Thursday, June 5, 2025

Brian Susbielles

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Featured: Michelangelo Antonioni Stories Have No Ending

While Federico Fellini, Roberto Rossellini, and Vittorio De Seca are the first names peoples think of in Italian cinema, another director is a major influence, presenting a more open narrative where we...

Featured: Contemporary Criterion Films

The Criterion Collection is not just old films or foreign films. They are also about preserving the new ones, films that don't get the extensive exposure right after its release. They are...

Featured: Let’s Frolic – Friends And Their Fun On Film

Friendship is everything in life, especially when we are young. In every country, the young learn the easy and hard ways of maturing into adults or rebelling. But those already adults don't...

Featured: Pride In The Name Of Love – 5 Underrated LGBT Films To Watch

First of all, happy Pride month to all of our LGBTQ friends and followers. Be you, screw the haters, and spread the love around. It is all common now to have openly...

Featured: The Criterion Channel – Act II

Not long ago, I provided my first rundown of movies I watched and praised for courtesy of Criterion's streaming channel. By this point, you all know the hoopla and that this is...

Featured: Sex as Art In Mainstream Cinema

*Warning: Contains graphic content. We talk about sex scenes as steamy, cheesy, teasing, or ridiculous and just a throwaway sequence to showcase nudity. They have to be tastefully done or else it just...

Featured: That Lubitsch Touch

Two American painters and friends are on holiday where they meet the gorgeous Gilda. She asks them to sketch her face, finding both men attractive, seeking to play a game of "The Favourite"...

Featured: Criterion’s “B” films in “A” quality

B films are what they are: low cost, exploitive, the second film of double billing, and set with a genre and story ridiculous for the traditional art house. Even after the end...

Brian Susbielles

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