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Podcast: Top 3 2013 Best/Worst Summer Movies

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This week on the InSession Film Podcast, we dive deep into the best and worst summer films of 2013. Our summer movie discussion was a lenthy, in-depth, and fun look at why this summer wasn’t as bad as you may think when it comes to film. Our Top 3 this week was more conversational than a list since there was so much to talk about. But here are some of the movies that Scott and JD discussed as they wrapped up the summer of 2013 and why it wasn’t as bad as most people thought. JD broke these films down even further in a featured blog post from last week that you can read here.

Worst Movies:
JD
R.I.P.D.
White House Down
After Earth

Scott

The Grandmaster
The Lone Ranger
Star Trek: Into Darkness

Other Notable Worst Movies

The Internship, 2 Guns, and The Hangover III were movies that you could skip and you wouldn’t miss a whole lot.

Big Disappointments
Man of Steel
Iron Man 3
Kick-Ass 2
Elysium
The Wolverine (for JD only)
Lee Daniels’ The Butler

To note for these films, they are NOT bad movies. All of these films are enjoyable on some level but for some reason didn’t live up to expectations for whatever reason and we explain on the podcast. And we realize that a lot of people sit on the fence with these movies. To some people, they were good so we’d love your feedback whether you agree or disagree with our picks.

Special Awards

Best and Worst Movie of the summer: The Lone Ranger (It’s explained on the podcast)

Biggest Surprise: Turbo

One People Didn’t Get: Pain & Gain (Again, it’s explained on the podcast)

Best Movies
JD
Pacific Rim
Star Trek: Into Darkness
World War Z
Fast 6
This is the End
The World’s End

Scott

Pacific Rim
World War Z
Fast 6
The Wolverine
The Spectacular Now
This is the End

Other notables are Monsters University, Despicable Me 2 and The Heat (which was a bit surprising). While Monsters University and Despicable Me 2 don’t live up to their predecessors, they are effective for what they are trying to do.

The other big winners, that we collectively agree on, that make this a strong summer are the indie movies that came out.

Blackfish – The documentary so far this year.
The Spectacular Now
The Way, Way Back
Fruitvale Station – Michael B. Jordan better be nominated for an Oscar.
Blue Jasmine
Drinking Buddies – Jake Johnson is awesome.
Prince Avalanche

For the entire podcast, click here.

For more lists done by the InSession Film crew and other guests, be sure see our Top 3 Lists page.

Podcast: Insidious Chapter 2, Best and Worst Summer Movies 2013 – Episode 30

This week on the InSession Film movie podcast, we review James Wan’s latest paranormal horror movie, Insidious: Chapter 2. We also dive deep into the best and worst summer movies of 2013 which was a lot of fun. And we finish of the show this week with a look at Bad Boys 3, new Star Wars movie details and other movies we saw this week.

Insidious: Chapter 2 Review (4:30)
    Grades
    JD: B-
    Scott: B

Top 3 2013 Best/Worst Summer Movies (24:25)
This was more conversational than a “list” per se, but it was a lot of fun re-visiting all the movies we’ve discussed over the summer, even if they weren’t the great or they were disappointing. But the summer as a whole may not have been as bad as you would think.

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Listen to episode 29 of the InSession Film movie podcast.

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– Movie Series Review – Our review of Any Given Sunday was pushed back to next week’s show.

– News
(1:24:38)
    – Jerry Bruckheimer being pushed towards Bad Boys 3 and Top Gun 2
    – News that Star Wars side movies will be origin stories
    – New name and poster for Jurassic Park 4

– Movies We’ve Seen This Week
(1:35:55)
    Nate: N/A
    JD: Blackfish, Super
    Scott: BLackfish, This is the End

– Music

    Ghost Photographs – Joseph Bishara
    Summer Wine – Nancy Sinatra, Lee Hazlewood
    Goin’ In (Skrillex Remix) – Birdy Nam Nam
    The Return of the Eagle – Atli Örvarsson

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InSession Film Podcast – Episode 30

Movie Poll: What is your favorite Hugh Jackman performance?

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This week on the InSession Film blog movie poll, we are asking about Hugh Jackman. Jackman’s performance in Prisoners has been highly talked about and is one that we are anticipating very much this weekend. So in preparation for Prisoners we want to know; what is your favorite Hugh Jackman’s performance? Vote here and let us know!

Email us your thoughts at [email protected] or commment below. We’ll use these comments on our InSession Film podcast this weekend when we discuss the poll.

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Movie Series Review: Any Given Sunday is a gutsy blitz of intensity


Release Date: 1999
Director: Oliver Stone (Platoon, JFK, Natural Born Killers)
Writer: John Logan (Gladiator, Skyfall, The Last Samurai), Oliver Stone
Stars: Al Pacino, Cameron Diaz, James Woods, Jamie Foxx

Synopsis: A behind the scenes look at the life and death struggles of modern day gladiators and those who lead them.

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DIRECTION

Having not seen this film since around the time of its release, I was surprised to realize that I had forgotten what an adult tone and aesthetic that it possesses. From the opening scene until the credits roll, Any Given Sunday sports a famously intense script with hard-hitting action scenes that rival any football movie that I am aware of. The reality of the sport is realized by the use of shaky cam and marvelous sound editing as well as using professional football players instead of trained actors. Oliver Stone was the perfect director to be tapped for this gritty capture of America’s most popular sport. He is able to manage a lot of egos on top of leading a great crew in making great decisions on what to keep in the frame and what can be left out, as well as assisting in the editing process where over 3000 cuts were made. The length and breadth of this story had to be a challenge to actually put on the screen, and while it did seem a bit long for audiences who might not like football, it certainly delivers on epic scenes (mostly involving Pacino) and an unforgettable experience. I can only imagine what it might have been like in 1999 to go to the theater and see something this risky and forward-looking. This is as honest as it gets, and Stone definitely deserves praise for his efforts.

Grade: A+

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SCRIPT

The script could have been written on a typewriter in the middle of an NFL locker room for all I know, because not only is it crude, vulgar, and hyper-masculine at times but also seemed authentic and heartfelt. Exploring a barrage of themes and ideas in which sports movies rarely approach, Any Given Sunday dares to include such topics as how media encroachment affects pro sports and asking questions about why African-Americans represent a large majority of players yet are absent in management and ownership. Most interestingly, the movie explores the idea that American football is the bloodsport of our day, comparing it directly to chariot racing and gladiatorial sports of old, even cross-cutting between our movie and Ben-Hur at one point. Another big idea relates to how age affects us all, and especially in sports where careers are highly volatile depending on not just age but injuries that can happen at any moment. Overall, this is a solid screenplay that Stone put to great use.

Grade: A

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PERFORMANCES

Al Pacino and Jamie Foxx shine especially bright in this film, but that is not to say that others aren’t magnificent as well. Pacino’s Tony D’Amato character could have easily been out of place as a veteran football coach since we know Pacino so well as that gangster Tony Montana or countless other mafia character illustrations that he has given us. That was not the case, though, as Pacino seemed full of energy and looked refreshed even as a character that was written to be worn down by a career that became his life. I love seeing older actors bring something new to the table. Jamie Foxx plays a third-string quarterback who becomes an overnight celebrity and even a rapper, showing how sports players’ personal branding has become somewhat as important as their performance in the game. Another great performance came from a young Cameron Diaz, who straddled the line between arrogant heiress to a football empire and eager businesswoman desperately trying to rise above her abilities to manage the fading Miami Sharks franchise. Diaz reminds me a lot of Margaret Whitton’s Rachel Phelps from Major League, a former showgirl who becomes owner of the Cleveland Indians after her rich husband passes away. The difference here is that Diaz and the screenwriter take the role one step further and provide more depth to Christina Pagniacci so that we may empathize with her much more than we ever understood similar characters in film history.  Other performances that bear mention are NFL superstars Lawrence Taylor and Jim Brown who provided connections with modern-day NFL even though it was frowned upon by the league to participate. Terrell Owens also plays himself and makes big catches in the final game in the film. This is a huge cast and I felt that everyone seemed on the same page and delivered performances that are among their best of their careers.

Grade: A+

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SCORE

Wow, what is there to say about the music in this movie? There is so much that I can hardly imagine it not costing a small fortune to license. From Nina Simone to DMX, from Ella Fitzgerald to Black Sabbath, from Billie Holiday to Trick Daddy, and from Swizz Beatz to Hole, every genre and time period in modern American music history seems included. This added a great deal of authenticity to the film likening it to going to an NFL game. Not enough can be said of the incredible use of music here and this is also another area where Stone was not afraid to be risky. Perhaps the Swizz Beats ft. DMX track “My Niggas” relates the tone of the film overall, as it feels futuristic for a movie in 1999 while also portraying a sense of eternal strength.

Grade: A+

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Final Thoughts:

This movie is quite a wild ride, and one that I do not remember being as risque as it seems today. Perhaps that is an indictment of myself rather than the times, as I surely didn’t appreciate what this film was doing as a teen. Watch this for Pacino’s speeches, as they are some of the best of all-time. I think non-fans will either come out disgusted by the reality of pro sports or educated on the sport as a whole, understanding why sports and life present very similar challenges, and how we overcome them aren’t so different either. Inch by inch, Any Given Sunday is a definite touchdown.

Overall Grade: A

Movie Review: Blackfish is a gripping and powerful documentary


Release Date: 2013
Director: Gabriela Cowperthwaite
Writer:  Gabriela Cowperthwaite, Eli B. Despres
Genre: Documentary

Synopsis: Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity.

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DIRECTION

The direction in Blackfish is similar to many other anti-establishment and inhumane treatment of animal films–plays on your heartstrings and gives stories from witnesses pushing you towards action. The basic idea is to present factual evidence about the animal and then accuse certain entities of doing awful, terrible things. Quite frankly, I am okay with this to some degree as it is a cinematic tool which provides some justice for the cause it serves. All documentaries are biased and Blackfish certainly frames the narrative in a way that makes SeaWorld look like a horrible company with few bright spots. I didn’t appreciate the tease early on involving the viewer seeing videotape of a killer whale on the screen as someone narrating the footage describes an attack–it leads you to believe the killer whale is about to do something terrible. However, this is absolutely a situation that needs to be addressed by the government and without spreading the message, the public won’t demand elected officials to hold Seaworld accountable for how they treat their real talent–the animals. I fully support these kinds of documentaries getting positive airtime on radio and TV and getting award nominations and wins too. Ultimately this will educate its audience on a topic they hardly ever think about, although I’m not sure it will drum up any more support than the countless anti-Wal-Mart documentaries out there.

Grade: C+

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SCRIPT

The film was presented in a logical order and I felt that the interviews with former employees seemed legit and felt mostly complete. We get educated about a variety of noteworthy attacks, learn a history of the industry, and cover quite a bit of time. I don’t think it could have been presented in a better order necessarily, and that’s pretty much the only thing the script covers for a documentary…at least if you trust the filmmaker.

Grade: A

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PERFORMANCES

Great interviews with former Seaworld employees and animal trainers are littered throughout the film as well as interviews with people who worked for the guilty companies indicted in the film. Specifically, an interview with an elderly gentleman who helped capture the Orca in the 1970’s was quite powerful. The footage they acquired for this segment was incredible as well. The only real performances were from the killer whales and other animals who we see in footage taken from handheld cameras of Seaworld and Sealand visitors over the course of the last forty years. If you don’t feel bad for these animals, you don’t have much of a heart.

Grade: A

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SCORE

A great score of minimalist string music was here courtesy of Jeff Beal really heightens the mood and adds to the authenticity of the love and passion the filmmakers have for this cause.

Grade: A+

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Final Thoughts:

If you aren’t aware of the travesty that has occurred via Seaworld’s carelessness, check this out. If you already have, let us know what you thought below!

Overall Grade: A

Movie Series Review: Rudy (Football)


Release Date: 1993
Director: David Anspaugh (Hoosiers, Little Red Wagon)
Writer: Angelo Pizzo (Hoosiers, The Game of Their Lives)
Stars: Sean Astin (The Lord of the Rings Trilogy, The Goonies), Jon Favreau (Iron Man Trilogy, Swingers), Ned Beatty (Superman, Deliverance)
Original Music: Jerry Goldsmith

Synopsis: Rudy has always been told that he was too small to play college football. But he is determined to overcome the odds and fulfill his dream of playing for Notre Dame.

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DIRECTION

David Anspaugh stands as one of those directors in film history that has impacted the art/industry a great deal but has a very short filmography. In fact, he has only directed seven feature films, although he has done some work for television, albeit also very limited. Rudy, along with Hoosiers, changed the game for the entire sports genre. Rudy changed not only how football movies are shot, but also provided the example that sports films are a prime platform for an award-winning composer to work on. Anspaugh and his cast and crew deliver cinematic perfection in every scene, in every shot. Anspaugh’s ability to direct is incredible, and from the feelings that bleed through the screen into our senses, we know that we must be connecting with quite an artistic mind. The perfect combination of drama, humor, action, and score makes for what I would call a masterpiece.

Grade: A+

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SCRIPT

There are issues people have with any script that is “Based On a True Story”, but I think Pizzo did a phenomenal job of including and excluding what needed to be in the script. The character dialogues are extremely well-written and it takes a lot of sensibility about how an audience will react to be able to write scene-after-scene of this kind of material. The faux motivational speeches Rudy gives are my favorite, but of course many other scenes involving Ned Beatty and Charles S. Dutton were incredibly effective too.

Grade: A+

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PERFORMANCES

Sean Astin, Jon Favreau, Ned Beatty, and Charles S. Dutton turn in epic performances and I cannot imagine many films in their careers that would surpass their respective acting here. Astin, who plays our hero Rudy, makes me truly believe that no other individual in the world could have played Rudy this well. From scenes standing on chairs in empty locker rooms reciting Knute Rockne speeches, to dealing with family issues at home, Sean Astin is likable, gritty, and truly illustrates the never-give-up underdog spirit that the film aspires to. Favreau prevails in playing an awkward friend character to Rudy who helps him with homework in trade for Rudy’s help with women (both obviously lacking in both areas). I think some comparison could be made between the odd friendship here and that of Michael Cera and Jonah Hill in Superbad as you feel the two characters are very different but play off each other extremely well. My favorite scene in the film involved Astin and Charles S. Dutton though, who played as a mentor to Rudy during his years in South Bend. The performances in this scene are absolutely phenomenal (especially Dutton) and the scene hits you like a hard punch in the gut when it happens.

Grade: A+

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SCORE

What can be said about Jerry Goldsmith’s score? It won awards, it has been used in dozens of trailers since, and I recognized the music even as I had never seen the film. This is the kind of awe-inspiring, transcendental composition that makes it worth commenting on the music in films. It doesn’t get better than this.

Grade: A+

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Final Thoughts:

This is one of the greatest stories ever told on film in Hollywood, and a great example of how “Hollywooding” something up a little can turn a fantastic true story into something that can affect the viewer even more than just the truth. These are the kinds of films that can only be done in America.

Overall Grade: A+

Movie Review: Insidious: Chapter 2 solidifies a horror franchise

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Director: James Wan (Saw, Insidious, The Conjuring)
Writer: Leigh Whannell (screenplay, characters, story) & James Wan (story)
Stars: Patrick Wilson (The Conjuring, Insidious, Hard Candy, Watchmen) & Rose Byrne (Insidious, 28 Weeks Later, X-Men: First Class)

Synopsis: The haunted Lambert family seeks to uncover the mysterious childhood secret that has left them dangerously connected to the spirit world.

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DIRECTION

James Wan continues to churn out solid horror flicks by sticking to similar themes and techniques alongside a well-crafted screenplay. Wan gets strong performances from Rose Byrne and Patrick Wilson, but especially Garrett Ryan who plays the Patrick Wilson character in flashbacks to the past. You can tell that Wan worked hard to not only cast a child actor who was talented, but one that had similar facial expressions and mannerisms to those of his elder double Patrick Wilson. This is good evidence of Wan’s keen eye for talent. I greatly appreciate the consistency in length to the first movie, as sometimes director’s will go crazy and extend lengths of sequels because they think it adds more to the film. The editing is a bit overwhelming at the beginning of the film so be sure to refresh your mind on what happened in the first film before seeing this one. They work similar to the way Back to the Future films do in that you MUST see the first to understand the second, etc.

Grade: B+

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SCRIPT

The script written for the screen by Leigh Wannell runs quite smoothly and aside from some cheesy dialogue, it works. It never takes itself too seriously and is a lot of fun from beginning to end with surprises thrown in here and there which made me respect the thought and effort that goes into this franchise. It’s what horror should be in 2013. Wan references the landmarks of horror that came before it without being a copycat. He does what Tarantino tends to do but the difference being that Wan likes referencing more popular movies than QT does. Tarantino uses them as a derivative where Wan uses them to pay homage to and build upon for his purposes.

Grade: B+

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PERFORMANCES

Wan’s strengths to cast are not up for debate in my opinion, but I do have to wonder why there is an inconsistency between films in the performances we see from certain pieces of the puzzle. The most glaring one for me was Lin Shaye who came off extremely well in the first film, but seems almost amateur at some points here to me. I’m not sure if it’s direction or if it was an issue with Shaye but to me she was a weakness in this film. The other performances were good but no one was spectacular. This cast seems to click well together and Rose Byrne along with Patrick Wilson work well with the child actors in both films. Wan has created a franchise that, if continued, will be one of the better franchises in the genre lately (although that’s not saying a lot). A big part of that is the performances by his finely selected cast.

Grade: B

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SCORE

I watched this in a Cinemark XD theater which meant the volume was up and everything was extremely loud. I like the bumpers to both films even though the violins screeched at a deafening level for us in the theater. It always reminds me of Drag Me To Hell, even though many other films have undoubtedly done this same thing before Raimi did. Joseph Bishara did a nice job with the score and continues to be a solid accomplice to James Wan after they worked together for the first Insidious and The Conjuring from earlier this year.

Grade: A

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Final Thoughts: I watched this film as part of a double-feature showing both Insidious films and felt that they worked extremely well together. This is not one of my favorite franchises by any means but it is a solid one so far, and I think fans of the horror genre will appreciate the craftsmanship and thought that was put into this, while general audiences will enjoy it for a scary night out filled with jumps and creepy monsters.

Overall Grade: B

Featured: The Best and Worst Movies of Summer 2013

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Movies in the summer of 2013 can mostly be associated with disappointment, but depending on how you look at it, there was plenty of rich content still going around. Yes, there wasn’t a lot of great big budget action but there were some gems that made the summer not as bad as you would think. So, let’s break it all down and see what this year had to offer in terms of film.

Let’s start with the Losers:
after-earth-new-trailer-gets-emotionally-unpredictable

White House Down and After Earth have to top this list in terms of summer blockbuster action. Both movies were filled with some descent action sequences but fell extremely flat in terms of story and character. While White House Down was better than Olympus Has Fallen, it still doesn’t have a ton to offer. Jamie Foxx and Channing Tatum were kind of funny and brought a little bit to the table. While After Earth left Will Smith wondering how he can get back into the summer spotlight. And son Jaden isn’t quite the lead actor material quite yet.

Other losers have to include The Internship which is pretty disappointing since I loved Vince Vaughn and Owen Wilson in Wedding Crashers. Other comedies such as We’re the Millers, The Hangover III, and Grown Ups 2 somehow did well at the box office but offer nothing in terms of likability if you ask me. You can skip these and you won’t be missing anything.

R.I.P.D. is sad to me since I love Jeff Bridges and it’s hearbreaking he had to be a part of this but this is arguably up there with White House Down and After Earth. R.I.P.D. is the perfect example of how to ruin the talent given to you and how to waste money on CGI.

Even though I love Denzel Washington and Mark Wahlberg, I have to put 2 Guns into this category as well though. Walberg and Washington were funny and had good chemistry but overall this movie is average and isn’t anything that separates itself in anyway. The story is dry and very mundane. I would recommend catching this on TNT when it comes to TV in a few months.

Biggest Disappointment:
Man of Steel movie podcast

The biggest disappiontment of the summer is actually two movies; Man of Steel and Iron Man 3.

Man of Steel had so much potential but ultimately fell flat with the story and character. The CGI was awesome but the action and destruction also became a downfall for the film. Some elements were explored well but given the hype this movie had, it was a big heartbreak to walk out of the theater with the feeling I had. The biggest problem was there was no joy. I can lay down expectations and realism for this environment but with Christopher Nolan and Zack Snyder, I think it’s safe to say that having better expectations is okay here. And Man of Steel didn’t deliver on that.

Iron Man 3 was probably more disappointing though honestly. The Mandarin was shaping up to be the best comic book movie villain of all-time and Ben Kingsley looked like he was going to destroy the world and for the first time I wasn’t sure who’d win the battle. Of course, Iron Man would win in the end but my point is, is that it looked like it was going to be epic. When the movie revealed itself, it completely changed everything and the rest of the movie almost didn’t even matter to me. The way the rest played out was cheesy, dumb and it lost everything that made the Iron Man movies great. It was a big risk, but Shane Black struck out here.

Other disappointments have to be include Neill Blomkamp’s Elysium. The visuals were amazing and given how much District 9 was awesome, we had good expectations for Elysium. But again, the focus was lost and some bad performances strangled the movie. This had some great action though.

Kick-Ass 2 and The Wolverine also fit into this category. While I did like Kick-Ass 2 overall, it doesn’t quite have the heart of the first film and lacked in some of the story weaving which ultimately keeps it here in this category. The Wolverine was much, much better than Origins: Wolverine but still lacked in the story, especially in the third act.

And finally, outside of big budget action, we have to include Lee Daniels’ The Butler and Jobs here too. Both of these films had great premises but were poorly executed. Lee Daniels’ The Butler still has something to offer and I would recommend a one-time watch but it’s one you can wait to see on Blu-ray.

Special Awards:
The Lone Ranger

Okay before we get to the winners, there are a few special categories that I wanted to throw out there. You’re probably thinking, why isn’t The Lone Ranger in the Losers category? Well there’s a reason for it. So here is my first special category.

The Best and Worst Movie in One Movie: The Lone Ranger

The Lone Ranger is pretty bad. We’ll throw that out there to begin with. Johnny Depp is an indian version of his Captain Jack Sparrow character and Armie Hammer isn’t that great either. The first two hours of the film is mundane, boring and not very much fun at all. It’s not the critics fault that movie bombed. It’s bad all around and it had bad marketing. However, the last 20 minutes is the best movie I’ve seen all summer. Hans Zimmer’s (William Tell Overture) score ramps up and the action is awesome. If The Lone Ranger was just the last 20 minutes, it’d be my favorite movie of the year so far. It’s incredible and I’d recommend a DVD rental just for that alone.

The Biggest Surprise: Turbo

Turbo was a huge, huge surprise for me. I really didn’t even want to see it but I’m glad I did. It’s a ridiculous premise but it’s also an animated movie so there’s always an element to that. And while this is a classic underdog story, it has heart and human elements that everyone can relate too. It has depth, good character and is way more fun than you think you’d have. But the big thing, the music is INCREDIBLE! They have great original songs, re-mixes that include Eye of the Tiger mixed with Tupac (and it was awesome!), and an original rap that is a play on YouTube video remixes. The score by Henry Jackman is also really great and the music elevates this film to a whole new level! The visuals were used well and the camera work was not bad. It’s easily one of the better films that no one saw this year.

The One People Don’t Get: Pain & Gain

Okay, so this technically isn’t a “summer movie” but I have to talk about it. And it’s close enough to summer. Michael Bay’s Pain & Gain was much different than I thought it would be but I still liked it. But it was ripped by media and the public alike. All I kept hearing was, “Michael Bay is making a mockery of a real-life tragic situation and it’s a joke what he’s doing.” Yeah that was the point. It’s a satire people. It was a crazy situation with dumb people doing really dumb things. The joke isn’t about the situation itself. He’s making a mockery of the idiots who thought they could pull this off in real life. Of course it was a serious situation. It was a satire to exploit the bad guys that did this. And for Bay, this is a very different step and kudos to him for doing something different. Yes, the movie did have problems, but again, for Bay this was really good and good for him to swing at something else. If Woody Allen was listed as the director for this movie, and I mean the exact content this movie was, people would have praised it. People just like to hate Michael Bay.

The Winners!
Pacific Rim Jaegers

Finally we get to the fun part. The movies that were fun, entreating or gave us something to grapple with.

For me, the best was Pacific Rim. Yes, I know that it had some problems and the leads here weren’t stellar but again, for what this movie was doing, I thought it was extremely effective. The visuals were absolutely stunning and the design of the Kaiju were incredible. The Jaegers were also designed well and Guillermo del Toro put you right into the cockpit with his practical effects. The big difference with Pacific Rim vs all the others was the joy you can experience. Yes, it’s a little cheesy, it’s a little stereotypical but it was fun and it was great. It bombed at the box office in the U.S. but for me, that’s not what defines a winner or loser (as you can see from this list). However, this movie did go on to make the same amount as Star Trek: Into Darkness.

Speaking of, Star Trek: Into Darkness is another big winner. It’s debatable whether this movie is as good as the first one, but if not, it’s close and it’s still a lot of fun. Chris Pine and Zachary Quinto are amazing reprising their roles and James Kirk and Spock. Benedict Cumberbatch as the villain was amazing and was easily a better villian than that of the first J.J. Abrams Star Trek film.

You also got to love World War Z. It wasn’t anyhthing like the book but what Brad Pitt and company did was bring us a fun, intense “zombie” thriller. We have a theory they aren’t really zombies, which you can hear in our World War Z podcast. The story came together well and the performances were great. This was a good win for the summer as well and very unexpected. A lot of people expected this to bomb but now sequels are possibly in the works.

Fast & Furious 6 wasn’t as good as Fast 5 but it was still miles above the previous 4. These characters are fun and the new style this series has taken is much better. It’s rare to see a franchise get this much better this far into the franchise. Yes, this one was a little cheesy and some of the action was absurd. But overall it was a fun summer movie.

Other winners have to be comedies This is the End, The World’s End and The Heat. Both were big successes at the box office and both were pretty funny. This is the End was a hilarious, dirty movie that is what you’d expect but want from these guys. James Franco and Danny McBride were especially hilarious. This could still be the best comedy of the year. However, The World’s End is also amazing and, in my opinion, it’s the best in the Cornetto trilogy. It’s very funny and has some of the best action we’ve seen all summer as well. To me, it definitely comes to those two for the best comedy. The Heat was pretty funny though and was way better than ever anticipated. Melissa McCarthy started out rough but really came into her own as the film went along. The story is cheesy as all get out but it’s fun and it made a buttload at the box office. This was an unexpected win.

The animated film Despicable Me 2 and Monsters University were also wins. These could have gone into the “disappointment” category for some people as these sequels didn’t live up to their predecessors but I think they were great on their own and the critics gave them too much of hard time. The minions were really great in Despicable Me 2 and for what Monsters University was doing, it was effective.

The other big winners were the amazing indie films this summer!
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Fruitvale Station is among the best and we probably will get a Best Actor Nominee for Michael B. Jordan in his portrayal of Oscar Grant. This is an incredible film that everyone should see. It’s sad, heartwrenching but incredibly captivating at the same time.

Jake Johnson and Olivia Wilde steal the show in Drinking Buddies, which is great. You know what will blur the lines between friends and more than friends? Beer. And this movie explores that dynamic really well.

The Spectacular Now is perhaps the best indie of the year so far and features an incredible coming of age love story between an unlikely pair. Shailene Woodley was terrific alongside Miles Teller who brings really great depth to his character, which we haven’t seen before from him. Highly recommended and amazing film.

The funnies and perhaps most heart-warming indie of the summer was The Way, Way Back. Sam Rockwell steals the show and is incredibly hilarious. This is one of the best performances he’s given but his character also shows some depth which makes the film even better. The dynamics between Liam James and AnnaSophia Robb were great though and what makes this film elevate to another level. The performances all around were terrific and hilarious.

Woody Allen’s Blue Jasmine also features a future Best Actress Nomination in Cate Blanchett which is probably the best female performance of the year.

Prince Avalanche was a big upgrade for director David Gordon Green and features amazing performances from Paul Rudd and Emile Hirsch.

Finally, the last big winner of the summer was Blackfish. This is a documentary that makes this film a winner but will make Sea World a loser. This film does an amazing job of exploring the ridiculousness going on behind the scenes at Sea World and why their actions have caused the lives of several trainers and other people involved. It’s heart-wrenching, incredible and will change the way you look at Sea World. Amazing documentary.

Well that’s our look at the summer of 2013. What do you think? Do you agree or disagree? Did we miss anything that you would have liked to talk about? Let us know in the comments and we look forward to a big fall at the movies!

Movie Review: A Single Shot is one to see


Director: David M. Rosenthal
Writers: Matthew F. Jones (novel), Matthew F. Jones (screenplay)
Stars: Sam Rockwell, William H. Macy, Ted Levine, Kelly Reilly

Synopsis: The tragic death of a beautiful young girl starts a tense and atmospheric game of cat and mouse between hunter John Moon and the hardened backwater criminals out for his blood.

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DIRECTION
David Rosenthal’s A Single Shot is a pretty typical cat and mouse chase thriller but there are several elements that do stand out well. For one, he gets really great performances which I’ll get into in a minute. The aesthetic he creates is also very fitting as well. As John Moon (Sam Rockwell) is hunting in the woods, you feel the rawness of the nature landscape and the camera explores them well. The pace is really slow but given the nature of the story it’s actually what the movie calls for. You can say the same for how Rosenthal uses the score too. The movie is a little dirty and raw but keeps you on the edge.

Grade: B+

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SCRIPT
The script here isn’t anything we haven’t seen before but as I argue, it’s not the originality that’s the issue but how we get to the end The story centers around John Moon who is struggling to keep his family but can barely take care of himself. He goes hunting in the woods, which he knows well, to kill some deer for food when he accident shoots and kills a young girl. When he traces her whereabouts, he finds a big stack of cash, which of course he takes which leads to our fun cat and mouse game. The beginning is set up well and we learn a lot about Moon and how much he loves his family despite his lack of future security. Some of the “bad guys” subplots are unnecessary and draw away from the film but it does lead to a really great ending sequence. Moon is put in a position where he has to make some critical decisions and the resolutions finds its’ way back to Moon’s beginnings which was really incredible. While on the surface, the story isn’t new, there are elements that make the story thrilling and give it depth thus making the journey engaging even if you’ve seen some of this before.

Grade: A-

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PERFORMANCES
Sam Rockwell is incredible. He’s on fire this year and brings a lot to his character of John Moon. He’s a country boy with emotional baggage that has to deal with the age ole drama of finding a big money back and should he give it back. But his character is much deeper than that and you see that in Rockwell’s performance. In my opinion, he’s a big reason the character is likable and you root for him. William H. Macy is a bigger name here but a lesser role and he’s fine but not outstanding. Kelly Reilly, Melissa Leo and Ophelia Lovibond are strong here and give great performances as well.

Grade: A

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SCORE
Atli Örvarsson, one of my favorite composers, does the score it and it’s anything but exciting. The score is grim and dark but is exactly what this movie calls for. It’s slow, stringy but adds a good element to the thrilling moments of the film. While I’d rathers see Örvarsson do a fun themed score this is still good for what this movie is.

Grade: B+

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Overall Grade: B+

Movie Poll: Is Insidious: Chapter 2 a sequel worth seeing?

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This week on the InSession Film movie poll, we’re asking, do you want to go see Insidious: Chapter 2 and is it a sequel worth seeing? The first one did bonkers at the box office and did really well. Some people have complained that the genre is being saturated with the same content over and over again but who knows. Perhaps it’s what people want, especially as the fall gets closer and closer.

Well what do you guys think? Is it something you want to see? Vote here and let us know your thoughts in the comment section below.

[yop_poll id=”26″]

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Catch the latest movie podcast from the InSession Film crew!

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Podcast: Riddick, Top 3 Movies That Didn’t Need Sequels, Rudy – Episode 29

This week on the InSession Film Podcast, Fox from the GeekScholars Movie News podcast joins us as we review Riddick and what made that movie not so great. We also dive into our Top 3 movies and franchises that didn’t need any sequels and we continue out Football Movie Series with our review of Rudy. We also discuss Transformers 4 news, the new RoboCop trailer and more!

Riddick Review (3:48)
    Grades
    Nate: F
    JD: D+
    Scott: B
    Fox: B

Top 3 Movies That Didn’t Need Sequels (23:55)

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Listen to episode 29 of the InSession Film Podcast – Lee Daniels’ The Butler

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– Movie Series Review – Rudy (Football Movies) (54:06)

– News
(1:06:06)
    – New RoboCop trailer
    – New name and poster for Transformers 4
    – Benedict Cumberbatch leaves Crimson Peak

– Movies We’ve Seen This Week
(1:24:00)
    Nate: Harry Potter
    JD: Spring Breakers, The East, The Bling Ring, Red Tails
    Scott: Silsila, Jodhaa-Akbar
    Fox: World War Z, Mad Love

– Music

    Hunt for Riddick – Graeme Revell
    I’mma Shine – Youngbloodz
    Rudy Theme – Jerry Goldsmith
    Arrival to Earth – Steve Jablonsky
    The Return of the Eagle – Atli Örvarsson

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InSession Film Podcast – Episode 29

Podcast: Top 3 Movies That Didn’t Need Sequels

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This week on the InSession Film Podcast, we dive into out Top 3 movies and franchises that didn’t need any sequels. There was a lot of them so it was a little difficult to choose from.

Nate

1) Star Wars
2) Die Hard
3) Any slasher film

JD

1) Paranormal Activity
2) The Mighty Ducks
3) Step-Up

Scott

1) The Pirates of the Caribbean
2) Madea
3) Scary Movie

Fox

1) Oz the Great and Powerful
2) Toy Story 4
3) Clerks 3

For the entire podcast, click here.

For more lists done by the InSession Film crew and other guests, be sure see our Top 3 Lists page.

Podcast: The Spectacular Now – Extra Film

This week on the InSession Film Podcast: Extra Film segment, we discuss one of the best films of the year so far in The Spectacular Now starring Miles Teller and Shailene Woodley. This is a film everyone needs to see and is a great coming of age tale. This a movie full of depth, character and a lot of fun. Check it out and let us know your thoughts in the comment section below.

The Spectacular Now Review (1:50)
    Grades
    Scott: A
    JD: A-

– Music

    Give Me Love – Frank Ed Sheeran
    The Return of the Eagle – Atli Örvarsson

Subscribe to the best movie podcast out there and see all the other areas you can find our podcast!

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The Spectacular Now – Extra Film

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Movie Review: Riddick is among the worst


Director: David Twohy
Writers: David Twohy, Jim Wheat
Stars: Vin Diesel, Katee Sackhoff, Matt Nable, Jordi Mollà

Synopsis: Left for dead on a sun-scorched planet, Riddick finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: one carrying a new breed of mercenary, the other captained by a man from Riddick’s past.

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DIRECTION
I’m not sure where to begin, but I’d say the best part of Riddick was the RoboCop trailer at the beginning which was a nice surprise. This is B-Movie material from front to back and it’s one of the worst movies of the whole year. The planet visuals aren’t very good and the CGI isn’t the best and if not for Vin Diesel, there’s nothing here to see. The best character isn’t even human and the action and dialogue is the cheesiest thing I’ve ever seen. There’s not much to like or root for unless you’re a big Riddick fan. It’s pretty graphic with some of the violence and some of it was even unnecessary. Some of the camera work is nice and David Twohy uses slow motion well in some places that were nice. Overall though, forget about it.

Grade: D

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SCRIPT
The story starts with Riddick on a deserted planet all by himself but with voiceovers and flashbacks we see how it came to be and how he got there. He encounters some alien creatures, learns their habits and knows how devastating they are. His best friend is some sort of dog/dingo that was actually pretty fun. After sending out a beacon a few ships show up to capture him since his bounty is doubled if he’s brought back dead but it’s just the thing he needed to get home. From here it’s the typical action-fare, kill everybody and get home B-movie. The dialogue is ridiculous and cheesy at every turn, especially with Katee Sackhoff and Jordi Mollà characters. Dave Bautista’s character has story arc that takes a really bizarre and strange turn that comes out of left field. Some of the lines are pretty funny though and the dog was great so that keeps it from being a complete disaster. This movie has zero depth and is all surface-level action that is not fun at all.

Grade: D+

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PERFORMANCES
Wow, the performances are bad. I will say though it’s mostly because of an awful, awful script and the dialogue makes it laughable, but not it a good way. Vin Diesel is good and the same character we all know but the lines he’s forced to say are sometimes ridiculous. Sackhoff is pretty bad and is over acting in almost every scene. Nothing about her performance seems natural or real. For an actress that’s been in this realm before, it’s like she’s never seen sci-fi before. Mollà and his gang of thugs are better and even funny at times, but overall it’s all forgettable.

Grade: C-

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SCORE
Graeme Revell is pretty good here comparatively to the rest of the film. His score isn’t something you’ll remember but it does have some nice touches to the action scenes that are otherwise forgettable, boring and nothing new. The music itself’ isn’t new either but it is a nice aesthetic for what this film is.

Grade: B-

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Overall Grade: D+

Movie Series Review: Brian’s Song (Football)


Director: Buzz Kulik
Writers: Gale Sayers (book), Al Silverman (book)
Stars: James Caan, Billy Dee Williams, Jack Warden

Synopsis: Based on the real-life relationship between teammates Brian Piccolo and Gale Sayers and the bond established when Piccolo discovers that he is dying.

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DIRECTION
Buzz Kulik’s Brian’s Song definitely has the made-for-TV feel but it had certain elements that do bring something to the table. His camera work is definitely in the 70’s style but has some really great moments. The edits between real football footage and his own shots of his actors on the “sideline” of the football games are actually pretty good and flawless. It has a real football game aesthetic. Outside of the Chicago Bears’ practice field locations, the direction was pretty solid for what this film was trying to do. There are some elements however that didn’t work well and some scenes felt really out of place. The focus of the film was lost at some point, partially due to a mis-focused script, and it became a little cheesy in some areas. Given the budget though and what he had to work with, Kulik did a descent job.

Grade: B-

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SCRIPT
The script is mostly where this film lacks. Gale Sayers and Brian Piccolo have an amazing story that has a really tragic ending. These are the first two guys to room together in the NFL where one was black and the other white. But the script never goes into that or what makes that moment so important. The story mostly focuses on the relationship between Sayers and Piccolo, which is a good thing, but it lacks in a few areas and at some point loses it’s main focus a little bit. The emotional moments near the end are hard to get to with cluttered cheesiness that fills the first two acts of the film and it doesn’t have the depth to reach most people who don’t know the story that well.

Grade: C+

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PERFORMANCES
James Caan and Billy Dee Williams are pretty good here for what this film is trying to accomplish. Caan especially is really funny and makes Piccolo very likable and engaging. Williams on the other hand is mostly good, but struggled through a few moments where he didn’t know how to react. The emotional chemistry between the two was solid, especially toward the end but the story makes it hard to make it gripping. The rest of the actors are hit or miss and do not add anything here. It’s mostly the James Caan show and he shined really well.

Grade: B+

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SCORE
Michel Legrand, who’s a great composer, was mostly average here. The fun elements and the football scenes were great while the emotional elements and dramatic stuff was more of a disappointment. A few scenes even felt like horror-film music when the drama ramped up. Overall, it’s very forgettable.

Grade: C

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Overall Grade: C+

Podcast: Top 3 2013 Fall Films

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This week on the InSession Film Podcast, we looked ahead into the future to discuss the biggest films we’re most anticipating for the fall in our Top 3 2013 Fall Films.

Nate

1) Gravity
2) 12 Years a Slave/The Counselor
3) Prisoners

JD

1) Out of the Furnace
2) 12 Years a Slave
3) The Wolfe on Wall Street

Scott

1) Don Jon
2) The Wolfe on Wall Street
3) Monuments Men

Brandi

1) About Time
2) Gravity
3) Saving Mr. Banks

For the entire podcast, click here.

Podcast: The Butler, Top 3 2013 Fall Films, Brian’s Song – Episode 28

This week on the InSession Film Podcast, we review the movie Lee Daniels’ The Butler starring Forest Whitaker, Oprah Winfrey, Terrence Howard and many others. We also discuss our Top 3 2013 Fall films and the one’s were anticipating the most. We continue our Football Movie Series with our review of the 1971 made-for-tv movie, Brian’s Song and finish of the show with some Star Wars news and Fifty Shades of Grey casting choices.

Lee Daniels’ The Butler Review (3:28)
    Grades
    Nate: C+
    JD: B-
    Scott: B
    Brandi: B-

Top 3 2013 Fall Films (32:42)

– Movie Series Review – Brain’s Song (Football Movies) (1:07:24)

– News
(1:18:34)
    – Benedict Cumberbatch possible Star Wars VII Sith
    – New casting for Fifty Shades of Grey
    – Kurt Russell may join Fast 7

– Movies We’ve Seen This Week
(1:35:10)
    Nate: The Spectacular Now
    JD: We Are Marshall, Pitch Perfect, Despicable Me 2, Stories We Tell, The Lifeguard, Legion
    Scott: The Specactular Now, The Grandmaster, French Connection
    Brandi: We Are Marshall, Pitch Perfect, Despicable Me 2, The Proposal

– Music

    Out of Sight – James Brown
    Holy Grail – Jay-Z, Justin Timberlake
    Spirit in the Sky – Norman Greenbaum
    Toner – Christophe Beck
    The Return of the Eagle – Atli Örvarsson

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InSession Film Podcast – Episode 28

Movie Poll: Which movie/franchise didn’t need a sequel?

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This week on the InSession Film poll, and in anticipation for Riddick, we decided to ask about other movies and franchises that possibly could of done with out sequels. Or maybe you liked some of these franchises. Let us know below and vote for the the movies or franchises you think should of stopped after one!

Vote here!
[yop_poll id=”25″]

Movie Review: The Grandmaster is a muddled beauty


Director: Wong Kar-wai (In The Mood For Love, Chungking Express)
Writer:Wong Kar-wai, Zou Jingzhi, Xu Haofeng
Stars: Tony Leung Chiu-Wai (Hero, In The Mood For Love) as Ip Man, Zhang Ziyi (Crouching Tiger, Hidden Dragon, House of the Flying Daggers, Rush Hour 2, Memoirs of a Geisha) as Gong Er

Synopsis: The story of martial-arts master Ip Man, the man who trained Bruce Lee.
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DIRECTION

With all due respect to Wong Kar-wai, this film felt incoherent at times on the whole. Bits and pieces of story strung together by incredible cinematic sequences is the overall opinion I have after sitting through such a film. I wanted to like it (I loved Ip Man and I love the idea of exposing mainstream audiences to this great true slice of Chinese history as we are rarely subjected to it here in America). I almost fell asleep from the boredom I had during the first 30 minutes or so, but after that it did stay interesting. It almost feels like Kar-wai didn’t know how to tell this story and wanted to make something different from other interpretations of the history at hand, so he gave us a remix of everything out there already. The opening and closing credits are the most beautiful I’ve seen this year, and some shots in the film are right there with anything I’ve seen this year too. That said, this is just a beautiful painting with a very confusing caption.

Grade: B-

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SCRIPT

The script was a disaster in my opinion. It felt like they were trying to ram a lot of history down the audience’s throat, jumping from one period to another with an overflow of characters and names to try and remember. Dialogue seemed contrived with lines that sought profundity but landed in a sea of the same type of lines which cancelled most out for me. I did enjoy storylines involving Ziyi Zhang’s character Gong Er quite a bit, and it did inform me on some history of the Ip Man timeline that I wasn’t familiar with. However, with a film like Ip Man already out there for audiences to learn from, there’s no reason to recommend something like this.

Grade: D

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PERFORMANCES

The performances were all incredibly done here, and the casting felt spot-on. I’d love to see Ziyi Zhang in more Hollywood films, as she was the highlight for me. Tony Leung is just not as effective as Donnie Yen and seems like a very one-dimensional actor, although he is not given a lot here to really impress with. All the supporting cast did a good enough job, and I especially enjoyed the monkey. It’s a shame the other elements of the movie were so bad.

Grade: A-

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SCORE

A lovely score that made me want to sit in my seat until the credits were done rolling just to hear every bit of it. This is one of my favorites of the year.

Grade: A+

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Overall Grade: C-

Movie Review: Is The Spectacular Now really so spectacular?


Director: James Ponsoldt (Smashed, Off The Black)
Writer:  Scott Neustadter (500 Days of Summer) & Michael H. Weber (500 Days of Summer), Tim Tharp (novel)
Stars: Miles Teller (Project X, Rabbit Hole, 21 & Over, Footloose), Shailene Woodley (The Descendants, The Secret Life of the American Teenager), Brie Larson (Scott Pilgrim vs. The World, 21 Jump Street), Kyle Chandler (Friday Night Lights, Argo), Jennifer Jason Leigh (The Machinist, Fast Times at Ridgemont High, Road to Perdition)

Synopsis: A hard-partying high school senior’s philosophy on life changes when he meets the not-so-typical “nice girl.”

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DIRECTION

The Spectacular Now is the first film I’ve seen involving James Ponsoldt, but definitely will not be the last. With rising stars leading the way and a supporting cast of proven talent as well as a great story adapted from print for the screen by the duo who co-wrote (500) Days of Summer, this director had all the tools one would need to put together a great film. At the end of the day, Ponsoldt (like all directors) did succeed in making a somewhat familiar story feel fresh and new. Utilizing the talents of his cast and crew, the director creates a vision of a realistic high school drama featuring characters that are complex and memorable. Adding to that complexity is the fact that the film never seems to judge anyone too harshly, and lets both good and bad character traits be exposed in each character, letting the viewer decide where to fall on character judgments. This not only adds a level of intelligence to the movie, but respects the audience’s observational skills. The main thing I took away from this is that Ponsoldt needs to be added to the list of directors to keep an eye on. He definitely possesses a great talent for directing.

Grade:  A

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SCRIPT

Although there are a few problematic lines of dialogue that I felt detracts from the overall tone of the film (especially in the first 20 minutes or so), the script was very solid. There were many lines being delivered that must have been cut straight from the book, which I felt came off strongly. The way that the story is told feels appropriate and none of the minor story arcs ever feel like they drag on too long or are being pushed upon us. The time we spend with characters and locations is just right, and that’s something that I feel the writers delivered on. The bookends of the story reminded me of “The Girl Next Door”, a similar story of a boy leaving high school and reflecting on what has happened in his life. Certainly there are times where you can recognize the writing style of Neustadter and Weber, but because of the adaptation from a novel it wasn’t entirely familiar.

Grade: A-

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PERFORMANCES

Miles Teller seems to be one of these guys who audiences will either love or hate.  He has a certain aura surrounding him that feels somewhere between the personalities of a Justin Bieber and a Seth Rogen. On the one hand, he seems like a young guy who’s having a lot of success and his ego shows it, but on the other he seems to be self-aware of what his strengths and weaknesses are and delivers performances with confidence. I like him, and think he’ll develop into more of the Rogen type of guy in the long run. Still, he may not be everyone’s cup of tea. I suspect that is why some reviews of Spectacular are not as gracious as others. Shailene Woodley puts in one of the greatest performances I’ve seen in the last few years from a young lady, and rivals Emma Watson as possibly the “next big thing” in the same vein of a Jennifer Lawrence or Natalie Portman. She seems to be selective of her roles and studies them quite well.  Her laughs, smiles, and delivery methods are wildly impressive at times, and I can’t wait to see what’s in her future. Kyle Chandler and Jennifer Jason Leigh add veteran leadership and identity to the film, and are perfectly cast for their respective parts. A small part which added a great layer of reality to the film was that of the timid best friend of Teller’s character played by Masam Holden. I really enjoyed watching him, and alongside Woodley’s character, these two seemed like people I actually know and could identify with very quickly. Such a solid cast.

Grade: A+

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SCORE

Rob Simonsen, composer of original music for Life of Pi, Moneyball, Little Miss Sunshine, and of course (500) Days of Summer was on board for this film too, adding to the familiar collaboration existing between the crew already. It was never anything that took my breath away, but it never disappeared either. I had no complaints, and felt the music was placed accordingly and helped the movie overall.

Grade:  B

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Overall Grade: A