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Movie Review: ‘Till’ Features an Oscar Worthy Lead from Deadwyler

Director: Chinonye Chukwu Writers: Michael Reilly, Keith Beauchamp, and Chinonye Chukwu Stars: Danielle Deadwyler, Jalyn Hall, Frankie Faison  Synopsis: In 1955, after Emmett Till is murdered in a brutal lynching, his mother vows to expose...

Poll: What is Margot Robbie’s best performance?

When we first saw The Wolf of Wall Street, we were all obviously confused by Scorsese's frantic direction and DiCaprio's manic performance. And yet, we still took notice of Margot Robbie. The...

Movie Review: ‘The Bob’s Burgers Movie’ is a Sumptuous Feast

Director: Loren Bouchard, Bernard Derriman Writers: Loren Bouchard, Nora Smith Stars: H. Jon Benjamin, John Roberts, Kristen Schaal Synopsis: The Belchers try to save the restaurant from closing as a sinkhole forms in front of...

2021 InSession Film Awards – Staff Picks

This week on the InSession Film Podcast, we feature our 9th annual InSession Film Awards! This year, we did something a little bit different. We asked all of staff writers to be...

Interview: Alex Wolff (‘Pig’)

Perhaps one of the most surprising elements in a year packed with beautiful and brilliant movies was a feature starring Nicholas Cage and a pig. From its logline - a hermetic farmer's...

Criterion Releases: October 2021

Five pieces of individual works are making their way from Criterion onto our DVD/Blu-Ray players. Coming from different periods in the story of cinema, this month is another doozy of wonderful, worthy...

Movie Review: Neill Blomkamp Can’t Find a Spark in the Laborious ‘Demonic’

Director: Neill Blomkamp Writer: Neill Blomkamp Stars: Carly Pope, Chris William Martin, Michael Rogers, Nathalie Boltt  Plot: A young woman unleashes terrifying demons when supernatural forces at the root of a decades old rift between mother and daughter...

Op-ed: LGBT Cinema In Latin America

Queer cinema really hit it off in the 1990s and 2000s with more LGBT actors, directors, and stories being portrayed more openly than in years prior. Primarily, they were outside-the-box productions with...

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