Monday, April 21, 2025

Dave Giannini

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Criterion Crunch Time: ‘The Innocents’

Films can be a lesson on thematic flexibility. Many films may have the same theme, but completely different ways of arriving at said theme and expressing it. Parenthood, in general, and motherhood,...

Criterion Crunch Time: ‘The Bad and the Beautiful’

The Criterion Channel has a mostly earned reputation for having a large collection focused mostly on “art house cinema.’ But as time passes, this definition likely changes. Let’s take Oscar-nominated films as...

Criterion Crunch Time: ‘Across 110th Street’

Genre is an interesting beast and we can come to it for different reasons. Blaxploitation can, of course, be problematic in its representation of Black culture, but is also particularly interesting, especially...

Criterion Crunch Time: ‘In The Cut’

The genre of the sexual thriller has gotten a lot of play in online spaces, and almost never in a positive light. There is a push, specifically from younger audiences, to do...

Criterion Crunch Time: ‘Clockwatchers’

When you spend your time watching a lot of movies (like I’m sure you do), you learn to appreciate the unexpected, regardless of film quality. As I scour the films leaving the...

Criterion Crunch Time: ‘Women On The Verge Of A Nervous Breakdown’

I am here to tell you that no, you have not seen it all before. When you watch a lot of movies, it is easy to feel like you have seen all...

Criterion Crunch Time: ‘2046’

The Criterion Channel is particularly focused on, maybe even more so than other boutique labels and streaming services, the oeuvre of specific directors. Whatever your thoughts on high minded film topics like...

Criterion Crunch Time: ‘Night Moves’

There is something special for a movie fan about finding a “hidden gem.” This term really has no objective definition. You may feel like something is hidden and another person has seen...

Dave Giannini

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