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Featured: Anticipating the new Ghostbusters

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Whenever anyone muttered the words “Ghostbusters” and “remake” in the same breath, it has caused some rather extreme reactions from some people over the last year or so. Now, some of it has been understandable as for some audiences, the original Ghostbusters is a childhood classic that should just never be touched. I get that and I can respect that. If Hollywood ever touched Independence Dayoh wait, yeah I definitely sympathize with that notion. Alright, so that idea does have some validity to it but the people who are out to get this film, whether it’s because the film is a classic to them or that it stars four women in the iconic roles, are reacting in a way that is insanely unnecessary. The misogyny on Reddit is simply absurd and I hate to burst their bubble (actually I enjoy it), but the studios don’t pay critics for their reviews. The reaction from these “fanboys” is simply based on pride and hatred, and it’s an unwarranted distraction from the real problems our country is facing currently. That said, let’s all take a second to thank “Mudron” for bringing logic to these insane Reddit comments.

Okay, now that I’ve purged out my frustration on that, back to the film. I’m personally excited for the new Ghostbusters film. I think the original Ghostbusters is a lot of fun, but looking at the film objectively, it’s not a masterpiece by any means. In fact, I’m curious as to how it would be perceived today with modern audiences and critics. I’m not so sure it would be received with open arms. Nostalgia makes it hard to envision that, but if you take an honest step backwards, there are pacing issues, the exposition of the film is poorly handled and as iconic as the climax is, the tension is released rather quickly. Don’t get me wrong, I’m not saying it’s a bad film. As I mentioned above, it’s a great time, most of the jokes land hard and the characters are a riot. I also love Rick Moranis’ commitment to his character, it wonderfully juxtaposes the “cool” of the Ghostbuster characters and honestly, their performances as well. You can’t forget that soundtrack too. There’s a lot about this film to appreciate, but I wouldn’t call it a classic.

At this point, a lot of you are probably ready to polarize me with your proton packs but for the reasons mentioned above, it’s why I’m excited for the new Ghostbusters. I’m genuinely curious to see what director Paul Feig does with the material and how they modernize some of the iconice sequences of the original. I also really like this cast. Yep, I said it. Kristen Wiig is an actress that has proven her worth, even outside of comedy, over the last several years. Say what you want about Melissa McCarthy, and yes she can be hit or miss, but I do find her really funny in films that suit her well. Leslie Jones isn’t as well known in the general public but she is hysterical. She’s also been the best part about the trailers too. And the one consistent thing you’ll read in all the reviews, is that Kate McKinnon steals the show. It seems like this could be a star-making role for her. Oh, and there’s Chris Hemsworth, who is actually pretty funny. His jokes in the Marvel films are some of the best and his little role in Vacation was pretty good as well.

I would agree that the marketing for the new Ghosbusters hasn’t been terrific but the reviews are alluring. Given Feig’s history, it doesn’t surprise me either. Spy, The Heat and Bridesmaids were all critically praised films. Personally, I wasn’t the biggest fan of Spy but I would say that I enjoyed all three of those films though. It doesn’t surprise me one bit that the critics have gone for another Feig film when he’s proven himself over and over again. And I don’t buy for a second the “critics have an agenda to prove the haters wrong” argument. Critics don’t get paid by the studios and they aren’t out to get the fans either. They just do their job. End of story. Of course, you don’t have to agree with the critics (I still don’t understand the love for Cheap Thrills) but if the majority of them say it’s good, and you don’t want to believe them, that’s on you. It’s perfectly fine to disagree with critics, we do all the time on our show, but to say they have an agenda is kind of silly to me.

All of that said, and maybe I’ll regret asking this, but what about you? Are you excited for the Ghostbusters remake?

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Here’s what else is coming to theaters this weekend:

The Infiltrator

Cafe Society (limited)
Equals (limited)

Poll: Who is your favorite Ghostbuster from the original films?

Well, it’s finally here. It’s Ghostbusters week! This week has sparked a lot of debate and conversation about the new Ghostbusters, most of it silly and absurd, but it hasn’t stifled our anticipation for the film. We will be discussing the film on Episode 178 this weekend and we look forward to it. Regardless of how the new film turns out, we are still fans of the original Ghostbusters and it is our inspiration for our poll this week. We are simply asking; who is your favorite Ghostbuster from those original films?

Vote now and leave further comments in the comment section below!


Podcast: JD Reviews Finding Dory, A Bigger Splash – Ep. 177 Bonus Content

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We offer our bonus content for free, but we do encourage and appreciate a small donation of $0.99 as a way to help support the show. Click on the PayPal button below to donate and thanks so much for your support. You can also hear all of our Bonus Content via our mobile apps. See the information at the bottom of the post for more details.


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This week for our Episode 177, InSession Film Podcast: Bonus Content, JD catches up on a few films he missed out on while he was on vacation last month, specifically Pixar’s Finding Dory and the indie film A Bigger Splash. He and Brendan have a few disagreements about Finding Dory which was especially fun. Check it out!

Listen to Episode 177 by clicking here.

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Movie Review: Finding Dory goes looking for heart and surfaces with a glass that’s mostly full


Director: Andrew Stanton, Angus MacLane
Writers: Andrew Stanton, Victoria Strouse
Stars: Ellen DeGeneres, Albert Brooks, Ed O’Neill

Synopsis: The friendly-but-forgetful blue tang fish begins a search for her long-lost parents, and everyone learns a few things about the real meaning of family along the way.

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For any sequel, the argument can be made about the validity of its existence. But with Pixar Animation Studios, a company so devoted to making original content, that argument can (arguably) be given even more weight. The truth is, after the consecutive releases of Finding Nemo, The Incredibles, Ratatouille, WALL-E, and Up, we all have become utterly spoiled to wonderful original films by one of the greatest studios in film history (notice the omission of Cars). At a time, Pixar was only interesting in franchising Toy Story (of course no one is complaining), but after the release of Cars 2 and Monsters University, many began questioning Pixar’s strength when it came to sequels and franchises. For all these reasons, there was a lot riding on Finding Dory to at least live up to half the hype of its predecessor. And for the most part, it proudly surfaces instead of sinks.

Directed by returning director Andrew Stanton, Finding Dory finds our favorite forgetful blue fish (voiced by Ellen DeGeneres) front and center on an adventure to find her family, taking place one year later after the events of Finding Nemo. Dory is of course joined by her friends Marlin (a returning Albert Brooks) and his son Nemo, and for the first third Finding Dory plays out just like Finding Nemo to distracting effect. That argument above about the validity of a sequel’s existence becomes even more apparent at this point in the film, especially when its structure and overall tone can’t help but feel so uninspired.

However, it is after Dory gets captured and taken to the Marine Life Institute in California (introduced by a glorious voice cameo by Signourey Weaver) that Finding Dory begins to find its footing, both narratively and thematically. The bulk of the film takes place at this institute, creating a more subtle and less “adventurous” tale when compared to Finding Nemo. This allows the new and very colorful characters to breathe, including a bubbly whale shark named Destiny (Kaitlin Olsen), and two rock-hogging sea lions med and Rudder (Idris Elba and Dominic West) who bring us this film’s new version of “Mine!” But it is Ed O’Neill’s “septopus” Hank who arguably steals the movie, a character with a missing tentacle who just wants to leave the institute. O’Neill’s balance of humor and heartbreak is part of Finding Dory’s success, and is key in giving this film its own identity when compared to Finding Nemo, especially thematically, and it becomes something very profound.

Allow me to sum this up in a short anecdote about my theater experience watching Finding Dory. Sitting one row in front of me was family of five, no one under the age of 16, and I couldn’t help but notice one of them seemed to really be enjoying himself, only to later discover he had Down syndrome. Seeing that really spoke to me, and going back to the film itself, specifically when looking at Hank’s missing tentacle, Destiny’s near-sightedness, and most importantly Dory’s short-term memory loss, it becomes clear that Finding Dory is going to speak very closely to families raising children with some sort of disability; the complications, the rewards, and ultimately, the love. This continues the tradition of Pixar exploring themes that are indeed daring and poignant, and Finding Dory is no exception.

But alas, one thing prevents Finding Dory from elevating above the waters so to speak, and that is about execution. Specifically, the issue is its pacing. Finding Dory moves at such a rapid and brisk pace that its moments of catharsis does not feel as earned as they should, and ultimately a little more uninspired in execution. And it’s a shame, because the thematic relevance is there, the poignancy is apparent, and the humor is so on point. Unlike Dory and her rush of a journey, her film can’t keep up with her own urgency, and doesn’t take its time well enough.

Yet these issues in pacing do not break the film, nor does it add to the complaining rights of other Pixar’s sequels (looking at you Cars 2 and Monsters University). Removing Toy Story 2 and 3, Finding Dory is easily the best of Pixar’s sequels and certainly has more to offer than lesser Pixar too. At one point in Finding Nemo, Dory and Marlin argue about a glass half empty vs half full. With Finding Dory, at least that glass stays mostly full of heart and humor, and that’s enough to just keep swimming.

Overall Grade: B+

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Hear our full review on Episode 174:

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List: Top 3 Studio Ghibli Films

This week on Episode 177, we decided to skip The Secret Life of Pets and instead discussed another animated film in Studio Ghibli’s 1991 film, Only Yesterday. As mentioned on the show, we are huge fans of Studio Ghibli and the brilliance they’ve brought us over the years. Their films have featured such grand mystical worlds, captivating characters, lush animation and some of the most emotional experience we’ve ever seen in animation. Studio Ghibli has not only impacted the world of animation but they’ve given us some of the best films of all-time, period. Their filmography, in our opinion, is just as rich and deep as Pixar (whom we also adore).

On that note, which Studio Ghibli movies would make your list? Here are the one’s that made ours:

*Keep in mind we have different criteria for our lists as well*

Brendan

1) Princess Mononoke
2) The Tale of the Princess Kaguya
3) Grave of the Fireflies

JD

1) Princess Mononoke
2) Grave of the Fireflies
3) The Tale of the Princess Kaguya

Shannon

1) My Neighbor Totoro
2) Spirited Away
3) Nausicaä of the Valley of the Wind

Honorable Mentions (Combined)

The Wind Rises, Kiki’s Delivery Service, The Secret World of Arriety, Castle in the Sky, Porco Rosso, When Marnie Was There, Only Yesterday

Hopefully you guys enjoyed our lists and if you agree or disagree with us, let us know in the comment section below. There are definitely some other great Studio Ghibli movies that we didn’t mention that could make your list, depending on your own tastes and criteria. That being said, what would be your Top 3? Leave a comment in the comment section or email us at [email protected].

For the entire podcast, click here or listen below.

For more lists done by the InSession Film crew and other guests, be sure see our Top 3 Movie Lists page.

Podcast: Only Yesterday, Top 3 Studio Ghibli Films, Breathless – Episode 177

This podcast is brought to you by PayPal and our awesome listener’s like you. Donate today and thank you for your support!

This week on the InSession Film Podcast, instead of discussing The Secret Life of Pets, we decided to discuss another animated film in Studio Ghibli’s Only Yesterday, which finally got a theatrical release in the U.S., 25 years after its initial Japanese debut. Going off of that, for our Top 3, we discussed our favorite Studio Ghibli films and we finally started our French New Wave movie series as we review Jean-Luc Godard’s 1960 film, Breathless.

For this show we were joined by the lovely Shannon Strucci from Strucci Movies on YouTube and she was absolutely wonderful. We loved hearing her love for Studio Ghibli as well as some great irony she brought to our review of Breathless. If you’re a fan of Studio Ghibli, we really hope you enjoy this show as put a lot of passion into our banter this week.

On that note, check out the show and let us know what you think in the comment section. Thanks for listening and thanks for supporting the InSession Film Podcast!

Only Yesterday Movie Review (7:24)
Grades
Brendan: A-
JD: A-
Shannon: A

Top 3 Studio Ghibli Films (38:30)
As mentioned above, and as you’ll hear on the show, we are huge fans of Studio Ghibli and the brilliance they’ve brought us over the years. Their films have featured such grand mystical worlds, captivating characters, lush animation and some of the most emotional experience we’ve ever seen in animation. Studio Ghibli has not only impacted the world of animation but they’ve given us some of the best films of all-time, period. Their filmography, in our opinion, is just as rich and deep as Pixar (whom we also adore). On that note, what would be your top 3?

Top 3 Sponsor: First Time Watchers Podcast

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RELATED: Listen to Episode 176 of the InSession Film Podcast where we discussed The BFG!

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– French New Wave Movie Series: Breathless (1:28:43)
Grades
Brendan: A
JD: B-
Shannon: C-

– Music

Main Theme (Only Yesterday) – Katz Hoshi
The Legend of Ashitaka – Joe Hisaishi
New York Herald Tribune – Martial Solal
The Return of the Eagle – Atli Örvarsson

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InSession Film Podcast – Episode 177

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Next week on the show:

Main Review: Ghostbusters
Top 3: TBD
French New Wave Series: The 400 Blows

ghostbusters2016

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Help Support The InSession Film Podcast

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Podcast: Swiss Army Man, Sunset Song – Extra Film

This week on the InSession Film Podcast: Extra Film segment, we have a great indie film lineup where we discuss the polarizing new film starring Daniel Radcliffe and Paul Dano, Swiss Army Man as well as the gorgeous new movie from Terence Davies, Sunset Song.

I feel like we say this every week, and we probably do, but this show was so much fun. As you can see below, we are big fans of both of these films and we dove heavily into both films and why they resonated so heavily with us. They are VERY different films but beautiful and poignant in their own ways. We really do hope you enjoy hearing these two reviews as much as we did discussing them.

That said, have fun listening to this week’s Extra Film segment and let us know what you think in the comment section below. Hope you enjoy and thanks for listening!

Swiss Army Man Movie Review (4:39)
Grades
Brendan: A
JD: A-
Negs: A

Sunset Song Movie Review (44:23)
Grades
Brendan: A-
JD: A-

This week’s show is brought to you by our good friends at True Bromance Film and Popcorn Poops.

– Music

Intro Song – Andy Hull and Robert McDowell
End Credits (Sunset Song) – Gast Waltzing
The Return of the Eagle – Atli Örvarsson

We try to make this the best movie podcast we possibly can and we hope you enjoy them. Subscribe today on iTunes and Stitcher and please leave us a review on iTunes. You can also find us on Soundcloud, PlayerFM and TuneIn Radio as well. We really appreciate all your support of the InSession Film Podcast.

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Swiss Army Man, Sunset Song – Extra Film

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Guest Appearance: Planning Your Movie Summer – Quadcast

Last week I was pleased to guest on the latest Quadcast where I gave a little run down of films coming out in June as well as few others coming out later this summer. This is a segment we hope to do at least once a month but hopefully twice a month, where we preview what is coming out to the box office in an attempt to help people plan their movie trips. It was an absolute blast, check it out!

Listen in the player above or you can click here.

Movie Review: A physical and emotional conflict resonate in A War


Director: Tobias Lindholm
Writers: Tobias Lindholm
Stars: Pilou Asbæk, Dar Salim, Tuva Novotny

Synopsis: Company commander Claus M. Pedersen and his men are stationed in an Afghan province. Meanwhile back in Denmark Claus’ wife Maria (Tuva Novotny) is trying to hold everyday life together with a husband at war and three children missing their father. During a routine mission, the soldiers are caught in heavy crossfire and in order to save his men, Claus makes a decision that has grave consequences for him – and his family back home.

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Tobias Lindholm’s A War was nominated for a Best Foreign Language Oscar earlier this year and it earned every bit of that nomination. A War is an important film for American audiences, as it depicts a unique and poignant Danish perspective on the Iraq and Afghanistan War. We’ve seen countless films on that particular conflict since the early 2000’s but rarely do we see it from another country’s perspective, let alone one from a country that isn’t talked about much in the U.S.

A War opens with Commander Claus (Pilou Asbæk) and his men on patrols in an Afghan province. While it is mostly quiet, the men are constantly having to deal with land mines and the idea that the Taliban are always lurking around. Meanwhile back in Denmark, Claus’ wife Maria (Tuva Novotny) is taking care of their three children who are missing their father. It’s not exactly easy going but they are making it work the best they can. During a routine mission in a nearby village, Claus and his soldiers are caught in heavy crossfire, one man is critically wounded and in an attempt to save his men, Claus makes a decision that is rather morally and ethically gray. It also comes with a big cost, as he is eventually sent back home and put under investigation.

There is a visceral intimacy that smothers this film. It’s pretty clear that Lindholm is interested in the emotion of his characters, as well as the film’s themes, which is supported beautifully by Sune Wagner’s score. The pathos of A War is also felt in the pacing of the movie, which is slow and methodical, allowing for Lindholm to focus on the visceral reaction that his characters give on screen. And those reactions are important to Lindholm. A lot of time is spent on characters reflecting and processing their emotions in the middle of this rather sticky situation. “Is it true that you’ve killed children?” asks Claus’ daughter as Lindholm lingers on Claus and his stoic face. There are many moments similar to that where something will happen and all we see visually are characters processing what is in front them. That kind of approach gives space for the moral conflict presented here to carry more weight and authenticity.

Speaking of, at the heart of A War, it explores the ethical dilemma of accepting consequences of your actions in war and how that effects your family back home. As the commander of this Danish military unit, it is Claus’ job to get his men home safely and the actions that Claus takes when he and his men were under heavy gun fire reflect that idea. Claus wanted to get home to his family and he wanted the same for his fellow soldiers. The irony in all of that; local Afghan families suffered. Narratively, Lindholm does a captivating job of weaving through all the options of what the right ethics may or may not have been.

What is really impressive about A War though, is how well balanced the film is overall. We, as the audience, spend equal measures with Claus and his soldiers in Afghanistan as well with Maria and the children back home. This allows us to engage with both sides of the conflict and it supplants our sympathy for Claus and his emotional turmoil. We come to know why Maria needs him at home and why their kids just want their daddy. We also feel for Claus’ fellow soldiers and the struggle it was for them in during the fallout of what happens in the second half of the movie. When you break down A War, it really shouldn’t have worked. It’s a war film, a family-relationship drama and a court room drama all in one two-hour experience. However, the balance is so spot on, it all comes together seamlessly making the intimacy of this film even more visceral.

The performances from Pilou Asbæk and Tuva Novotny are wonderful. Lindholm relies heavily on ambiguity and some great stoic acting from Asbæk but the final act offers some superb catharsis from both Asbæk and Novotny that impeccably depict the emotional tug of war we see in this film. There’s a fine line, but a rather massive line, between being at home with your family and accepting consequential fate. These two actors make that struggle come alive and as a result, A War richly depicts, not only the physical war that Denmark was a part, but also this internal emotional war these characters faced. And the final product is beautiful and moving.

Overall Grade: A

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Hear our full review on a previous Extra Film:

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Featured: Studio Ghibli and Only Yesterday

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If you didn’t know, we are big fans of Hayao Miyazaki and Studio Ghibli. Understandably, much of the U.S. general audience haven’t experienced Studio Ghibli and we find that awfully sad. Studio Ghibli and Miyazaki have not only made some of the best animated films over the years but some of the best films period. The Tale of the Princess Kaguya was Brendan’s #1 film of 2014 and made my Top 20 as well. In hindsight, it probably should have been higher on my list. We were also huge fans of The Wind Rises, which also came out in 2014. Grave of the Fireflies is not only a great animated film from 1988 but it’s also one of the best war films and one of the most moving films I’ve ever seen. Princess Mononoke has been considered by some to be one of the greatest animated films of all-time. There is a reason Disney bought the distribution rights to Studio Ghibli in the U.S. Disney doesn’t mess around when it comes to quality. They snatched up Pixar as soon as they possibly could and once the opportunity came for Studio Ghibli, they did the same thing, which speaks to the quality of films coming from Miyazaki and company.

All of that said, while The Secret Life of Pets is getting descent reviews leading up to its theatrical release this weekend, we are forgoing that film and instead discussing Studio Ghibli’s Only Yesterday on Episode 177. Here is the crazy thing about Only Yesterday; it’s actually a Studio Ghibli film from 1991. So why are we featuring that film on our main show this weekend? While the film may be from ’91, it never saw U.S theaters until earlier this year. You heard that right, it took Only Yesterday 25 years to reach audiences in the United States and we couldn’t pass up the opportunity to, not only discuss the film, but also dive further into Studio Ghibli. Additionally to our review of Only Yesterday, we’ll also be discussing our Top 3 Studio Ghibli Films. Words can barely describe how excited we are for Episode 177.

It is inevitable that at some point we will have to do a Studio Ghibli Movie Series. We are itching to dive much futher into films like Princess Mononoke, Grave of the Fireflies, Spirited Away, My Neighbor Totoro, Kiki’s Delivery Service and many more greats from Studio Ghibli. For now though, we are grateful for the opportunity to see and discuss Only Yesterday, a film that is getting some good praise from critics. What about you though? Are you a fan of Studio Ghibli?

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Here is what you can expect to see at the box office this weekend:

The Secret Life of Pets

Mike and Dave Need Wedding Dates
Captain Fantastic (limited)
Sultan (limited)
Our Little Sister (limited)
Cell (limited)

Poll: What would you like the last film of our French New Wave series to be?

For our French New Wave movie series, we are currently reviewing The 400 Blows, Hiroshima mon amour, Breathless, and Cleo from 5 to 7. This already allows us to review films by all different directors of the New Wave, as well as covering both the left and right bank.

So with that said, out of the options below, which film would you like for us to review as our last film in our French New Wave movie series? There are MANY other films we could talk about, as well as many directors, but we listed a few options worthy of consideration. Don’t forget about the write-in option if we left anything off!


Podcast: Warcraft vs TMNT: Out of the Shadows – Ep. 176 Bonus Content

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We offer our bonus content for free, but we do encourage and appreciate a small donation of $0.99 as a way to help support the show. Click on the PayPal button below to donate and thanks so much for your support. You can also hear all of our Bonus Content via our mobile apps. See the information at the bottom of the post for more details.


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This week for our Episode 176 InSession Film Podcast: Bonus Content, Andrew from the AB Film Review Podcast joins us once again as we argue Warcraft vs Teenage Mutant Ninja Turtles: Out of the Shadows. Why? Because we can and mostly because Andrew and JD are on polar opposite ends when it comes to these two films, so it felt like it would be fun to argue over them. Check it out!

Listen to Episode 176 by clicking here.

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If you don’t want to purchase our bonus content, but still want to support us, there are other you can help us out. Click here for more info.

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Movie Review: Warcraft is messy but also rewards its fans


Director: Duncan Jones
Writers: Charles Leavitt (screenplay), Duncan Jones (screenplay)
Stars: Travis Fimmel, Paula Patton, Ben Foster, Dominic Cooper, Toby Kebbell

Synopsis: As an Orc horde invades the planet Azeroth using a magic portal, a few human heroes and dissenting Orcs must attempt to stop the true evil behind this war.

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In a world full of superheroes films and Star Wars, which pander to fans while building a world simultaneously, Warcraft ambitiously deviates from that model thinking of the fans first and foremost. If you are not familiar with the Warcraft property, there’s a good chance you will be completely lost with this film. There is no exposition and the film tosses the audience right into the thick of the Warcraft world as transitions happen almost immediately.

The film opens with a shot of the Orcs world dying, leaving them desperate to find a new home. After their leader Gul’dan (Daniel Wu) finds a portal to a new world, Azeroth, the Orcs prepare for war and transition to this new world. Soon after, the humans of Azeroth find out the hard way what the Orcs are capable of and it leads to some major conflict and a fight for survival. It didn’t take long for Durotan (Toby Kebbell), chieftain of the Frostwolf clan, to realize that Gul’dan was a problem and that something needed to be done if both the Orcs and humans were going to both survive.

To outsiders, Warcraft does very little to engage you within the first ten minutes. However, fans of the property will recognize immediately what is happening and it’s obvious that is who Duncan Jones has in mind. Warcraft is a film designed to 100% speak to audiences who love Warcraft, know this world really well and will instantly engage with these characters. It is clear that Jones understands the Warcraft mythos and he evocatively builds a world that leave fans in awe. It may be a naive approach to disregard the general audience but Jones’ ambition and willing to embrace his approach will reward fans of the property. However, Jones and screenwriter Charles Leaviatt are not completely blind to Warcraft outsiders. Jones and Leaviatt smartly center the story of Warcraft around family and the idea of fighting for family. So, as an outsider of the property, you may not understand exactly what is happening but everyone will sympathize with the idea of family. The execution of that idea may be messy but it is moving enough to satisfy both fans and outsiders of the property alike.

The major reason that pathos is felt is because of Toby Kebbell, who gives a riveting motion-capture performance. If you’re Andy Serkis, you better keep an eye out because Kebbell is not far behind you when it comes to motion-capture performances. Between Dawn of the Planet of the Apes and now Warcraft, Kebbell has supplanted himself as one of the best working today when it comes to mo-cap acting and utilizing the technology. It’s pretty incredible what Kebbell brings to Durotan and how he depicts familial identity and parental sacrifice in this film. Those notions are viscerally felt and is easily the best thing about Warcraft. Daniel Wu and Robert Kazinsky also give engaging mo-cap performances.

On the flip side, the human characters of Warcraft are rather dull and disappointing. Paula Patton and Ben Foster in particular are really bad, which is disappointing since both actors are capable of being great. None of the “human” character performances are great but the rest are serviceable. Travis Fimmel is the best of the them and somewhat of a highlight here. The human characters suffer more from a script perspective, rather than an acting one.

Overall, Warcraft won’t break the “video game movie curse” that has plagued the genre since its inception but it does introduce a world and characters that will resonate with fans. And this fight for survival, that is rooted in familial identity and the sacrifices we make for our families, is enough to engage anyone interested in the film, regardless of your experience with the property. Ramin Djawadi’s score is also worth noting and a major reason for the film’s emotion being felt. Warcraft is certainly scatterbrained and the film’s priorities are arguably in the wrong place at times but you can’t deny the meticulous craftsmanship that Jones displays. I’ve never played Warcraft but if I had, this would have been a more fun experience. As it is, despite its flaws, it still did enough and fans will surly have a great time.

Overall Grade: B-

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Hear our full review on Episode 173:

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List: Top 5 Movies of 2016 (so far)

This week on the InSession Film Podcast, we discussed our favorite films of the year so far in 2016. This year may be a bit divisive depending on who you ask, but if you ask us, it has been a real good year for film so far. We’ve already seen some great gems from Richard Linklater, Jeff Nichols, the Coen brothers, John Carney as well as other notable directors. This year’s summer blockbusters may be hit or miss, but early on in the year, Deadpool, The Jungle Book and Captain America: Civil War took the box office by storm and are films worthy of contention for this list too.

That being said, what 2016 films would make your list? Here are the one’s that made ours:

*Keep in mind we have different criteria for our lists as well*

JD

1) Midnight Special
2) The Witch
3) The Lobster
4) Captain America: Civil War
5) Sing Street

Brendan

1) Everybody Wants Some!!
2) Green Room
3) Sing Street
4) The Witch
5) Swiss Army Man

Andrew

1) Hunt for the Wilderpeople
2) Sherpa
3) The Wailing
4) The Witch
5) Pawno

Honorable Mentions (Combined)

Zootopia, A War, A Bigger Splash, Hail, Caesar, The Jungle Book, Miles Ahead, Love & Friendship, The Neon Demon, Weiner, Hush, The Conjuring 2, Sunset Song

Hopefully you guys enjoyed our lists and if you agree or disagree with us, let us know in the comment section below. There are definitely some other great films to come out this year that we may have missed. That being said, what would be your Top 5? Leave a comment in the comment section or email us at [email protected].

For the entire podcast, click here or listen below.

For more lists done by the InSession Film crew and other guests, be sure see our Top 3 Movie Lists page.

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Podcast: The BFG, Top 5 Movies of 2016 (so far) – Episode 176

This podcast is brought to you by us and our InSession Film Podcast: Bonus Content! Be sure to check out all the fun bonus episodes we have available for you.

This week on the InSession Film Podcast, Andrew from the AB Film Review Podcast joins us to discuss Steven Spielberg’s latest fantasy adventure, The BFG. We also discuss our Top 5 movies of 2016 so far, which has featured some great films already.

It was a huge pleasure to finally get Andrew on the show, he was a fantastic guest and we loved the diverse picks he brought to this week’s Top 5 segment. JD also marks his return after missing the last two weeks and there is a moment in the second half of the show that is an absolute first for our podcast. Yes, that is vague but when it happens, you’ll know.

Anyway, check out the show and let us know what you think in the comment section. Thanks for listening and thanks for supporting the InSession Film Podcast!

The BFG Movie Review (10:55)
Grades
Brendan: C
JD: C
Andrew: C

Top 5 Movies of 2016 (so far) – Part 1 (43:21)
2016 may be a bit divisive depending on who you ask, but if you ask us, it has been a real good year for film so far. We’ve already seen some great gems from Richard Linklater, Jeff Nichols, the Coen brothers, John Carney as well as other notable directors. This year’s summer blockbusters may be hit or miss, but early on in the year, Deadpool, The Jungle Book and Captain America: Civil War took the box office by storm and are films worthy of contention for this list too. For Part 1, we hand out our #5, #4 and #3 picks of our lists. On that note, 2016 has given us some great stuff so far, so what would be your top 5?

Top 5 Sponsor: First Time Watchers Podcast

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RELATED: Listen to Episode 175 of the InSession Film Podcast where we discussed Independence Day: Resurgence!

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– Top 5 Movies of 2016 (so far) – Part 2 (1:20:42)

Our third segment this week features Part 2 of our Top 5 segment where we give our our #2 and #1 picks. As mentioned above, this is where JD does something that we’ll soon not forget, for better or worse. In all seriousness though, we had a blast discussing the films we consider the best of 2016 so far.

– Music

Overture (The BFG) – John Williams
Drive It Like You Stole It – Sing Street
Midnight Special Theme – David Wingo
The Return of the Eagle – Atli Örvarsson

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InSession Film Podcast – Episode 176

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Next week on the show:

Main Review: The Secret Life of Pets or Captain Fantastic
Top 3: TBD
French New Wave Series: The 400 Blows

CaptainFantastic

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Help Support The InSession Film Podcast

If you want to help support us, there are several ways you can help us and we’d absolutely appreciate it. Every penny goes directly back into supporting the show and we are truly honored and grateful. Thanks for your support and for listening to the InSession Film Podcast!

VISIT OUR DONATE PAGE HERE

Podcast: The Neon Demon, Dr. Strangelove – Extra Film

This week on the InSession Film Podcast: Extra Film segment, we discuss Nicholas Winding Refn’s latest film, The Neon Demon, which has audiences polarized once again. And in the second half of the show, we talk about Stanley Kubrick’s class masterpiece, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, which recently got a Criterion Blu-ray release.

This week’s show was an absolute blast. Forgive the length, as we do go kind of long for Extra Film, but we dive deeply into both films and offer some rather discussion that we really hope you enjoy. It was also nice to have JD back after having him gone for the last week and a half.

That said, have fun listening to this week’s Extra Film segment and let us know what you think in the comment section below. Hope you enjoy and thanks for listening!

The Neon Demon Movie Review (6:13)
Grades
Brendan: A-
JD: A-

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb Movie Review (45:38)
Grades
Brendan: A+
JD: A+

– Music

Neon Demon – Cliff Martinez
Dr. Strangelove – The City of Prague Philharmonic Orchestra
The Return of the Eagle – Atli Örvarsson

We try to make this the best movie podcast we possibly can and we hope you enjoy them. Subscribe today on iTunes and Stitcher and please leave us a review on iTunes. You can also find us on Soundcloud, PlayerFM and TuneIn Radio as well. We really appreciate all your support of the InSession Film Podcast.

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The Neon Demon, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb – Extra Film

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To hear this Extra Film episode and everything else we do, download our apps on the Amazon Market for Android and the Podcast Box app on IOS devices. The mobile app covers all of our main shows, bonus podcast’s and everything else relating to the InSession Film Podcast. Thanks for your wonderful support and listening to our show. It means the world to us!

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Movie Review: More of the same in The Purge: Election Year but oddly better than its predecessors


Director: James DeMonaco
Writers: James DeMonaco
Stars: Frank Grillo, Elizabeth Mitchell, Mykelti Williamson

Synopsis: Two years after choosing not to kill the man who killed his son, former police sergeant Barnes has become head of security for Senator Charlene Roan, the front runner in the next Presidential election due to her vow to eliminate the Purge.

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The Purge series, which started in 2013, has been a sort of guilty pleasure for me because the main premise of the films has been intriguing. If you are unfamiliar, The Purge is an annual event that runs for 12 hours on March 21 to 22, from 7 p.m. until 7 a.m., during which all crime is legal (including murder), and all police, fire, and medical emergency services are unavailable. In the first two films, high ranking officials are given immunity from being disturbed. The Purge (2013) was pretty decent, but I hated The Purge: Anarchy (2014).

The biggest issue I have had with both films have been useless and annoying characters that were plagued by a weakening plot. To date, the most annoying character I have ever seen in a movie was Cali in The Purge: Anarchy. Cali was one of the good ones, so I knew that she would never die as I was hoping, especially with Crossbones protecting her. The Purge: Election Year corrects all the issues of the previous films.

Leo Barnes (Frank Grillo), two years after the events of the last film, is now working as head of security for U.S. Senator Charlene Roan (Elizabeth Mitchell), the front-runner in the next U.S. presidential election. Roan lost her family in a Purge event 15 years earlier and is vowing to end the annual purge, which is strongly opposed by government leaders. For the first time in Purge history, no one has immunity, and can you guess who the prime target is? Sadly it’s not Cali from the previous film; it’s obviously the senator. The plot is pretty similar to the last film as we have Barnes and company battling to survive the night.

This time around director/writer James DeMonaco makes very simple changes in the same plot that makes a world of difference. Barnes is joined by other characters, but now the characters are much stronger, more developed and add something to the team. The script can go in so many directions with a film centered around violence, but the fact that Roan wants to end the purge makes for an intriguing target and creates a conflict that makes sense.

I hate sequels because I think most of the time they are unnecessary. I think having the first two films differ from each other was a bad idea because we never knew how the characters in the first film changed after the events. Having a direct sequel to Anarchy, we already know how the events affected Barnes, and we can cut the back story. DeMonaco does an excellent job introducing new characters and provided just enough about them that we want to root for them. The Purge: Election Year is the first time I have rated the third installment of a film series higher than any others.

The Purge: Election Year is a successful sequel and is proof that the director corrected mistakes from the previous movies and ended up with a rewarding cinematic experience.

Overall Grade: B

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Hear our review of The Purge: Anarchy here:

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Featured: Anticipating The BFG

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Steven Spielberg is one of the best directors of all-time and one of my personal favorites as well. Regardless of content or critical reviews, I will always be excited for a new Spielberg film. And how can you not be excited for Spielberg in the fantasy/adventure genre? E.T., Close Encounters of the Third Kind, and Indiana Jones are some of his best work and seeing him jump back into this genre is rather exciting. It’s especially alluring when you realize that The BFG is Spielberg re-teaming with E.T. writer, Melissa Mathison (Rest in Peace good ma’am). I’m not saying that The BFG will be or should be as good as E.T., because let’s be honest, that would be extremely challenging. However, seeing Spielberg and Mathison reunite is still exciting and it should be fun to see where their imagination goes.

That said, I feel like this film has gotten almost zero buzz. If this were to come out 20 years ago, it would easily be one of the most anticipated of the entire summer. Yet here we are in 2016 and no one is really talking about The BFG. Perhaps it’s more the subject matter than it is Spielberg, but still, I don’t think that would have hindered this film or its buzz if this were 1996. Granted, if that were the case, it would be coming off the heels of Jurassic Park in 1993. So, yeah people would have been elated for the next Spielberg film regardless. Perhaps it’s the fact that The BFG is instead coming off the heels of War Horse, Lincoln and Bridge of Spies, three films that are more “serious”-Spielberg than “fun”-Spielberg. I’m not sure what the answer is but we as cinephiles need to be anticipating this film more, that’s all I’m saying.

The BFG also stars Mark Rylance, who is coming off an Oscar win for Best Supporting Actor at this year’s Academy Awards for his performance in Bridge of Spies. In our conversations around that film, we kept talking about how we were we excited to see more from Rylance. Well, here we are with the “more” and it’s again with Spielberg. The BFG has a solid supporting cast as well, including Rebecca Hall, Bill Hader and Jemaine Clement. And while I don’t know anything about child actor Ruby Barnhill, Spielberg’s history of working with child actors is damn near impeccable.

Regardless of how mixed some of the early reviews have been, Spielberg is a filmmaker I always get up for. Yes, he’s had some bad stinkers (looking at you Lost World) but to compare his bad to his greatness is an absurd exercise. And it’s the reason I’m excited for The BFG. What about you though, are you excited?

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Here’s what else is coming out at the box office this weekend:

The Purge: Election Year

The Legend of Tarzan
Our Kind of Traitor (limited)
Life, Animated (limited)
Equals (limited)