Tuesday, April 16, 2024

Op-eds

Preview of the 80th Biennale Di Venezia

As summer turns to autumn, a major batch of films is coming out, and Oscar season is starting to shift gears. The next of the big world film festivals, however, is overshadowed...

Op-Ed: Andersonian Grief: Denial

CHAS He also stole bonds out of my safety deposit box when I was fourteen There's a collective denial we all face as humans. We bear certain unbearable truths of the world only in...

Chasing the Gold: Barbenheimer

Two of the year’s biggest hits, Barbie and Oppenheimer, were finally released on July 21, and both films have received significant Oscar buzz in the days since. They are likely to do...

Op-Ed: Some Of The Favorites From The Criterion Channel So Far

Through the first half of the year (I wrote this after June 30), I’ve watched 100+ films of various genres coming from the Criterion Channel, which I always endorse. Every month, there’s...

Op-Ed: Heat Waves: Films That Show People Melting Under The Sun

We are in the middle of a global heat wave where Miami has a heat index of 106 degrees and Montreal, where I recently visited, was under a heat warning of 91...

Op-Ed: “It’s Been A Rough Year”: Andersonian Grief, An Introduction

There's a cliched opinion amongst cinephiles that the films of Wes Anderson are the epitome of style over substance. Those who have that opinion want us to believe that as a filmmaker,...

Op-Ed: Biopics That Blinded Us With Science

Christopher Nolan’s highly anticipated Oppenheimer based on the man who is called “the father of the atom bomb” is more than just about his scientific efforts. It is about a person who...

Op-Ed: My Futile Attempt To Deconstruct And Understand ‘Inland Empire’

The last feature by David Lynch was an unusual avant-garde piece that foreshadowed what Hollywood would be doing in their films. To cap a film career (for now) full of tales about...

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