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Movie News: John C. Reilly may join Guardians of the Galaxy

According to Hitfix, it’s been reported that John C. Reilly has been offered the role of Rhomann Dey in Guardians of the Galaxy, which is due out next summer sometime. He hasn’t accepted the offer yet and no one seems to be sure if he will as the role is being described as “a big commitment”.

According the the report and what Marvel is looking for, Rhomann Dey is the liaison between the Guardians the S.H.I.E.L.D. which makes the role kind of important and has potential to be something more.

Normally I would say that this doesn’t fit Reilly at all but he does have some good skills and given the tone of the Guardians of the Galaxy, which is very different than what we’ve seen so far, I think he’ll actually fit in just right. This will most likely be a more silly movie given a few of the characters and with the comedic tone this franchise has taken, while being series, Reilly could fit in.

What do you guys think?

Movie News: Josh Brolin latest A-list actor to join PTA’s Inherent Vice

Really with this cast?

According to Deadline, Josh Brolin with join the cast of Paul Thomas Anderson’s Inherent Vice for what is being described as a “key role.” The cast already includes Joaquin Phoenix, Reese Witherspoon, Martin Short, Sean Penn, Owen Wilson and Jena Malone.

This cast is just insane and PTA has proven he can work wonders with actors, having done so in Punch Drunk Love, Magnolia, Boogie Nights, There Will Be Blood and last year’s The Master. This guy makes great films and gets great performances out of his actors in those films.

Brolin, who was last seen in the forgettable Gangster Squad, can be seen next in October’s Sin City: A Dame to Kill For and the remake of Oldboy.

Movie News: Sam Mendes is back in the director’s chair for Bond 24

Sam Mendes is coming back to direct the next James Bond film after all.

According to Deadline.com, Sony Pictures and MGM are in talks with the Skyfall director to return to the franchise. Over two months ago, Mendes said he wouldn’t return as he wanted to focus on some other stage productions. But producers Michael Wilson and Barbara Broccoli wanted him to return so they’ve decided to wait and let him work through his stage commitments.

Skyfall (probably the best and most enjoyable Bond film to date) made over $1 billion at the box office and is the highest-grossing Bond film ever – so it’s safe to say Wilson and Broccoli have good reason to bring Mendes back. Although it would’ve been cool to see Christopher Nolan get a shot at it.

New Movie Poll: What’s the best Will Smith movie?

This week, in anticipation of After Earth, we’re asking what’s the best Will Smith movie? Independence Day? Men in Black? Bad Boys?

Let us know in the poll below!

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Box Office Report: Fast & Furious 6 leads record-setting Memorial Day weekend

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It turns out a lot of people of people decided to spend their Memorial Day weekend at movie theaters.

For the first time ever, box office receipts eclipsed $300 million for the four-day weekend with five films helping gross $316 million. Fast & Furious 6 was the No. 1 film, grossing $120 million for the fourth-best Memorial Day weekend opening ever.

The latest film in the Fast and Furious franchise, starring Vin Diesel and Dwayne Johnson, grossed nearly $99 million through Sunday, surpassing Fast Five’s franchise-high opening of $86 million. With engaging characters, great performances and fantastic action, there’s no wonder Fast & Furious 6 took the top spot this weekend.

Coming in second was The Hangover Part III as the final chapter in the stupid and pointless comedy trilogy brought in $51.2 million. Star Trek Into Darkness was third with $47 million, which opened with an underwhelming $75 million last weekend.

Epic, the new animated film that we thought could’ve been a whole lot better than it was, grossed a surprising $42.6 million to take the fourth spot, and Iron Man 3 continued its strong run with another $24.4 million (its total is now $372 million) to come in fifth.

Fast & Furious 6 could claim the No. 1 spot again next weekend as Now You See Me and After Earth open. While those films look like they could be solid, I don’t think they’re big enough to top Fast & Furious 6.

Podcast: Epic – Extra Film

This week for our Extra Film segment, Nate and JD review DreamWorks’ latest film Epic, starring Amanda Seyfried, Josh Hutcherson, Colin Farrell and many others.

To hear the full version, be sure to download our apps on the Amazon Market for Android and the Podcast Box app on IOS devices. This helps support the show so be sure to check this out as well as other bonus content.

IOS – Podcast Box App
Android – Amazon Market

 

Top 3 Car Chases

On Episode 14, we had a lot of fun discussing our Top 3 Car Chases in film.

Nate

1) Fast Five
2) The French Connection
3) Bad Boys 2

JD

1) Bad Boys 2
2) Gone in 60 Seconds – 1974
3) Bullitt

Podcast: Fast & Furious 6, Top 3 Car Chases, Before Sunset – Episode 14

On Episode 14, we review Fast & Furious 6, discuss our Top 3 car cashes in film and continue our Before Series where we look at Richard Linklater’s Before Sunset.

Fast & Furious 6 Review
Grades
Nate: B+
JD: B+

Our Top 3 Car Chases

– Before Series Review – Before Sunset

– Latest News
Jon Steward casts his leading man for Rosewater
– New trailer for Don Jon
– New trailer for Man of Steel

– What We’ve Seen This Week

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InSession Film Podcast – Episode 14

Movie News: Blue Is the Warmest Color takes top honor at Cannes

The lesbian romance Blue Is the Warmest Color: The Life of Adele won the Palme d’Or, the top honor at the Cannes Film Festival, which ended today. The Palme, which the jury awards to its choice of 20 films in competition, is one of cinema’s greatest honors.

The Steven Spielberg-led jury awarded the Palme not just to director Abdellatif Kechiche but also to its two main stars, Adele Exarchopoulos and Lea Seydoux.

The film is about a 15-year-old girl who falls in love with an older woman. It’s nearly three hours and features lengthy, graphic sex scenes.

“The film is a great love story that made us all feel privileged to be invited to see this story of deep love and deep heartbreak,” Spielberg told reporters, according to an article on CBSNews.com. “The director didn’t put any constraints on the narrative.”

The Coen Bros. new film, Inside Llewyn Davis, took home the Grand Prix, Canne’s second most prestigious award. The film, which stars Oscar Isaac, Justin Timberlake and Carey Mulligan, opens on December 6.

Movie Review: Nothing epic about Epic


Director: Chris Wedge
Writers: James V. Hart, William Joyce, Daniel Shere, Tom J. Astle, Matt Ember
Stars: Colin Farrell, Amanda Seyfried, Jason Sudeikis, Christoph Waltz, Josh Hutcherson, Beyonce Knowles, Aziz Ansari

Synopsis: A teenager finds herself transported to a deep forest setting where a battle between the forces of good and the forces of evil is taking place. She bands together with a rag-tag group characters in order to save their world – and ours.

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DIRECTION
For a film called Epic, there’s nothing really epic about it. Chris Wedge, who also directed Ice Age and Robots, makes a decent film here, one that will definitely please all the kids who go and see it. But there’s lots of missed opportunities with a script that could’ve been tightened (and a bit more epic) and an incredible voice cast that just isn’t very memorable. The animation of the film is beautiful and some of the action sequences are nice (and probably would’ve been even better in 3D), but there are just too many areas that just aren’t up to snuff and keep the film from reaching today’s animation standards of Up, How to Train Your Dragon, etc.

Grade: C-

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SCRIPT
Did it really take five people to write the screenplay for Epic? Really? It’s Avatar meets Ferngully, with little people (led by General Ronin, voiced by Colin Farrell) protecting the forest from other little characters (led by Mandrake, voiced by Christoph Waltz) who are trying to destroy it. And then you have a queen who dies and needs a successor and needs someone to protect a magic bulb that will help keep the forest alive. And there’s a human girl (MK, voiced by Amanda Seyfried) who gets shrunken down to help the little forest people. Yeah, it’s all been down before. There’s some good stuff here with some of the characters and some of the comedy, but a lot of missed opportunities – particularly with MK and her father (voiced by Jason Sudeikis) and their strained relationship. Overall, there’s a decent premise and some good ideas but it just isn’t executed very well.

Grade: C

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PERFORMANCES
Epic has a great voice cast with Seyfried, Sudeikis, Waltz, Farrell, Josh Hutcherson, Beyonce Knowles and so on and so on. And while all of them are fine, there is no standouts with the exception of Aziz Ansari as one of the slugs, providing a lot of the comedy. Him and Chris O’Dowd, who plays the other slug, have great chemistry together, as do Seyfried and Hutcherson’s character. The Leafmen, led by Farrell’s character, have a very Irish vibe to them, which I found strange and interesting. And Sudeikis does some pretty decent work as the weird and quirky father. Overall, the voice cast wasn’t bad but also wasn’t very memorable.

Grade: B-

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SCORE
Danny Elfman is a pretty solid composer, having done the Spider-Man series and most of Tim Burton’s films. But here, with Epic, he goes through the motions and phones it in. Whether it’s an action sequence, his score is very simple and generic and really doesn’t add anything to the film.

Grade: C-

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Overall Grade: C

Movie Series: Before Sunset (Before Trilogy)


Director: Richard Linklater
Writers: Richard Linklater, Ethan Hawke, Julie Delpy
Stars: Ethan Hawke, Julie Delpy

Synopsis: It’s nine years after Jesse and Celine first met; now, they encounter one another on the French leg of Jesse’s book tour.

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DIRECTION
Richard Linklater did something that’s rarely been done with Before Sunrise: Make a film about two people just talking and make it not only extremely interesting but extremely good. And then with Before Sunset he went a step further and made a sequel nine years later and have it be equally interesting and good. So how’d he do it? A big reason is great scripts and great performances by Ethan Hawke and Julie Delpy. The scripts are expertly written and Hawke and Delpy take that and make these characters feel like real human beings. And then when you add in the way Linklater shot both films, it’s no wonder they’re considered classics. The long takes of Jesse and Celine talking, whether it be sitting down at a cafe or walking down the street to their next location, the films feel like they were shot in real-time.

Grade: A+

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SCRIPT
For a film that is almost 100 percent just two people communicating with one another, the script and dialogue need to be expertly written. And just like the film before it, Before Sunset has an amazing script. The dialogue is exquisite and never feels forced; sometimes it even feels as if Hawke and Delpy (both of whom helped write the script this time around) are making it up on the spot and just going with it. And, again, just like the first film, the premise seems plausible – even with the nine-year gap, the way they meet up again is never questioned. But the ending is much different, as this time around it’s a little bit more open-ended.

Grade: A

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PERFORMANCES
Just like the first film, Before Sunset is a two-person show with Hawke and Delpy receiving 100 percent of the screen time. And just like the first film, the two shine, bringing forth chemistry that feels so real and natural. They are much older and wiser this time around and have experienced many life events since their last encounter and it shows in Hawke and Delpy’s performances. Their conversations are deeper and darker and they do a great job of displaying their emotions throughout.

Grade: A+

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SCORE
There is no original score for Before Sunset, just a couple of songs here and there that mostly serve as background filler and are used for transitions between scenes – with the exception of the song “A Waltz for a Night,” which plays a big part in the final scene of the film. They set the mood well and are a nice complement to the great conversations that Jesse and Celine have throughout.

Grade: B+

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Overall Grade: A-

Movie News: Jon Stewart casts Gael Garcia Bernal for Rosewater

In what is one of my favorite news pieces recently, Jon Stewart of The Daily Show, will be taking a four-month break this summer to direct his first movie entitled Rosewater. Stewart wrote the film, will be directing and now has found his lead actor in Gael Garcia Bernal. Bernal is mostly known for Y Tu Mama Tambien, The Motorcycle Diaries and Babel.

Rosewater is centered around an Iranian journalist, Maziar Bahari, who spend 118 days in a Tehran prison on many counts of espionage. With tensions between Israel and Iran increasing, it’ll be interesting to see the reaction to this film that will have a Persian protagonist while Stewart himself comes from Jewish heritage. There was a lot of controversy among some people with last year’s Oscar-Winning film Argo , so this film may have some of those same people voicing their opinions.

That being said, I really like Jon Stewart, who is always funny and extremely intelligent. He has a vast knowledge of the situation and I believe he just wants to tell a story that will be amazing. I’m sure there will be some sort of political stance and he certainly will gain the attention of a few people. Either way I’m excited to see how this comes together and what kind of reaction it will get.

What do you think?

Movie Trailer: Indy 500 comes to Turbo

The newest trailer for the animated film Turbo is here and it features the Indy 500. I’m not sure how a superfast snail will make in F1 racing but we’ll see when the Dreamworks Animation film hits theaters this July.

The move stars Ryan Reynolds, Paul Giamatti, Maya Rudolph, Samuel L. Jackson and many others. Turbo comes to us July 17.

Movie Trailer: Ain’t Them Body Saints has violence and love

A new trailer for Ain’t Them Body Saints was released and it looks pretty good. This film is written and directed by David Lowery who is best known for editing Shane Carruth’s Upstream Color. Ain’t Them Body Saints is a violent love story that centers around a married couple in the 70’s that gets into a little trouble with the law. The wife shoots a cop, lets her husband take the rap and it all gets crazy from there.

Th cinematography is very “Malick-y” in terms of it’s gorgeous visuals and natural elements you see here as the couple spends some time outside. The love and violence seems to be weaved together well and I’m sold for this.

The film stars Casey Affleck, Rooney Mara, Ben Foster, Keith Carradine, and Nate Parker. It apparently received some great feedback out of Sundance and seems like it’s one to see this summer. What you guys think?

Movie Review: Fast & Furious 6 is action packed with layered story


Director: Justin Lin
Writers: Chris Morgan (screenplay), Gary Scott Thompson (characters)
Stars: Vin Diesel, Paul Walker, Dwayne Johnson, Ludacris, Tyreses Gibson, Michelle Rodriguez, Sung Kang

Synopsis:  Hobbs has Dom and Brian reassemble their crew in order to take down a mastermind who commands an organization of mercenary drivers across 12 countries. Payment? Full pardons for them all.

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DIRECTION
Justin Lin’s direction for Fast & Furious 6 is spot on again, for the most part. It’s action packed once again which leaves a lot room for Lin to play with his camera movements and gives his characters a chance to show us how badass they really are. The opening scene sets the aesthetic fantastically when Paul Walker and Vin Diesel’s characters race through this narrow, winding road which is what we expect from the franchise. However, nothing sets the tone of the film like the opening title sequence. It’s a glorious montage with clips from all of the previous films, in order, to give you a short snippet of where they come from and where they are going to go. On top that is the amazing theme song to the film that I’ll talk about more below in the “Score” section. The beginning 20 minutes are incredible. As the film progresses and you find more action, the camera has these long tracking, sweeping motions that I love and it’s everything you’d expect from Lin in this franchise. There’s also a good dose of hand-to-hand combat in this movie, must like in Fast Five and it’s executed extremely well. Lin gets great performances out of his actors, which I’ll also go into here shortly, and his musical choices are perfect. The biggest problem I have with this film, much like I did with Fast Five and some of the other films too, is that for a series that’s (mostly) based in reality, there are some action sequences that are way too over-the-top and unrealistic and I can’t get on board with it. This isn’t Iron Man, yet we have people flying through the air and doing things you’d only see Tony Stark (or that Universe) be able to pull off. Outside of that craziness, this is a solid film and Lin is amazing again. And I can’t go into it, but the teaser for the next film in the ending title sequence is unbelievably good!

Grade: B+

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SCRIPT
This is easily my favorite script and story so far in the franchise. However, to be fair, I do like #5’s script a lot too and this script is pretty strong as it’s a by-product of that movie. The relational elements are amazing and extremely well written. Dominic Toretto and Elena are relaxing with Brian O’Connor and Mia, who now have a son, after their heist in the 5th film when they are surprised to learn that Toretto’s girlfriend, Letty, is actually live. It’s an amazing twist (set up by the trailers, no spoilers there) that adds so much emotion and layers that brings these characters to life. The chemistry between Vin Diesel and Michelle Rodriguez is great and is the foundation for their motivation. Paul Walker’s relationship with the both of them is also critical and adds something I think we’ll see more in later films. In what is supposed to be an “action” movie, Fast & Furious 6 and Fast Five are amazing to me because of these characters and the story, not the action. They are well written, extremely interesting and a lot of fun to see on screen. However let’s not forget the rest of the gang. Ludacris, Tyrese Gibson, Sung Kang, Dewayne Johson and Jordan Brewster’s characters are also well written. The dialogue between them is brilliant and hysterical, but most importantly, it keeps you engaged and you can’t help but have a lot of fun with these characters. But what about Luke Evans’ as a bad guy? He’s an interesting character with some stereotypical lines of dialogue and is fitting for the film. I think Evans’ performance makes the character much better on screen than he is on paper. Some of the plot points are predictable and not too surprising but you can’t expect anything less out a film like this. I’d say my favorite part though is how they weave in elements from the other films into this one. The continuation is a lot of fun and they do it so well here, especially elements from Fast Five and The Fast and the Furious: Tokyo Drift. Without spoiling anything, if you’ve seen either of those films, you’ll know what I’m talking about. Overall, I could watch these characters interact with each other and just drive cars around with no action and I’d love it. Add some fun action into it and I’m all on board for this story.

Grade: A-

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PERFORMANCES
The performances are incredible once again. Everyone is on their A game and for some of these actors, this is the franchise they were born for. This is by far the best thing Diesel’s ever been a part of, in my opinion, and he’s in his element when he’s on screen with this franchise. The dynamics between him and Walker are as fun to me as any other duo out there. Ludacris, Gibson, Kang and Johnson are also terrific and belong here. The underlying theme of this film is family and doing anything it takes to love and be there for them, and that’s exactly how the actors interact with each other. Six films will give you enough time to get to know one another though. As for Evans, there’s one shot of his character driving a tank down a highway crushing cars with people inside them and he just has this dirty smirk on his face leaving you feeling gross for his character. Yeah, I’d say that sums it up for him. Overall, the performances are great and it’s a lot of fun.

Grade: A-

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SCORE
Before I get into the soundtrack, the score by Lucas Vidal is terrific. There’s a lot of intense strings and tones which add so much to the action pieces. I love what he does to add intensity to the film, especially where it needs it and the score is good enough to give it a listen to outside of the film. As for the soundtrack, it’s amazing and probably the best of the whole franchise. The song, “We Own It” by 2 Chainz and Wiz Khalifa is the theme song to the film and it’s used perfectly. I love the song and it adds the right emotion and music aesthetic that fits the Fast & Furious franchise really well.

Grade: A

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Overall Grade: B+

Movie Trailer: We’re The Millers gives us a half-naked Jennifer Aniston

Have you ever wanted to see Jennifer Aniston as a stripper? If your answer was yes (of course it’s a yes!) then We’re The Millers will be for you.

Based on the regular and red-band trailers we got today, We’re The Millers seems to have a great and funny premise with a drug dealer (played by Jason Sudeikis) recruiting his stripper neighbor (Aniston) and two kids (played by Emma Roberts and Will Poulter) to pretend to be his family as he goes to Mexico to pick up drugs.

The film is directed by Rawson Thurber, whose last film, 2004’s Dodgeball: A True Underdog Story, was one of the best comedies of the decade. We’ll see if he can regain that magic after so many years.

Red-band Trailer

Regular Trailer

We’re The Millers comes out on August 9.

Movie Trailer: Grown Ups 2 reunites the gang for more lowbrow humor

I hate to admit it but I actually liked Grown Ups – for reasons I’ll probably never really know.

But the crew – which includes Adam Sandler, Chris Rock, Kevin James and David Spade – is back in this latest trailer to the sequel, which looks to continue with the lowbrow humor of the first film.

Will Grown Ups 2 be worth seeing in theaters? No. But will I make sure I catch it on DVD? Yes.

Grown Ups 2 opens on July 12.

The Box Office: Movies Opening This Weekend May 24, 2013

Here’s a list of movies that are coming out this weekend, highlighted by the release of (the very fun and entertaining) Fast & Furious 6 and The Hangover Part III.

Fast & Furious 6
The Hangover Part III
Epic
Before Midnight (limited)
Lemale et ha’halal (limited)
We Steal Secrets: The Story of WikiLeaks

Movie News: Diana coming to the big screen

Entertainment One (or eOne) has acquired the U.S. rights to Diana, the Princess Diana film that stars Naomi Watts. The film was produced by Embankment Films and Ecosse films.

Diana will focus on the last two years of her life and will explore Diana’s relationship with heart surgeon Dr. Hasnat Khan, who will be played by Naveen Andrews. The film is planned to be released later this year. eOne said in a release that it will probably launch an awards campaign as well which will probably could make it or break it for the film.

“We are thrilled to be bringing Diana home from Cannes,” said eOne’s Dylan Wiley. “Diana will give audiences worldwide a chance to not only fall in love with the Princess all over again, but also discover a part of her life up until now kept out of the public eye.”

The story is close to a lot of people and if the film is done right, it could get lots of Oscar buzz. It definitely fits the mold to what the voters may like should the performances be up to par. And let’s not forget, Watts was nominated for Best Actress in a Leading Role for her performance in last year’s The Impossible, so we know The Academy likes her and could (will) be give a chance.

Movie Review: Black Rock is anything but original


Director: Katie Aselton
Writers: Mark Duplass (screenplay), Katie Aselton (story)
Stars: Katie Aselton, Lake Bell, Kate Bosworth

Synopsis:  Three childhood friends set aside their personal issues and reunite for a girls’ weekend on a remote island off the coast of Maine. One wrong move turns their weekend getaway into a deadly fight for survival.

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DIRECTION
The biggest problem with Katie Aselton’s movie Black Rock, is the fact that it’s amazingly unoriginal. Her story is a problem which puts her in a tough situation as a director and it’s easy to tell on screen too. The film starts out the way you’ve seen a million times with three women that get together to go camping on an island that would leave anyone vulnerable. However, I do like how Aselton captures the nature of the island giving you the thriller, bad things are about to happen, aesthetic. It’s about the only thing I liked though. The performances she gets are extremely forgettable and only heighten the originality this movie offers. It’s not even that the performances are bad; the acting is descent but there is nothing new that separates this film from anything else which makes it very stale and boring. Aselton’s music choices are fine and heighten the film in certain places which was helpful considering nothing else “thrilled” me. Overall, Aselton’s direction, while was okay by itself, is nothing new by any means which makes Black Rock very forgettable.

Grade: C-

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SCRIPT
Aselton’s story and Mark Duplass’ screenplay is easily the worst part of this movie. If this was a script that was written 100 years ago, it may be a different (literal) story. Three girls going camping, running into 3 shady males, out in the middle of no-where is something we’ve seen a bazillion time. The first night after the two groups meet up, one of the males tries to rape one of the girls and everything goes down hill from there. Everything is extremely predictable and is pretty much a yawn. The characters have little development and aren’t very interesting which makes it hard for me to root for them. While the film is from the perspective of the girls (the huntees), the males (the hunters) are forced into anger and become revengeful and basically, you find yourself not rooting for anyone and become completely uninterested. It’s a sad story of death and devastation to characters that don’t make you feel anything for them. In a real life situation, it’s heartbreaking to hear a story like this but this specific script doesn’t let you feel that. And I may have mentioned this before but it’s not very original.

Grade: D

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PERFORMANCES
Kate Bosworth’s performance is the only one that was above average but her character has issues I can’t go into without spoilers, it makes this film even more forgettable. Aselton not only wrote and directed this film, but she also stars in it. I’d say this is the best of her three-part duty but I still wasn’t wow’d. I’m not looking for perfection here but at least something that is entertaining and the film is void of that. The rest of the cast is descent but they are forced to re-create characters that you’ve seen a million times and that’s difficult to do. Based on that alone, I’m going to give a generous grade for this section but it’s still their job to make me interested in the characters and I wasn’t able to do that. They do bring passion and some emotion but in a film that’s filled with death and devastation, it’s hardly felt. That is more credited to bad direction and a worse screenplay but the performances could have been more fun.

Grade: B-

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SCORE
Ben Lovett got the nod to compose this film and while it’s not the best thriller score, it certainly adds a lot more to this film than it deserves. It’s got some great strings that add tense music which is placed well and the it creates a great tone to the film. Lovett hasn’t done a whole lot of work but I’d love to seen him do more based off this score.

Grade: B

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Overall Grade: C-