Sunday, July 6, 2025

Op-eds

Op-Ed: Anonymous Oscar Ballot #1: An Insession Film Exclusive

As I sit at my computer getting ready for the first interview of the season to get a view of this week's nominations from the Academy from a person who will be...

Op-Ed: What happened to Carol? The Women of Todd Haynes’s Cinematic World

Women are angry, scared, confused, and trapped. Women are decaying behind gorgeous floral arrangements, beautiful tapestries, and original paintings. Women are slowly fuming at baby showers, morning cocktail hour, or gossip by...

2023 Insession Film Winners – Staff Picks

We have an important update to our InSession Film Awards. We now have our winners as voted on by our staff and writers! Note: Winners are in bold Best Picture Oppenheimer Past Lives Anatomy of a Fall The...

Interview: Director Pete Ohs

Indie auteur, and possible benevolent alien, Pete Ohs is back with a new film opening at Slamdance. Love and Work is an absurdist comedy and love story set in an alternate world...

Op-Ed: Male Vulnerability On Screen Through the Performances of River Phoenix and Harris Dickinson

Back when the cinema was male-dominated and observed, the female body was the only communication tool. Directors showcased their desires, perversion, fears, infatuation, or repulsion through the lens, the camera angle, and...

Sundance 2024: What To Watch For

The new year has begun and that means the Sundance Film Festival is about to go into full swing. It’s that time where independent movies make their shining debut for many new...

Jennifer Tilly: A Fantastic Tilly Story with Kassidy Watson-Perry

It’s a brisk fall day as I sit down at my desk to prepare for a video interview with someone who quickly became one of my favorite people to meet on Twitter...

My Favorites From The Criterion Channel In 2023

This past year, I had the pleasure (and time) to go through and watch 100+ films on the Criterion Channel and all the fixings that come with these films. I still champion...

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