi, Tao Okamoto, Rila Fukushima, Hiroyuki Sanada, Brian Tee and Svetlana Khodchenkova are great actors and give good performances but, most people will not know these names nor their characters. Other than Jean Gray cameos we are introduced to a completely new environment and aesthetic than what we’ve seen before. However, the performances do stand by themselves and the Japanese, and one Russian, actors in this film are good and fun to watch. While a few of the characters aren’t necessary or done well, the performances are fine. And as the title suggests anyway, this is all about Hugh Jackman and how he carries the story forward, which he does well.

Grade: B+

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SCORE
Marco Beltrami gets the nod to score here and while I like Beltrami, the score is mostly boring and isn’t very fun for a comic book movie. To his credit, the movie is a little bit darker than previous films and needs to be grittier but that could of been done in a not-so-boring way. With a character like The Wolverine, the music could of been a little bit more edgier and perhaps more synthesized than what we get. It’ll be hard for anyone to live up to Henry Jackman’s X-Men First Class score, but you can still come up with something more reachable. Beltrami folded on this one.

Grade: C

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Overall Grade: B-

Movie Trailer: Bryan Cranston goes head-to-head with Alice Eve in Cold Comes the Night

When you find a big wad of cash next to a dead body, just leave it alone.

That’s the pickle Alice Eve’s character gets herself into in Cold Comes the Night, which we got our first look at recently with this trailer via Total Film. In the film, Eve plays a single mother who is struggling to make ends meet until she finds a bag full of money. She thinks everything will be OK until Bryan Cranston’s Russian thug shows up.

This is the first I’ve ever heard of Cold Comes the Night, but I’ll definitely be seeing it once it comes out for the lone reason that Cranston is playing a Russian thug. His accent is just fantastic and he does such a great job of playing a bad guy (don’t mess with Walter White!).

Cold Comes the Night is released in the UK on September 20; a US release date has yet to be announced.