Awards

Chasing the Gold: Final Predictions (Best Original Screenplay)

Many of the precursor award shows have a single screenplay category. Depending on the year, it can be a mix of original and adapted. Most of them this year have had a...

Chasing the Gold: BAFTA Longlists, ASC, and a Cinematography Deep Dive

A few days ago, BAFTA’s longlists provided critical new data on the Oscar race. Seven of the titles I’d penciled in for Best Cinematography made the first round of cuts: The Brutalist,...

Preview: InSession Film Awards / Top 10 Movies of 2024

We are just a few days away from our 12th annual InSession Film Awards show as we discuss the very best that film had to offer in 2024. This is an exciting...

Chasing The Gold: Feature: Brady Corbet: Building Monuments in ‘The Brutalist’

Brady Corbet and Mona Fastvold devoted the better part of seven years of their lives to the epic immigrant drama The Brutalist. Nadine Whitney attended a group interview with Brady, who meditated...

Chasing the Gold Interview: ‘Anora’ Production Designer Stephen Phelps

Anora is the dark horse of this award season, sweeping nominations and wins back and forth from critics and award entities alike. Deservedly so, for this anti-Cinderella tale that talks about crushing...

Chasing the Gold: ASC Predictions

*written and submitted before BAFTA longlist announcement At least fifteen films currently appear viable for a Best Cinematography nomination at the 97th Academy Awards. Since 2010, about 53% of the category’s nominees received...

Chasing The Gold: Capturing the Hypnotic Power Dynamic of ‘Babygirl’

While this piece won’t outright spoil anything, those wanting to go in blindly to Halina Reijn’s latest film, Babygirl, may want to consider bookmarking and returning upon seeing how the film concludes.  There’s...

Chasing the Gold Interview: Vera Drew on ‘The People’s Joker’ and Turning Up as the Woman You Want to Be

Vera Drew’s The People’s Joker is semi-miraculous. Having survived lawsuits from WB because they didn’t understand the notion of parody and secretly screening in festivals as the ‘film that dare not speak...

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