Criterion

Criterion Crunch Time: ‘Eve’s Bayou’

Being a fan of movies is just truly strange. We bark all day about the best movies of the year, even to the point where we engage in absolutely pointless arguments on...

Criterion Crunch Time: ‘Rambling Rose’

Times sure have changed. This is something I think of often, mainly because I spend way too much time on social media. The immediate reaction to “problematic” movies (or whatever piece of...

Criterion Crunch Time: ‘All That Heaven Allows’

Ok, let’s talk about a dirty word in cinema (and generally, art circles).  Melodrama. Be honest, what do you think of when you hear that word? Over the top, silly, ingenuine, not...

Criterion Releases: April 2022

Miracle In Milan (1951) After receiving major acclaim with Bicycle Thieves, director Vittorio De Sica followed up on the backend of the neorealist era with a fantasy-comedy about a group of poor people...

Criterion Crunch Time: ‘Matador’

Well, we all have our favorites. The Criterion Channel (and this column is no different). In terms of the actual Collection, directors like Akira Kurosawa, Agnes Varda, Francois Truffaut, and Federico Fellini...

The Baadasssss Song Of Melvin Van Peebles

This August would have been Melvin Van Peebles’ 90th birthday, but prior to his passing last September, he permitted the Criterion Collection to bring in his early films that has made him...

Criterion Crunch Time: ‘Gas Food Lodging’

Sometimes, Hollywood’s history of, and practice of, continued misogyny really makes me wonder how different things could be on a film level with that removed. This is, of course, a complex issue...

Criterion Crunch Time: ‘A Touch of Sin’

There is no more challenging genre of film for me as a viewer than the anthology film. As someone who is used to standard narratives (even if they are out of order...

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