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Movie Review: Mike Flanagan knows horror and brings out the best of Ouija: Origin of Evil


Director: Mike Flanagan
Writers: Mike Flanagan, Jeff Howard
Stars: Elizabeth Reaser, Lulu Wilson, Annalise Basso, Henry Thomas

Synopsis: In 1965 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their seance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by a merciless spirit, the family confronts unthinkable fears to save her and send her possessor back to the other side.

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The Ouija board makes for a perfect horror film, but in 2014 Ouija was a mediocre movie that barely scratched the surface and probably wasn’t enough to warrant a second film. However, Ouija: Origin of Evil is a superior prequel that is set 50 years earlier, and its visual style perfectly complements its period setting. Director/screenwriter Mike Flanagan (Hush, Oculus) is well-versed in horror films, and his artistic style made this movie much better than I anticipated.

Taking place in 1967, the Zander family, including widowed mother Alice (Elizabeth Reaser); teen daughter Paulina, known as Lina (Annalise Basso); and 9-year-old Doris (Lulu Wilson) run a fake medium business. Alice, at the advice of Lina, adds an Ouija board as a new prop in her business of comforting those who lost a loved one. Eventually, the board proves that it does have a connect to the other side and one of the spirits takes possession of Doris, and its intentions are not to go out for cake and strawberry ice cream.

Flanagan, like his other movies, slowly builds tension and rarely uses cheap jump scares (thank God) to craft a great film that sadly blows up in the films final act. In Oculus remember the brilliant scene where Kaylie (Karen Gillian) bites into an apple? There is a scene as captivating here, and that is a complete testament to Flanagan’s work. Ouija: Origins of Evil‘s visuals extend from how each scene is framed, all the way to the near-perfect set designs. The old Universal logo is even used during the opening sequences, a simple yet small gesture to keep up with the time setting.

One huge problem I have with demonic films is; there is always someone (usually an adult) that refuses to see what’s going on until it is too late. Ouija: Origins of Evil is a breath of fresh air as it doesn’t have one of these types of characters and the main cast works really well together. Reaser and Thomas, much to my surprise, provide unexpected depths to what could have been a very cliche role for both individuals. The real stars here are Basso and Wilson. Basso conveys’s a typical teenage experience and Wilson is probably the creepiest possessed child I have ever seen.

So far so good right? If this were any other year this would probably be a top 3 horror film for me, but this film’s narrative structure gets lost near the film’s back third that holds it back slightly. Ouija: Origins of Evil, despite everything, continues the great year for horror films. There is an end credit that connects this movie to the 2014 version, so make sure you stay till the very end.

Overall Grade: B

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Podcast: Cemetery of Splendor, Mascots – Extra Film

This week on the InSession Film Podcast: Extra Film segment, we discuss the Thai film from director Apichatpong Weerasethakul, Cemetery of Splendor, as well as the new mockumentary on Netflix, Mascots!

This week’s show is quite interesting in the sense that these two films couldn’t be more polar opposites. Cemetery of Splendor isn’t just a foreign language film, but it’s 100% an art film that relies on the audience interpreting how the film plays. Mascots is a silly comedy film that features obscure mascots in a competition. So, it felt appropriate to match them up on this week’s show. At any rate, we at least like a variety and you can’t blame us for that.

On that note, have fun listening to this week’s Extra Film segment and let us know what you think in the comment section below. Hope you enjoy and thanks for listening!

Cemetery of Splendor Movie Review (8:52)
Grades
Brendan: A-
JD: A-

Mascots Movie Review (38:57)
Grades
Brendan: C-
JD: C-

– Music

Were You There? – Jerry R Zellers
Dragon Rider – Thomas Bergersen
The Return of the Eagle – Atli Örvarsson

We try to make this the best movie podcast we possibly can and we hope you enjoy them. Subscribe today on iTunes and Stitcher and please leave us a review on iTunes. You can also find us on Soundcloud, PlayerFM and TuneIn Radio as well. We really appreciate all your support of the InSession Film Podcast.

Subscribe to our Podcasts RSS
Subscribe to our Podcasts on iTunes
Listen on Stitcher
Cemetery of Splendor, Mascots – Extra Film

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Mobile App

To hear this Extra Film episode and everything else we do, download our apps on the Amazon Market for Android and the Podcast Box app on IOS devices. The mobile app covers all of our main shows, bonus podcast’s and everything else relating to the InSession Film Podcast. Thanks for your wonderful support and listening to our show. It means the world to us!

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Help Support The InSession Film Podcast

If you want to help support us, we would greatly appreciate it! For more info, CLICK HERE.

Featured: New trailer for Logan shows film to be devastating, honest and exciting

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As all you probably know, 20th Century FOX / Marvel released a new teaser trailer this morning for Logan, the last film to feature Hugh Jackman as the popular character of Wolverine. As you may also know, we are currently in the middle of our Harry Potter Movie Series on the show, so we don’t have any extra space at the moment to discuss new trailers in audio form. But we have thoughts on this trailer, so we are going to divulge them here. Below are both my (JD) thoughts as well as Brendan’s thoughts on the new trailer for Logan.

JD’s Thoughts:
Wolverine is a very popular comic-book character, so it made sense to me why they would want to start a series of standalone films feature such an iconic superhero. However, Origins: Wolverine turned out to be something nobody wanted. The Wolverine had its moments but in the end, we found that film rather disappointing too. So, the announcement of a third standalone film didn’t excite us too much, that is until now. Hugh Jackman has always been stupendous in the role, whether it be the X-Men films or his own movies, and Logan may be his best outing yet. This trailer is heartbreaking, authentic, honest, gritty and exciting, all in one experience. Jackman looks in top form, as does Sir Patrick Stewart as Professor X. You add in the dynamic of this little girl, played by Sienna Novikov, and the potential for this film has skyrocketed for me (PS, the poster for this film is incredibly emotional for me too). The music for this trailer is also perfect, setting the tone masterfully, which couples very well with the imagery James Mangold gives us. Yeah, mark me down as excited.

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Brendan’s Thoughts:
Wolverine and Professor X get dropped into what looks like Stephen King’s The Dark Tower, and all the better for it. As a result, this does not look or feel like your typical X-Men film; instead, James Mangold looks to be bringing a surprising authenticity and richness this universe doesn’t necessarily need, but more than welcomed nonetheless. Logan looks devastating, cruel, honest, but still exciting, and the inclusion of Johnny Cash’s cover of “Hurt” (originally by Nine Inch Nails) compliments this tone beautifully. Lump in a central child figure, giving this film a possible familial theme, and we are all in. If this is truly Wolverine’s final outing, Mangold and Jackman seem to understand that the character needs to go out on a sad, yet exciting high.

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What did you think of the new trailer for Logan? Let us know in the comment section below.

We are seeking a third co-host for the InSession Film Podcast

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As many of you know, the InSession Film Podcast is broken up into two shows. Our main shows are released on Mondays and feature reviews, Top 3 lists and other film-related discussion. However, on Friday’s, we have a segment we call Extra Film. This segment features reviews only of films that we don’t have time for on our main show. Over the course of the last three years, both versions of the podcast have come into their own and have come to define us.

Given recent circumstances, we are now looking for a third co-host to help lead our Extra Film podcast every week and occasionally fill in on the main show as needed. Keep in mind, that most of our Extra Film reviews cover indie releases. So, we will need someone who loves indie film and is willing to be flexible when it comes to seeing those films. However, on occasion, we will see and discuss other mainstream films as well as older classics.

We also need someone who is going to be dedicated and available most weeks. We are flexible and understanding of life circumstances, but we want someone who is willing to make the time needed for this role and wants to have fun discussing film. This, of course, isn’t a paid position (we are in podcasting after all) but we promise that it will be satisfying, challenging and worth your time.

If you think this is a role that you can commit too, please email us at [email protected] and let us know you are interested. From there, we can discuss more privately and can figure out if this is the right role for you.

Thank you to all those who are interested and we look forward to what InSession Film has to offer in the future.

Movie Review: The Accountant sadly disappoints


Director: Gavin O’Connor
Writers: Bill Dubuque
Stars: Ben Affleck, Anna Kendrick, J.K. Simmons, Jon Bernthal

Synopsis: As a math savant uncooks the books for a new client, the Treasury Department closes in on his activities and the body count starts to rise.

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If you ever wanted to see a movie where the central star is an awkward accountant in addition to being an expert marksman, then The Accountant is something you will love. Otherwise, you will find that whole movie just doesn’t add up which is ironic since Ben Affleck’s Christian Wolff is great with numbers. The Accountant is a ridiculous thriller that mildly succeeds by poking fun of itself, particularly the one-liners by the Accountant himself.

Christian Wolff (just one of this character’s many aliases), owns ZZZ Accounting, which serves a front for all the work he does for various shady organizations like mobs. Wolff gets compensated in different ways such as rare comic books and paintings. With Treasury agent Ray King (J.K. Simmons) closing in on him, Christian takes on a state-of-the-art robotics company as a legitimate client. Christian’s brought in when an employee named Dana (Anna Kendrick) notices a discrepancy of $61 million. Once Christian uncovers the truth, it is at that time that film goes in a tangled direction.

What annoys me more than anything is when people open new boxes of items without consuming the previous box, The Accountant does a similar thing and tells so many stories and only finishes up a handful of them. There is a story about a prom dress, dogs playing poker, Christian’s upbringing and a story about Christian’s financial strategy. I am extremely shocked that the directing is mediocre because O’Connor directed one my favorite films in Warrior.

Ben Affleck is hit or miss for me and thankfully he will star in Live By Night, coming out later this year. That is a film he not only acts in, but it’s a film he directed and will have a more prestigious aura to it. All in all, Affleck is fine in The Accountant. Anna Kendrick delivers a typical Kendrick performance and is serviceable in this this film.

One thing that O’Connor and crew did well was the way it handled Autism; filmmakers need to make sure that are representing physical and mental differences in a respectable way. Autism is not shown here in a negative light so for someone who has a mental illness I appreciate this 100%. The actions scenes are also a highlight of this film and seeing Ben Affleck fight gets me more excited for the eventual Batman vs. Deathstroke showdown in the upcoming Batman solo film.

A new segment I am trying out; If I was in the director’s chair, here is what I do differently. I would cut out the whole accountant thing as one of the main scenes in the film is meant for people who passed a CPA exam to understand and care. When Christian excitedly catches the $61 million “mistake,” he explains it to Dana in terms that I was not able to comprehend at that moment. Initially, when Christian went Super Saiyan, it was unclear as to why. Taking the accountant aspect out of this film would have made it much more enjoyable for me. I would also cut down on the running time a bit; there is a lot of slow moments in this film. The actions scenes were great, but there was not enough of them, so I would expand those scenes and cut down on other scenes.

Overall Grade: C

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Hear our podcast review on Episode 191:

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Poll: Which Tom Cruise action character would win in a fight?

It’s Tom Cruise time again! This weekend on Episode 192, we’ll be discussing his latest action film Jack Reacher: Never Go Back. For our poll this week, we thought it would be fun to pair up two of his previous action hero’s in a fight against one another. Now, we decided to leave Ethan Hunt off of this specific fight since he would win (in terms of votes) in a landslide. So, instead we picked two different candidates from very different properties. Your criteria for this poll is up to you and that’s what makes it fun. There’s several different contexts that would decipher the winner of this fight.

That said, which action character do you choose?


List: Top 3 Movie Bankers

This week on Episode 191 of the InSession Film Podcast, we discussed Gavin O’Connor’s new film, The Accountant. Now, for clarity, we understand that accounting isn’t the same thing as banking. However, both deal with finances and math and “bankers” gave us a little bit more flexibility with this week’s list. At any rate, this was a challenging topic, but there have been some iconic bankers / accountants that have graced movie screens over the decades and hopefully our lists are reflective of that fact.

On that note, which movie bankers would make your list? Here are the one’s that made ours:

*Keep in mind we have different criteria for our lists as well*

JD

1) Andy Dufresne – The Shawshank Redemption
2) Itzhak Stern – Schindler’s List
3) Jared Vennett – The Big Short

Brendan

1) Andy Dufresne – The Shawshank Redemption
2) Harold Crick – Stranger Than Fiction
3) Jonathan Mardukas – Midnight Run

Honorable Mentions (Combined)

George Bailey – It’s a Wonderful Life
Bank Manager – The Dark Knight
Griphook – Harry Potter
David Ershon – The Other Guys
Louis Tully – Ghostbusters
Jordan Belfort – The Wolf of Wall Street
Gordon Gekko – Wall Street

Hopefully you guys enjoyed our lists and if you agree or disagree with us, let us know in the comment section below. Despite this being a challenging topic, there are obviously some other great options out there depending on your criteria. That being said, what would be your Top 3? Leave a comment in the comment section or email us at [email protected].

For the entire podcast, click here or listen below.

For more lists done by the InSession Film crew and other guests, be sure see our Top 3 Movie Lists page.

Podcast: The Accountant, Top 3 Movie Bankers, The Goblet of Fire – Episode 191

This podcast is brought to you by KNFilters.com!

This week on the InSession Film Podcast, we discuss Gavin O’Connor’s new film, The Accountant, starring the great Ben Affleck. We also dive into our Top 3 movie bankers and we continue our Harry Potter Movie Series with Harry Potter and the Goblet of Fire.

This week was a blast discussing Affleck, O’Connor and the hilarity that took place in The Accountant. JD seriously wants Affleck nominated at this year’s Golden Globes. Also, it’s hard to believe that we are half way done with our Harry Potter series. Boy, does time fly when you’re having fun and this series has been incredible. No guest this week but this hostful episode will hopefully satisfy nonetheless.

On that note, check out the show and let us know what you think in the comment section. Thanks for listening and thanks for supporting the InSession Film Podcast!

The Accountant Movie Review (8:24)
Grades
JD: B+
Brendan: A-

Top 3 Movie Bankers (40:18)
For clarity, we understand that accounting isn’t the same thing as banking. However, both deal with finances and math and “bankers” gave us a little bit more flexibility with this week’s list. At any rate, this was a challenging topic, but there have been some iconic bankers / accountants that have graced movie screens over the decades and hopefully our lists are reflective of that fact. On that note, what would be your top 3?

Top 3 Sponsor: First Time Watchers Podcast

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RELATED: Listen to Episode 190 of the InSession Film Podcast where we discussed The Birth of a Nation!

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– Harry Potter Movie Series: Harry Potter and the Goblet of Fire (1:13:16)
Grades
JD: B+
Brendan: C+

– Music

To Leave Something Behind – Sean Rowe
Shawshank Prison – Thomas Newman
The Story Continues – Patrick Doyle
The Return of the Eagle – Atli Örvarsson

Subscribe to our Podcasts RSS
Subscribe to our Podcasts on iTunes
Listen on Stitcher
InSession Film Podcast – Episode 191

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Next week on the show:

Main Review: Jack Reacher: Never Go Back
Top 3: TBD
Harry Potter Movie Series: Harry Potter and the Order of the Phoenix

jack-reacher-never-go-back

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Help Support The InSession Film Podcast

If you want to help support us, there are several ways you can help us and we’d absolutely appreciate it. Every penny goes directly back into supporting the show and we are truly honored and grateful. Thanks for your support and for listening to the InSession Film Podcast!

VISIT OUR DONATE PAGE HERE

Podcast: 13th, Tale of Tales – Extra Film

This week on the InSession Film Podcast: Extra Film segment, we discuss Ava DuVernay’s powerful new documentary 13th as well as Matteo Gorrone’s new film, Tale of Tales!

Regardless of its form, 13th is simply one of the best and most important films you’ll see this year. It is required viewing that will hopefully bring clarity to one of the more divisive topics currently in our mainstream. Despite your politics, as a film, it’s a moving experience that we can’t recommend enough.

On that note, have fun listening to this week’s Extra Film segment and let us know what you think in the comment section below. Hope you enjoy and thanks for listening!

13th Movie Review (5:27)
Grades
Brendan: A
JD: A

Tale of Tales Movie Review (37:22)
Grades
Brendan: F
JD: F

– Music

The Birth of a Nation – DC The Midi Alien, Reks
Lust, Caution – Alexandre Desplat
The Return of the Eagle – Atli Örvarsson

We try to make this the best movie podcast we possibly can and we hope you enjoy them. Subscribe today on iTunes and Stitcher and please leave us a review on iTunes. You can also find us on Soundcloud, PlayerFM and TuneIn Radio as well. We really appreciate all your support of the InSession Film Podcast.

Subscribe to our Podcasts RSS
Subscribe to our Podcasts on iTunes
Listen on Stitcher
13th, Tale of Tales – Extra Film

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Mobile App

To hear this Extra Film episode and everything else we do, download our apps on the Amazon Market for Android and the Podcast Box app on IOS devices. The mobile app covers all of our main shows, bonus podcast’s and everything else relating to the InSession Film Podcast. Thanks for your wonderful support and listening to our show. It means the world to us!

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Help Support The InSession Film Podcast

If you want to help support us, we would greatly appreciate it! For more info, CLICK HERE.

Featured: Anticipating The Accountant

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This weekend on Episode 191, we will be discussing Gavin O’Connor’s new film, The Accountant. Now, there’s many reasons to be excited for this film on paper. For one, it stars Ben Affleck. Yeah, yeah, I know that is a turnoff for some people but he’s not a bad actor. Since he’s started directing especially, his acting has improved significantly, making him a serviceable and entertaining watch each time he’s on screen. And based off of the trailer for this film, that trend doesn’t seem to be stopping. The Accountant also stars Anna Kendrick. Enough said, am I right? Additionally, we’ll see the likes of J.K. Simmons, John Lithgow and Jon Bernthal. Yeah, I’d say the cast for this film is quite excellent.

However, more than that, Gavin O’Connor is the big reason I’m personally anticipating The Accountant. He may not be a household name but he’s an underrated director that knows how to build drama. Everyone knows my thoughts on Warrior, which is one of the most underrated films of all-time, but his skills are evident in Miracle as well. And I’d argue Jane Got a Gun too. Jane was a messy film, but given that film’s production hell, it could have turned out a lot worse. Still, O’Connor saved that film as much as he could. I’m not saying he is one of the best directors working today or that his resume is the best thing since sliced bread, but I do think he’s a great director with huge potential. And that is enough to get me pumped for his films.

On top of all of that, the story sounds somewhat riveting as well. As a simple crime-drama, this looks to satisfy your basic movie needs here. What about you though, are you excited for The Accountant this weekend?

Movie Review: The Birth of a Nation is flawed, but powerful


Director: Nate Parker
Writers: Nate Parker
Stars: Nate Parker, Armie Hammer, Penelope Ann Miller, Aja Naomi King, Esther Scott, Jackie Earle Haley

Synopsis: A story set on the offshore drilling rig Deepwater Horizon, which exploded during April 2010 and created the worst oil spill in U.S. history.

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In 1999, Nate Parker and Jean McGianni Celestin were accused of raping a fellow college student who was intoxicated and unconscious at the time. Did the victim give her consent to engage in thus activities? Parker was taken to court and ultimately was found not guilty. Celestin was convicted of sexual assault and received a six-month to a one-year sentence in 2001. The conviction was overturned in 2005. The victim committed suicide in 2012. A tragic ending to an ongoing problem we have in this country; sexual assault and the damaging effects it has on the victims. Everyone is entitled to their opinion on the situation, but ultimately Parker was found not guilty in our justice system. Our justice system certainly is flawed, but nevertheless, he was found not guilty. Why bring all this up?

The Birth of a Nation, for the first time, opens the curtain into the life of Nat Turner and the slave rebellion that to this day is probably the most influential acts of resistance against slavery. Nate Parker pulled the trifecta for this film and we should not diminish the movie based on the supposed actions of the director. Social media has been very critical of Parker with many people boycotting the film, based on how he is handling the rape charge. Fox has stood by Parker in all this, and I (James Shaw) also stand by this movie. The Birth of a Nation may not be as impactful as 12 years a Slave, but this is an important film to see during these troubling times as race relations are at its all-time lowest. The Birth of a Nation is not 100% accurate; most historical films are not and those that disagree with Parker are quick to point this out and belittle his film. Accurate or not, every moviegoer is going to be moved by this movie.

Parker should not have starred in the film since he wrote and directed it, but I can see why he would want to star in it as well given the name recognition he would receive for himself. Parker does an excellent job of portraying the complexity of Turner’s life. Turner stands out for his intelligence as a slave, which in turn renders mercy of the white man. This leads to sermons from Turner, which are both horrifying and emotionally very stirring. As a black man in America, a few of those moments viscerally hit close to home. The same fear these characters were experiencing in 1831; I can relate to in 2016.

One interesting omission from this film was a rape scene that, apparently, would have made the film more powerful. Perhaps that omission came before the news of Parker’s allegations, but I think it was cut because of the fear of a potential backlash. The Birth of a Nation is Nat Turner’s story, not Nate Parker’s, so I think omitting this scene was wrong. I am not promoting rape but this type of stuff happened, and it’s supposed to make us uncomfortable, just like the beatings and murders were.

The Birth of a Nation is flawed, but it is a film that everyone needs to see. I hope that you can leave Parker’s personal life out of this film. This experience is about the legacy of Nat Turner and the importance of his rebellion.

Overall Grade: B

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Hear our podcast review on Episode 190:

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Poll: WARRIOR – great sports film or the greatest sports film?

This is maybe my favorite poll we’ve ever done. This weekend on Episode 191, we’ll be discussing Gavin O’Connor’s new film, The Accountant. That name should be familiar as O’Connor directed the most underrated film of all-time in Warrior. It’s an incredible film and we felt like using it for our poll this week. I’ve been home sick all week, so maybe it’s the medicine, but this felt like a fun question to ask.

Vote now!


List: Top 3 Controversial Films

This week on Episode 190 of the InSession Film Podcast, we discussed Nate Parker’s directorial debut, The Birth of a Nation. One of the sad things about this new version of The Birth of a Nation, is the controversy surrounding Parker himself. As noted earlier this week, this film was set up to be one of the most influential films to come out this fall. However, Parker’s controversy has stifled that conversation mightily, which is very understandable given what Parker has been accused of. For a lot of audiences, it will be hard to separate the man from the art. Using that as our inspiration this week, we decided to discuss our favorite controversial films. Whether it be about the subject matter, how the film was made or whatever the case may be, there are a lot of great films out there that have polarized audiences over the years.

On that note, which controversial films would make your list? Here are the one’s that made ours:

*Keep in mind we have different criteria for our lists as well*

JD

1) The Passion of the Christ
2) Do the Right Thing
3) Bonnie & Clyde

Brendan

1) The Exorcist
2) Requiem for a Dream
3) A Clockwork Orange

Kristen

1) Showgirls
2) Freaks
3) Straw Dogs

Honorable Mentions (Combined)

The Wild Bunch, Dogma, JFK, The Last Temptation of Christ, The Birth of a Nation (2016), United 93, Song of the South, Psycho, Salò, or the 120 Days of Sodom, Rosemary’s Baby, Antichrist, Silence of the Lambs, Midnight Cowboy, I Spit on Your Grave

Hopefully you guys enjoyed our lists and if you agree or disagree with us, let us know in the comment section below. Clearly there are many other films that could contend for this list, depending on your criteria. That being said, what would be your Top 3? Leave a comment in the comment section or email us at [email protected].

For the entire podcast, click here or listen below.

For more lists done by the InSession Film crew and other guests, be sure see our Top 3 Movie Lists page.

Podcast: The Birth of a Nation, Top 3 Controversial Films, The Prisoner of Azkaban – Episode 190

This podcast is brought to you by Audible.com. Get your free audio book and 30-day free trial today!

This week on the InSession Film Podcast, film critic Kristen Lopez joins us to discuss Nate Parker’s directorial debut, The Birth of a Nation. Inspired by the conversation around that film, we also discuss our Top 3 Controversial Films and we continue our Harry Potter Movie Series with Harry Potter and the Prisoner of Azkaban!

Big thanks to Kristen for joining us this week, who was great and had a lot of passionate things to say on this week’s episode. She’s a very busy woman these days but we are grateful she made time for us. Just a heads up, we had a very interesting debate on The Birth of a Nation. If you have any thoughts, please hit us up on social media, we’d love to continue the conversation.

On that note, check out the show and let us know what you think in the comment section. Thanks for listening and thanks for supporting the InSession Film Podcast!

The Birth of a Nation Movie Review (7:02)
Grades
JD: B+
Brendan: B-
Kristen: C

Top 3 Controversial Films (47:25)
One of the sad things about The Birth of a Nation, is the controversy surrounding Nate Parker himself. As noted earlier this week, this film was set up to be one of the most influential films to come out this fall. However, Parker’s controversy has stifled that conversation mightily, which is very understandable given what Parker has been accused of. For a lot of audiences, it will be hard to separate the man from the art. Using that as our inspiration this week, we decided to discuss our favorite controversial films. Whether it be about the subject matter, how the film was made or whatever the case may be, there are a lot of great films out there that have polarized audiences over the years. On that note, what would be your top 3?

Top 3 Sponsor: First Time Watchers Podcast

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RELATED: Listen to Episode 189 of the InSession Film Podcast where we discussed Deepwater Horizon!

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– Harry Potter Movie Series: Harry Potter and the Prisoner of Azkaban (1:29:33)
Grades
JD: A
Brendan: A
Kristen: A-

– Music

On My Own – Lecrae, Leon Bridges
Passion of the Christ – John Depney
A Window to the Past – John Williams
The Return of the Eagle – Atli Örvarsson

Subscribe to our Podcasts RSS
Subscribe to our Podcasts on iTunes
Listen on Stitcher
InSession Film Podcast – Episode 190

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Next week on the show:

Main Review: The Accountant
Top 3: TBD
Harry Potter Movie Series: Harry Potter and the Goblet of Fire

the-accountant

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Help Support The InSession Film Podcast

If you want to help support us, there are several ways you can help us and we’d absolutely appreciate it. Every penny goes directly back into supporting the show and we are truly honored and grateful. Thanks for your support and for listening to the InSession Film Podcast!

VISIT OUR DONATE PAGE HERE

Podcast: The Wailing, Queen of Katwe – Extra Film

This week on the InSession Film Podcast: Extra Film segment, we discuss the Korean horror film The Wailing and Disney’s latest “inspired by a true story” sports film, Queen of Katwe.

We apologize to those hardy defenders of The Wailing, because as you’ll see below, this film for us wasn’t the grand master stroke of cinema many claimed it to be. It’s a good film but we had some rather significant issues with the film that we hope comes through in our discussion. If you’re a huge lover of the film, we hope this isn’t a deal breaker.

On that note, have fun listening to this week’s Extra Film segment and let us know what you think in the comment section below. Hope you enjoy and thanks for listening!

The Wailing Movie Review (6:08)
Grades
Brendan: B
JD: B

Queen of Katwe Movie Review (36:45)
Grades
Brendan: B
JD: B

– Music

If I Ever Had A Heart – Emily Wells
Mbilo Mbilo – Eddie Kenzo
The Return of the Eagle – Atli Örvarsson

We try to make this the best movie podcast we possibly can and we hope you enjoy them. Subscribe today on iTunes and Stitcher and please leave us a review on iTunes. You can also find us on Soundcloud, PlayerFM and TuneIn Radio as well. We really appreciate all your support of the InSession Film Podcast.

Subscribe to our Podcasts RSS
Subscribe to our Podcasts on iTunes
Listen on Stitcher
The Wailing, Queen of Katwe – Extra Film

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Mobile App

To hear this Extra Film episode and everything else we do, download our apps on the Amazon Market for Android and the Podcast Box app on IOS devices. The mobile app covers all of our main shows, bonus podcast’s and everything else relating to the InSession Film Podcast. Thanks for your wonderful support and listening to our show. It means the world to us!

[divider]

Help Support The InSession Film Podcast

If you want to help support us, we would greatly appreciate it! For more info, CLICK HERE.

Featured: Anticipating Birth of a Nation

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In some ways it’s hard believe that The Birth of a Nation is finally coming to theaters. Nate Parker’s directorial debut film made waves way back in January at this year’s Sundance Film Festival and we’ve been itching to see it ever since. The film was also highlighted because its praise came at the height of the #OscarsSoWhite controversy regarding the Oscars. It seemed early on that The Academy would have at least one film they could hold in their back pocket to help cover some ground when it comes to the lack of diversity in their nominations. However, The Birth of a Nation has somewhat fizzled out a little bit due to a few different factors. For one, as the film has seen more film festivals, critics have been a little harder on the film in their reviews. The more and more reviews that come out, it appears that Parker’s direction is reflective of a first-timer at the helm. Secondly, and speaking of Parker, his rape allegations have sparked further controversy. This may or may not hurt the film at the box office, however it will have significant awards ramifications. This is just my opinion, but I’m not certain that The Academy will be eager to vote for The Birth of a Nation given the discussion around Parker’s scandal. That said, if the film is good enough on its own, I would hope that would be enough for voters, but history has proven otherwise.

It’s been rather heartbreaking to see how things have developed for The Birth of a Nation. Given our current cultural landscape, this film could have reverberated in some really powerful ways. The film itself still may offer some relevant conversation, but I’m curious as to how much of it will be stifled due to its external mayhem. Even if the film is flawed, as it appears to be, I would hope people could look past Parker’s personal life and receive the film for what is. I don’t expect The Birth of a Nation to be on the same level as 12 Years a Slave, but our social landscape right now is ripe for this material.

Looking at the film on its own, it sounds great on paper. The story of Nat Turner is inspiring and tragic all at the same time. The film also stars Parker, as well as Jackie Earle Haley, Armie Hammer, Dwight Henry (who was amazing in Beasts of the Southern Wild), Aunjanue Ellis (who is underrated as an actress), Esther Scott and many more. Everything about this film looks great fundamentally. The big question is whether or not Parker is effective as a director. Can he take such rich material, with a robust cast, and do something resonate with it? We’ll find out the answer to that this weekend.

No matter how this film turns out, one thing is for certain. The Birth of a Nation has arguably the best movie poster I’ve seen all year. In fact, I’d go as far as to say it is the best I’ve seen, personally. Wow.

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Are you excited for The Birth of a Nation this weekend?

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Here’s what else you can expect at the box office this weekend:

The Girl on the Train

Middle School: The Worst Years of My Life
The Greasy Strangler (limited)
Blue Jay (limited)
Voyage of Time (limited)

Poll: What is the best movie about, or featuring, slavery?

This weekend on Episode 190, we will be discussing Nate Parker’s Birth of A Nation, which retells the story of Nat Turner who orchestrated an uprising in the 1830’s. Despite the external controversy surrounding Parker, the film itself looks like a gripping experience that will parallel a lot of our current cultural debates. The topic of slavery is an uncomfortable subject for some audiences, but it’s an important part of U.S. history that’s worth exploring on the big screen. 12 Years A Slave was a great film that won Best Picture at the Oscars for a reason. There have been many great films over the years depicting slavery, and it was our inspiration for our poll this week.

What is the best movie about, or featuring, slavery? Vote now!


Movie Review: Deepwater Horizon is a thrill ride of a disaster film


Director: Peter Berg
Writers: Matthew Michael Carnahan, Matthew Sand
Stars: Mark Wahlberg, Kurt Russell, Gina Rodriguez, John Malkovich

Synopsis: A story set on the offshore drilling rig Deepwater Horizon, which exploded during April 2010 and created the worst oil spill in U.S. history.

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Disaster films always guarantee a jolly fun viewing. Whether they are poorly made because of the acting or because the set up just isn’t believable, disaster films are still enjoyable despite these flaws. However, we do get some disaster films that do happen to dazzle due to interesting film making styles and decent acting. And this summer’s Deepwater Horizon utilizes this plethora of tools to make for a thoroughly enjoyable disaster movie.

Mike Williams (Mark Wahlberg) is a lead technician on the oil rig Deepwater Horizon. A company that is in charge of oil rigs known simply as BP, arrives on the oil rig to run through some rudimentary tests on the rig. But, the company decides not to run any tests due to budgeting issues, the man in charge Jimmy Harrell (Kurt Russell) is hesitant to drill without any of the tests having being ran. After a bit of persuading from the heads of the company, the rig team decides to run some simple tests and then begin drilling. The tests pass and the crew begins drilling. During drilling pressure inside of the drill begins to build and build until an insanely terrifying explosion that emits the Deepwater Horizon in flames.

The film’s visual style and visual abrasiveness is incredibly enjoyable. When we as an audience watch a disaster film, the one thing we truly hope for is that the visual effects are not poorly done. Deepwater Horizon utilizes our technological advancements from the most recent years to explode, combust, and even dazzle the audience through it’s intensity. That being said the film is intense, insanely intense. We do begin slow, and the slowness burns through the first half an hour of the movie, but once the initial explosion of oil onto the rig occurs, it is not stop action and intensity right up until about the last ten minutes. The intensity however does not distract from the overall enjoyment of the movie.

Another highlight is the acting. Personally, anytime Kurt Russell is on screen I get thoroughly excited. He manages to bring so much excitement and charisma to the screen, especially in his older appearances like The Thing and Escape from New York. Russell has managed to keep this charisma frequent and applicable throughout his older years. The movie does not exactly bring any high caliber acting, nothing on a best actor level work. However, the acting does help bring the realism to the scenario of the film, it manages to add a whole other element of enjoyment and a sense of “being there” as I like to put it.

One thing we have started to look for more in films is how well special effects are put together. Whether it be practical effect extravaganza like in George Miller’s Mad Max, or insane over the top computer generated effects like in the Marvel movies, we as audiences have become more aware of this and begin to judge them like we do at the other aspects in film. And the special effects in Deepwater Horizon manage to pass for quite the excelling job. The film appears as if it mixes both practical effects and CGI. The actors also do an excellent job at selling their reaction on the ferocity of the explosions. Recently, we’ve been seeing a lot of poorly done CGI with a copious number of low budget films trying to increase their production value with CGI, but Deepwater Horizon masters their use of CGI to create an even larger impact.

Deepwater Horizon is a fun, thrill ride of a disaster film. With the action and thrills soaring the movie to new heights, carried miraculously by the well done performances and solid screenplay, Peter Berg and Mark Wahlberg deliver another box office hit once again.

Overall Grade: B-

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Hear our podcast review on Episode 189:

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Featured: The Legacy of the Fantastic Four

The Fantastic Four first debuted over fifty years ago in 1961. Created by Stan Lee and Jack Kirby, the duo wanted to do something different with the super-hero genre. They did things uncommon at the time, such as making the team a family, having one of the characters (The Thing) have unattractive powers, they were celebrities and in their first several appearances they didn’t have any sort of costume. The series would go onto be hugely popular, kick-starting what is now the Marvel universe. The adventures of Mr. Fantastic, the Invisible Woman, The Human Torch and The Thing, would continue under dozens of writers and artists over the years and the team would evolve and become more successful.

Stan and Jack’s work on the series is still considered one of the best today and is as one of the longest uninterrupted runs in all of comics. For over one-hundred issues they produced the book monthly, adding characters till popular today such as Dr. Doom, the Black Panther, Galactus, the Skrulls, the Silver Surfer and countless others. The heart of the Fantastic Four franchise has always been discovery and family. The team aren’t likely to proactively fight crime and instead combat situations arise as they explore new locations, worlds and ideas. The group’s membership has changed from time to time, but has focused mostly on the main four, with the children of Mr. Fantastic and the Invisible Woman becoming main characters.

Like any popular super hero franchise, it’s going to spawn adaptions. The first Fantastic Four animated series debuted in the 1960s produced by the Hanna-Barbera company. Another show would follow in the seventies (notoriously lacking the Human Torch), then again in the 1990s and the mid 2000s. The first live action film is the infamous 1994 film by B-movie legend Roger Corman. The film was only made in order for the studio to keep the licence and only ever released as a leak. With the modern popularity of super hero films, two movies would be released in the 2000s; Fantastic Four and Fantastic Four: Rise of the Silver Surfer. The films would be modest successes but the squeal made less than the first, despite costing more. A reboot of the series was released in 2015 and was met with negative reviews and was less successful than the other films.

Merchandise is ripe for the Fantastic Four. Any item you can think of, the team have had it. Toys, books, clothing, bedsheets, lamps, posters, confectioneries, albums and more have all been released based on the FF. Various video games have been produced in the past, with notable example being the 1997 release for the Playstation. Both of the 2000s films had video game tie-ins. You can play as the Fantastic Four until your heart is content today with online slots provided by Coral based on the team. The Fantastic Four have made numerous other appearances in video games, being playable in both Marvel Ultimate Alliance games, MMORPG Marvel Heroes, Lego Marvel Super Heroes and more.

The Fantastic Four have been around for over half a century and with all the ups and despite the downs, they’ll easily be around for the next half.

Featured: So, they’re making a live-action adaptation of The Lion King, huh?

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We all knew it was coming, right? Last week Disney announced that they would be joining forces with director Jon Favreau to create a live-action adaptation of The Lion King. Well, as you’ll hear on Episode 189, we couldn’t let that news slip through the cracks on our show. Despite being in the middle of our Harry Potter Movie Series, we needed to discuss this further. So, for the first time since Episode 5 all the way back in 2013, we decided to forgo our Top 3 segment, making #189 the first show since then to not have some sort of list segment. And it was totally worth it.

For a little bit of context, I’m a *huge* fan of The Lion King. It was a big piece of my childhood and I would still argue to this day that The Lion King is one of the best animated films of all-time. It perhaps *is* the best animated film of all-time. Simply on principle, this news is alarming. However, my biggest questions are more fundamental. If this is supposed to be live-action, but it’s executed with heavy CGI in the same vein as The Jungle Book, isn’t that still technically animated since there are no human characters? Also, how are you going to replace the iconic vocal performance from James Earl Jones? Should you just re-cast him? And don’t even get me started on Hans Zimmer’s Oscar-winning score. How are they going to replicate the music of this film, which is itself a significant piece of cinema history?

Laying all of that aside, there is reason to be hopeful for this project. First of all, Disney seems to have their heads on straight with all of their properties. Of course this is subjective, but if you ask me, Disney Animation, Marvel, Star Wars and these live-action remakes have mostly been great, with only a few misses here and there. Meaning, Disney has all of their arms working in unison right now. As for the live-action remakes, Cinderella, The Jungle Book and Pete’s Dragon, have all been solid re-imaginations. I haven’t seen the Alice in Wonderland films but I hear awful things about them. Maleficent was disappointing as well, but outside of those two, I’ve really enjoyed what Disney has been doing with their live-action remakes.

And that brings us to Beauty and the Beast, which is another animated film I hold very close to my chest. In fact, Belle is my favorite Disney Princess. Now, I understand that the marketing for these remakes are going to pander to what people love about the original animated films, but the teaser trailer and images have absolutely captured the spirit of Disney’s original Beauty and the Beast. All of the evidence suggests to me that Bill Condon’s film will 1000% render the heart of that story while visually regurgitating what we love so much about Beauty and the Beast aesthetically. I am so excited for that film and love the direction that film is heading at the moment.

If Beauty and the Beast lands for me, coupled with my already love for The Jungle Book and Cinderella, I may actively be in favor of a remake for The Lion King. At the end of the day, I still have questions and the very idea makes me nervous, but the evidence says to me that I shouldn’t be at this point. If you’re like my co-host Brendan, and you didn’t like The Jungle Book or Cinderella or Pete’s Dragon, then I sympathize with your more severe hesitations. However those films did land for me pretty hard, and I’m a big fan of Favreau’s work. If he brings the same kind of enthusiasm and vision to The Lion King as he did with The Jungle Book, that only adds to my potential excitement for this project.

What about you though? Where do you sit on all of this?

Listen to more of our thoughts on Episode 189 below: