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Movie Trailer: George Clooney’s Monuments Men is an Oscars player

Wow! Monuments Men looks amazing!

Today we got the first trailer (via The Playlist) for George Clooney’s latest directorial effort involving a true story based on a rag-team team museum curators and architects tasked with saving pieces of art and artifacts before they can be destroying by Hitler during World War II. The movie stars Clooney, Matt Damon, John Goodman, Bill Murray and Cate Blanchett.

Monuments Men definitely looks like it could take home some Oscars, as it’s very reminiscent of last year’s Best Picture winner Argo — a piece of history mixed with a little humor to draw in the mainstream audience. With Clooney behind and in front of the camera along with the rest of the cast, this is definitely one I’m looking forward to.

Monuments Men hits on December 18.

Movie Trailer: Captain Phillips gets intense

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Captain Phillips is one of the movies this year that will most likely fly under the radar but is one of my most anticipated films for the rest of the year. And now we get a new and intense trailer for the film that shows a little bit more and what you can expect.

When I first heard this story in 2009, I thought it was completely badass and had the thought that this going to be the easiest script to write because it felt like something you’d only see in the movies. The script was written by Billy Ray who wrote The Hunger Games, State of Play, and Breach so I’m confident it will come together. Paul Greengrass is a really great director and with an actor like Tom Hanks, this movie has a lot of potential.

Check out the trailer here and let us know what you think!

Captain Phillips comes to us on October 11.

Movie Trailer: Diana coming to the big screen in style

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Last month we got the first teaser for Diana starring Naomi Watts and now we have our first full-length trailer for the film. This trailer features more characters and much more of the story which is pretty intriguing. The trailer shows Princess Diana behind the scenes and how the world around her was effecting her.

I think if you’re a fan of Princess Diana you’ll at least be intrigued by the movie and Watts’ performance seems really great. It’ll obviously have a sad and tragic but could still be a fun watch. Anyway, see the trailer here and let us know your thoughts!

Diana is set to open in the U.K. on September 20th, and across Europe throughout October. No U.S. release date has been announced.

Movie Review: Drinking Buddies orders a round of complicated relationships


Director: Joe Swanberg
Writers: Joe Swanberg
Stars: Olivia Wilde, Jake Johnson, Anna Kendrick, Ron Livingston

Synopsis: Luke and Kate are co-workers at a Chicago brewery, where they spend their days drinking and flirting. They’re perfect for each other, except that they’re both in relationships. Luke is in the midst of marriage talks with his girlfriend of six years, Kate is playing it cool with her music producer boyfriend Chris. But you know what makes the line between “friends” and “more than friends” really blurry? Beer.

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DIRECTION
Drinking Buddies is one of the more incredibly realistic takes on relationships and it achieves this through real dialogue, real drama and real-life type characters. This movie has zero script and it is completely free-styled which means the performances are real and it feels that way. The aesthetics that Joe Swanberg creates is amazing and you feel like you’re apart of the group while you’re in the experience. The cinematography isn’t always smooth but rather moves with the characters giving you a sense of being a character yourself amongst the characters you’re watching on screen. The music choices Swanberg is perfect and a lot of fun but what’s also interesting is his use of non-music in a lot of the film. In order to capture more realism, there are a lot of scenes with no music, giving you a chance to hear all the laughter, natural sounds and dialogue which enhances the realistic approach that is taken here.

Grade: A

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SCRIPT
There is no script but there is an over-arching story that is used to help organize what’s going on. The movie centers around Kate (Olivia Wilde) and Luke (Jake Johnson) who are really close friends and co-workers at a brewery in Chicago. They are both in relationships (not with one another) but their actions are incredibly flirty and with all pun intended, they flirt with the boundaries of being friends without it being “cheating”. Again with the tone being realism, at some point this is an unfortunate issue that most people deal with at some point in their lives and this film recognizes and explores it well. Even when Luke and Katie are with their significant others, if they are in the same location they are most likely hanging out together and again flirting with those lines. However, it’s really funny and the characters are incredibly interesting which makes the story that much more engaging. The drama is just as real and when you explore these territories, that will happen, but it’s done in a way that is relatable and the realism just seeps through the pores of this story. And the best part? There is no typical Hollywood ending that makes it cheesy and predictable. The film plays it straight, leaves resolution to be needed but yet is satisfying on every level. Again, in a film where every character and the entire aesthetic is inspired by realism, the movie ends on a note that elevates it to that position.

Grade: A-

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PERFORMANCES
The performances are really good considering there was no script but only little direction to guide them in their performance. At the same time though, it’s what makes the movie feel so real and relatable. Olivia Wilde is pretty great and has some amazing moments. There are a few times you can tell she’s reaching and trying to figure out what to say but her charm and skill was enough that she was able to pull out what every scene required. Anna Kendrick probably struggled the most but her character almost called for that given the fact that her character has some strong issues she’s dealing with, which would make it hard for someone in real life. Jake Johnson and Ron Livingston are natural’s at it and were completely smooth. Livingston isn’t in the movie a whole lot but for what his character is he does a great job. Johnson is on fire right now and is one of the better actors out there. He’s hilarious and extremely likable and what he brings to the table here is very impressive. Nothing feels free-styled coming from him and his character, especially as a guy, is very relatable and is something a lot of guys go through at some point in their life. The performances are critical given the fact they are making up dialogue as they go along and their chemistry is second to none, for the most part. There are a few parts where they struggled a little bit but given the theme of the film and the realistic setting, you can expect some of that. Overall, they are amazing and it’s rarely distracting.

Grade: A

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SCORE
There is no score but the musical choices that Swanberg uses are great and adds a lot to the fun aesthetic that we find ourselves in. The soundtrack is recommended and is a fun listen to outside of the film. Lady Luck by Richard Swift is specifically a great song choice and really set the tone of the film well.

Grade: A-

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Overall Grade: A-

Movie News: The Lone Ranger crew blames critics for bad box office

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The Lone Ranger has been a disaster at the box office and the movie’s stars know where the blame should be placed.

In a recent interview with Yahoo! UK, stars Johnny Depp and Armie Hammer, along with producer Jerry Bruckheimer, didn’t hold anything back when it came to defending The Lone Ranger and blaming critics for their terrible reviews (the movie is at 29 percent on Rotten Tomatoes) for its terrible box office haul (just $80 million domestically).

While I do agree with what they say about critics sometimes writing off movies before they even see them, they just have to face the reality that The Lone Ranger is not a very good movie (read our full review here). And just because a movie gets bad reviews, doesn’t mean it automatically doesn’t make any money — just look at the Transformers series and more recently, Grown Ups 2.

My favorite moment from the whole interview is when Bruckheimer said that The Lone Ranger is “really a terrific movie” and that critics will re-review in a couple of years and realize that they missed something. Um, no. We’ll review it in a couple of years and still think it’s crap — probably even more so.

Movie Trailer: God of Thunder is back in Thor: The Dark World

Thor is back!

Today we got the newest trailer for Marvel’s Thor: The Dark World, the sequel to 2011’s pleasant surprise starring Chris Hemsworth, Natalie Portman and Anthony Hopkins. Alan Taylor of Game of Thrones fame is directing this time around.

I’m really liking what I’m seeing from The Dark World (even though last week’s poster could’ve used some trimming). The scale seems to be bigger and everything seems a bit more grim. Although after seeing the trailer, I really wish they would’ve saved the final part for the actual movie as that would’ve been a fun moment. Oh well, I guess.

Thor: The Dark World hits theaters on November 8.

Podcast: Fruitvale Station and Drinking Buddies – Extra Film

This week on the InSession Film Podcast: Extra Film segment, we review Ryan Coogler’s debut film, Fruitvale Station and the indie film Drinking Buddies starring Olivia Wilde and Jake Johnson.

Fruitvale Station Review
    Grades
    Nate: A
    JD: A

Drinking Buddies Review
    Grades
    Nate: B
    JD: A-

– Music

    Players Club – 4 Tay
    Lady Luck – Richard Swift
    The Return of the Eagle – Atli Örvarsson

To buy this podcast for a small donation, click here. Your support is extremely appreciated!

To hear this episode and many more, download our apps on the Amazon Market for Android and the Podcast Box app on IOS devices. This helps support the weekly show and everything we do. We greatly appreciate the support.

IOS – Podcast Box App
Android – Amazon Market

 

Movie News: Harrison Ford replaces Bruce Willis in The Expendables 3

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Indiana Jones is in and John McClane is out for The Expendables 3.

According to creator and star Sylvester Stallone’s Twitter, Harrison Ford is replacing Bruce Willis in the third entry in the series.

Like Stallone said, this is GREAT NEWS! Willis already had a small part in the first movie and a big one in the second, so while it would be nice if he returned, it’s awesome that Ford (an action legend in his own right with Indiana Jones, Jack Ryan and Han Solo) is joining.

The Expendables 3 is shaping up to be the best one yet, as newcomers Ford, Milla Jovovich, Wesley Snipes, Mel Gibson and Jackie Chan join regulars Stallone, Arnold Schwarzenegger, Jason Statham, Mickey Rourke and Jet Li. Wow!

The Expendables 3 is set to hit theaters on August 15, 2014.

Movie Trailer: Humankind needs saving in Ender’s Game

The fate of humankind rests on Ender’s shoulders.

Today we got a new trailer for Ender’s Game, a movie based on Orson Scott Card’s bestseller about an alien invasion and a kid who’s tasked with saving us all. It’s directed by Gavin Hood of X-Men Origins: Wolverine fame and stars Asa Butterfield as Ender, Hailee Steinfeld, Ben Kingsley, Harrison Ford and Abigail Breslin.

While I’ve never read the book, based on the trailer, Ender’s Game looks pretty good. The visuals are nice and I’m always down for another alien invasion flick. But the only thing that concerns me is Gavin Hood’s name as his 2009 Wolverine was a complete and utter disaster. Who knows, maybe he stepped up his game (no pun intended) this time around.

Ender’s Game attacks on November 1.

Movie Series Review: Ali (Recent Historical Figures)


Director: Michael Mann
Writers: Gregory Allen Howard (story), Stephen J. Rivele (screenplay)
Stars: Will Smith, Jon Voight, Jamie Foxx

Synopsis: A biography of sports legend, Muhammad Ali, from his early days to his days in the ring.

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DIRECTION
Michael Mann does a good job of portraying Muhammad Ali but the movie as a whole lacks the energy and pace that should come with the lifestyle of Ali. Ali was high-energy all the time and was a fast-paced character but the film is anything but that and needed to embrace that energy and pace. However, Mann does a fantastic job of directing Will Smith and getting the portrayal and performance needed to bring this character to life. The cinematography however was really good, especially when we are in the ring. There is little score and all the boxing puts you into the shoes and gloves of Ali which was pretty engaging. On a side note, when the score was used, it made the scenes a little over dramatic when they really didn’t need to be. The tone (overall, not just the score) should of been more upbeat and full where we didn’t get that. The camera at times was shaky, but it’s appropriate given the sport that we’re exposed to here. The camera work overall was good though and it captured the aesthetic really well. Mann’s film is a little long and messy at times but overall the aesthetic and characters override some of the dullness this movie has. It’s easy to feel the era that were in and it’s fun meeting some of these famous boxers that is considered boxing’s heyday.

Grade: B+

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SCRIPT
Doing biography movies are very difficult because you are trying to tell a person’s story in 2 hours (or more) which is pretty hard to do. Biopics need to be condensed and focused strongly in order to work and in Ali, it’s easily the part that brings this film down. The movie is focused on Ali’s life from when he won the Heavyweight Championship the first time up until he won it the second time which was about 10 years or so. In that time, the script focus’s on Ali’s religion life, his female companionship life and of course, his boxing life. Each one of those areas could be a movie on it’s own thus making the script a little messy and even un-interesting at times, especially if you know the story. When outside of the ring, it’s slow pace can be distracting but we get to know the man more which is what we are looking for here. Specifically with Ali’s relationship with Howard Cosell was done extremely well and gave us something we may or may not have known about Ali. Speaking of, Ali was written really well (and performed even better) and it’s what made the movie really engaging. The one-liners Ali was known for was hysterical and interesting and it’s what we should expect from this character. Should this script have been more tightened and focused, given the performance by Will Smith, this had potential to be one of the best biopics of all-time.

Grade: B

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PERFORMANCES
The performances are through the roof in this film. Smith, who was nominated for an Oscar, was extremely incredible as Ali and brought a lot of energy and flash to this character, where the rest of the film couldn’t keep up. The one-liners and cocky attitude we all know, and perhaps adore, was hysterical and spot on. It’s 1000% believable and for a moment we forget who the actor even is. Voight is just as amazing as Howard Cosell, who had the voice down pat, and along with the makeup brought Cosell to life. The banter between Voight and Smith was great and you could feel the chemistry. Jamie Foxx and the rest of the cast was also very good and brought something to the table. It was also fun seeing other characters with screen time such as Malcolm X, Sonny Liston, ‘Smokin’ Joe Frazier and others from that era as well. The performances from those characters won’t be stand out, but still fun to see.

Grade: A

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SCORE
Pieter Bourke and Lisa Gerrard teamed up to do the score here which is pretty good overall. Gerrard is pretty well known for bringing good drama into her score, see The Gladiator, and you can hear it here as well. The score is a little somber and slow-paced for the most part, but again, given the direction here, it’s appropriate. We get a heavy score toward the end of the boxing sequences which makes the scene more dramatic than what it is, but the music is good and easy to listen to. It just would of worked better if the tone of the film overall was different.

Grade: B+

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Overall Grade: B+

Podcast: Top 3 Buddy Cop Characters

This week on the InSession Film Podcast, we have a really great time discussing our Top 3 actors/characters we’d want by our side as our buddy cops. Some are practical and some are…well not so much.

Nate

1) William Wallace – Braveheart
2) RoboCop – RoboCop
3) Judge Dredd – Dredd

JD

1) Samuel L. Jackson – Actor
2) James Carter – Rush Hour series
3) Bumblebee – Transformers series

Scott

1) Driver – Drive
2) O-Ren Ishii – Kill Bill
3) Toshiro Mifune – Actor

For the entire podcast, click here.

Podcast: 2 Guns, Top 3 Buddy Cop Characters, Ali – Episode 24

This week on the InSession Film Podcast we review 2 Guns starring Mark Wahlberg and Denzel Washington as well as discuss our Top 3 Actor/Characters we would want as our buddy cops. We also continue our Recent Historical Figures movie series with our fun, in-depth look at Ali starring Will Smith.

2 Guns Review (3:20)
    Grades
    Nate: C
    JD: B-
    Scott: C

Our Top 3 Buddy Cop Characters (25:50)

– Movie Series Review – Ali (Recent Historical Figures) (46:10)

– News
(1:13:40)
    – Lone Survivor trailer
    – American Hustle trailer
    – Avatar to have three sequels

– Movies We’ve Seen This Week
(1:31:30)
    Nate: Side Effects
    JD: Only God Forgives, Europa Report, Drinking Buddies, Blue Valentine, Moon
    Scott: The Way, Way Back, Fruitvale Station

– Music

    (All Along The) Watchtower – Devlin, Ed Sheeran
    Master of Shadows – Nick Phoenix
    See the Sun – Lisa Gerrard, Pieter Bourke
    Wanna Fight – Clint Martinez
    The Return of the Eagle – Atli Örvarsson

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InSession Film Podcast – Episode 24

Movie Poll: Would you want to live in a place like Elysium?

In anticipation for Elysium starring Matt Damon coming out this weekend, we wanted to know where your science exploration stands. Would you want to live in a place like Elysium in outer space or would you want to stay grounded on Earth? And for the sake of argument, let’s say Earth isn’t destroyed and it’s like how it is now.

Vote here and let us know!
[yop_poll id=”21″]

Movie News: Steven Spielberg backs out of American Sniper

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Steven Spielberg is still looking for his next directing gig.

According to Deadline, Spielberg — along with DreamWorks — has backed out of directing American Sniper after declaring in May that that would be his follow-up to last year’s Lincoln. The stated reason was that Spielberg couldn’t “square his vision of this movie with the budget.”

American Sniper stars Bradley Cooper as Chris Kyle, a real-life US Navy SEAL with more sniper kills than anyone in US history. Cooper is also a producer.

It’s kind of disappointing that Spielberg isn’t directing American Sniper, as the subject matter sounds up his alley; he does have a pretty good track record with biopics (i.e. Schindler’s List and Lincoln). But it’s nice that he’s being choosy and not just doing something to do something. It’ll be interesting to see what one of the greatest directors of all-time has next up his sleeve.

Movie News: And the host of the 2014 Academy Awards is …

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Ellen_DeGeneres_(1)_0

Ellen DeGeneres.

That’s right, it was recently announced that DeGeneres will host the 86th Academy Awards on March 2, 2014 on ABC. It will be DeGeneres’ second time hosting, as she earned an Emmy nomination for hosting in 2007.

“I am so excited to be hosting the Oscars for the second time. You know what they say — the third time’s the charm,” DeGeneres said.

DeGeneres has appeared in movies and on television and currently hosts the syndicated talk show The Ellen DeGeneres Show, which has earned a total of 45 Daytime Emmys during its 10-year run.

I think getting Ellen to host the Oscars is a great move. She obviously did a great job the first time around and people love her. I think she’s pretty funny (just read her quote above), and as much as I loved Seth MacFarlane this year, I think Ellen will be even better.

Box Office Report: 2 Guns shoots it way to No. 1

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The combo of Denzel Washington and Mark Wahlberg was enough to win over audiences over the weekend.

2 Guns took in $27.3 million to open in the top spot at the box office. The R-rated buddy-cop doesn’t offer anything new, but the chemistry between Washington and Wahlberg makes it watchable.

After debuting at No. 1 last weekend, Fox’s The Wolverine fell to second with $21 million and $95 million to date. The Hugh Jackman-starring action thriller will have a hard time topping 2009’s much worse X-Men Origins: Wolverine‘s nearly $180 million haul.

Debuting in third was Sony’s Smurfs 2, which grossed $18.2 million for the weekend and $27.7 million since its release on Wednesday. The sequel should do much better overseas, however, as 75 percent of the original 2011 Smurfs‘ total gross came from overseas.

The Conjuring continued to scare audiences, grossing $13.6 million to take fourth. The Warner Bros. supernatural thriller has grossed over $108 million in just over two weeks.

Universal’s animated comedy Despicable Me 2 rounded out the top five with another $10.3 million. That brings its domestic total to $326.6 million and its worldwide total to a whopping $713.6 million.

This week features four new releases, highlighted by Elysium, Neill Blomkamp’s follow-up to 2009’s District 9. Planes also comes out on Friday, while Wednesday sees the releases of Percy Jackson: Sea of Monsters and We’re the Millers.

Opening This Weekend: Buddy-cop comedy/thriller 2 Guns this weekend’s biggest release

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Denzel Washington and Mark Wahlberg team-up in the buddy-cop comedy/thriller 2 Guns, which highlights this weekend’s newest releases. The completely unnecessary sequel The Smurfs 2 is the other nationwide release.

Here’s the full list of movies that are hitting theaters this weekend:

2 GunsOur Full Review
The Smurfs 2
The Spectacular Now (Limited)
The Canyons (Limited)
Europa Report (Limited)
Drift (Limited)

Movie Review: Europa Report is a realistic approach to science fiction


Director: Sebastián Cordero
Writers: Philip Gelatt
Stars: Christian Camargo, Embeth Davidtz, Michael Nyqvist, Anamaria Marinca, Sharlto Copely, Daniel Wu

Synopsis: An international crew of astronauts undertakes a privately funded mission to search for life on Jupiter’s fourth largest moon.

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DIRECTION
Sebastián Cordero does a pretty good job here with an interesting and realistic approach to space exploration in the sci-fi realm. This movie is really more of a pseudo sci-fi film and while it has it’s science fiction elements, it has a lot of real science it it. When trying to make this film, they wanted to make as close to a real science movie as possible and Cordero did a really great job for the most part. It’s all found footage and that element is explored really well giving you more sense of realism throughout the film. The camera work includes video testimonials, interview style, from within the space craft as well as interview’s with a few people from the private corporation back on Earth who helped fund and oversee the project. There are also several camera’s throughout the space craft that also captures the drama that unfolds and it’s comes together well organized and natural. The shots of space and the planets as the astronauts are on their journey are great and give a really fun aesthetic. Overall, Cordero does a great job of exploring the science, keeping it pretty close to real life and giving us an experience of what it may be like to get to Europa.

Grade: A-

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SCRIPT
The story centers around a privately funded mission to one of Jupiter’s moon’s, Europa, which would carry a group of strong international astronauts. In real life, Europa was found to have ice and water on it’s surface and wherever we find water on Earth, we find life. Many scientists have questioned and wondered if there would actually be life there given the facts of how things work on Earth and this film explores that possibility in an interesting and realistic way. While the actors aren’t A-listers, the characters here are actually pretty interesting, scientific and engaging for the most part, especially for a small project like this. You find yourself caring for them and you start to wonder what it would be like to explore the universe and if it’s possible to find life elsewhere. While it gets a little cheesy and more sic-fi toward the end, it’s still a fun and dramatic way to see what it may be like. For what this movie is and the way it’s captured, it’s not too bad.

Grade: B+

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PERFORMANCES
The performances aren’t going to win Oscars by any means, but again, for what this movie is, it’s pretty good. Most of these actors are relatively unknown which elevates the realism even more since in real life we (the common people) most likely wouldn’t know the real-life astronauts either. However, these actors pull of astronaut really well and do a great job. Sharlto Copely, who may be Michael Bay’s long lost twin, is the stand out and does a really great job. He was amazing in District 9 and is easily the best one here as well. He’s funny and charismatic and his character becomes the one you care about the most. Dan Fogler, who’s a really underrated actor, stood out here too. While is character isn’t on screen as much, he comes of incredibly believable as a doctor who helped oversee and manage the project from Earth. The rest of the performances were good too and while they weren’t necessarily stand outs, they did what their roles required.

Grade: B+

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SCORE
Bear McCreary, who is a pretty good composer, has a great score here which was fun and added a nice touch to the movie. His score elements were digital and appropriate given the science-y aesthetic we have here. However, several tones and melodies sounded very similar to Paul Leonard-Morgan’s score for Dredd, which was a little distracting and felt like taking an easy way out on some levels. It’s still a good score but a few points taken away for stealing.

Grade: B

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Overall Grade: B+

Movie Review: Denzel Washington and Mark Wahlberg make 2 Guns watchable


Director: Baltasar Kormakur
Writers: Blake Masters, Steven Grant (graphic novels)
Stars: Denzel Washington, Mark Wahlberg, Paula Patton, Bill Paxton

Synopsis: A DEA agent and a naval intelligence officer find themselves on the run after a botched attempt to infiltrate a drug cartel. While fleeing, they learn the secret of their shaky alliance: Neither knew that the other was an undercover agent.

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DIRECTION
2 Guns is a perfect example of a movie taking a paint-by-numbers approach; a movie that isn’t bad but isn’t good. It’s generic; it’s all been-there, done-that from the script to the performances to the score. And that all lands on the shoulders of director Baltasar Kormakur, whose last year’s Contraband falls along these same lines. Luckily, he has two very talented actors here in Denzel Washington and Mark Wahlberg who carry the movie and keep it from being a mess. And Kormakur does get a nod for a couple nice shots, particularly one involving time-lapse. But other than that, 2 Guns is one of those movies that’s best reserved to watch on TV on a Thursday night when nothing else is on.

Grade: C

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SCRIPT
Not sure if it was just bad source material or just ineptitude but Blake Masters’ first foray into movie screenwriting wasn’t very good. 2 Guns is filled with seen-it-before characters, twists and turns, action beats and a tone that ranges from completely serious to completely goofy. It’s not that it’s bad, it’s just that it’s all things we’ve seen before, multiple times in fact. But perhaps the biggest problem with the script is that we don’t give two craps about any of the characters, from the leads on down. They’re all completely one-dimensional with no backstories and no connection for us to make with them and their decisions.

Grade: D+

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PERFORMANCES
2 Guns belongs to its two top dogs: Denzel Washington and Mark Wahlberg. Their chemistry, their banter carries the movie, despite them playing characters they’ve already played before. Washington is the straight-laced, hard-nosed DEA agent while Wahlberg is the cocky, smartass Navy officer (he’s basically playing the same role in did in The Other Guys). There’s not much to their performances, but they are good together and are pretty funny. Bill Paxton may give the best performance in the whole movie, as a mysterious (CIA) operative who is completely cheesy and over-the-top with his accent and the way he interviews his subjects. The rest of the big names are pretty much wasted: Paula Patton plays the role of love interest/damsel in distress, Edward James Olmos plays a stereotypical Mexican drug dealer and James Marsden plays a Navy officer. All of these roles could’ve been played by no-name actors and it would’ve been all the same.

Grade: C+

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SCORE
Like the rest of 2 Guns, Clinton Shorter’s score is pretty generic in a been-there, done-that sort of way. It’s exactly what you’d expect from something in this genre and doesn’t offer anything new. It doesn’t add anything to movie — in fact it isn’t used that much, which is a plus I guess. While the score wasn’t anything to brag about, the song “Two Against One” by Danger Mouse featuring Jack White was nice to hear.

Grade: C-

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Overall Grade: C

Movie Review: Upstream Color is ambiguous yet really beautiful


Director: Shane Carruth
Writers: Shane Carruth
Stars: Amy Seimetz, Shane Carruth

Synopsis: A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives.

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DIRECTION
Shane Carruth, who not only directed Upstream Color but also did the editing, cinematography, male lead, and score. Oh, he also acted as the distributor too. He doesn’t only just wear a lot of hats but he’s a genius at it too. The story he tells is so ambiguous and it makes no sense on the surface. However, it’s gorgeously shot and reminds you a lot of Terrence Malick in some scenes. In some cases, the cinematography is ambiguous and makes you wonder what he’s doing and it just adds to the complexity of the experience. The story really isn’t that complicated but it’s the way it’s pieced together and how it leaves gaps that make you scratch your head. This movie is so well crafted and thought out and will leave you weirdly satisfied at the end.

Grade: A

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SCRIPT
I don’t even know where to begin here. The story centers around a woman, Kris, to is drugged and is infected with a parasite which leaves her conscious but unaware of what’s going on. She’s forced to sign her assets away to the man who drugged her and when she awakens she isn’s sure what happened to her. It’s after that where this movie starts to really get ambiguous. Before she awakens she somehow is at a farm where she transfers the parasite from her to a pig. Yep, that’s right. Later she meets up with a man named Jeff, whom they start a relationship and she soon finds out Jeff had a similar experience. The two start to remember some things of their past and the pieces start to come together of what happened (sort of). At least that’s my best guess, although I don’t think anyone has figured out this beautiful puzzle yet. What makes the story work is how interesting the characters are. You find yourself interested, frustrated, angry, and engaged with the characters and their interactions all at the same time. You have no idea what’s going on yet you care for them and what happens to them. Jeff and Kris’ relationship is intriguing and gorgeously captured and you can’t help root for them, which is amazing once it all comes together. It’s so unique and different and it has Shane Carruth written (literally) all over it. While it’s beautiful art and geniously written, it will make some people extremely confused and could throw you off if you’re not into it. Although it makes you think, it’s within the thought you can find the awesomeness of this story.

Grade: A-

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PERFORMANCES
This film is mostly just our two main characters played by Amy Seimetz and Carruth. Their chemistry is amazing and they make it really easy to buy into their relationships. And not only are the characters written well (and extremely weird), it’s the way they make it come off screen that makes it also believable. The confusion and ambiguity is palpable all over both actors and it’s within the confusion where the beauty of this story lies. The characters are forced to grow together and are there for each other when the truth rises of what happened. And while there is little dialogue between Seimetz and Carruth, their body language and chemistry make it amazing and beautiful to watch. Extremely well done.

Grade: A-

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SCORE
Well as I mentioned before, Carruth also did the score and it’s incredible. The score fills this film quite well and it makes the movie feel really full. And because there is little dialogue the score really stands out here among the beautiful shots that will define this movie. The melodies are gorgeous and soft and will accompany the sad and confusing tone of the film really well. It’s actually a great score to listen to outside the film as well, although you need to be in the right mood for it. The music doesn’t have happy themes that you’ll want to party to but they are themes that fit well and sound great.

Grade: A-

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Overall Grade: A-