Chasing the Gold: Awards Analysis

Chasing the Gold: RaMell Ross on ‘Nickel Boys’ And Adapting the Essential and New Visual Poetics

RaMell Ross is the co-writer and director of Nickel Boys a story spanning decades from the segregation era, the emergence of the Civil Rights movement, through to the early part of the...

Chasing The Gold Interview: Nicolaj Kopernikus, Director and Star of ‘From Above’

After watching From Above, an intense short film directed, written, and starred by Nicolaj Kopernikus, I realized how powerful art is. Here, the main protagonist barely says a word, yet the short,...

Chasing the Gold: “Wicked,” “Emilia Pérez” and a Game of Best Picture Musical Chairs

Since the advent of movie sound, there have been movie musicals. Their power has waned over the years, but there is almost always one that a big studio will take a chance...

Chasing the Gold: Overlooked Precursor Pulls Cinematography Race into Focus

The Oscar race’s precursor phase is generally thought to kick off once the New York Film Critics Circle (NYFCC), Los Angeles Film Critics Association (LAFCA), National Board of Review (NBR), and a...

Chasing The Gold: Editing Time

I like to romanticize editing as an art in and of itself. Unlike painting, sculpture, stage performance, or photography, film gets the benefit of an edit. A scene in a movie can...

Chasing the Gold: Best Actress: The Legacy Oscar

There is a concept that circulates every award season and is pervasive in every conversation about the performance categories. It's called a "Legacy Oscar." Essentially, a "Legacy Oscar" is about rewarding a...

Chasing the Gold: Best Picture: Superheroes are No Longer Golden

It seemed for a while there (pre-pandemic) that superhero films were building to something. It seemed a sort of legitimacy was developing within critic's groups and awards circuits as the genre ballooned...

Chasing the Gold: Best Original Screenplay: The Real, the Weird, and the Dramedy

I've discovered that rather than trying to categorize the five nominated films in Best Original Screenplay into archetypes like you would with Best Picture— the Indie Darling, the Blockbuster, the Genre Defier,...

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