Friday, July 4, 2025

Interviews

Interview: Guy Maddin, Galen Johnson, and Evan Johnson, Directors of ‘Rumours’

For those rare individuals who are fascinated by the concept of a Canadian national cinema, Guy Maddin, Galen Johnson, and Evan Johnson are totemic figures. Their collaborative works have been celebrated by...

Chasing The Gold: Interview with Josh Margolin, Writer/Director of ‘Thelma’

When I wrote my original Chasing the Gold piece about why June Squibb should be nominated for Best Actress at the Oscars, I did it for the love of the performance and...

Interview (Femme Filmmakers Fest): Johanna and Jonathan Gustin of ‘Dicks That I Like’

At this year’s Femme Filmmakers Fest, Zita Short had the chance to speak with director Johanna Gustin and director of photography Jonathan Gustin about their short film Dicks That I Like (2024).  Zita...

Chasing The Gold Interview: June Squibb, Star of ‘Thelma’

After praising June Squibb’s performance in Thelma in a piece I did for Chasing the Gold, InSession Film was contacted by June Squibb's team to see if I would be interested in...

Interview: Scott Weintrob, Director of ‘Paradox Effect’

British filmmaker Scott Weintrob first made a name for himself with his eye-catching work on major commercial campaigns for brands such as Audi, Volvo and Cadillac. With his gift for shooting glossy,...

Intervew: Asmae El Moudir, Director of ‘The Mother of All Lies’

Moroccan filmmaker Asmae El Moudir digs deep into memory through the tactile act of re-enactment to uncover the truth about the Casablanca Bread Riots in 1981 – protests that saw over 600...

Interview: Director Ziad Hamzeh and Author Christine Handy of ‘Hello Beautiful’

Coming soon is the new film Hello Beautiful, based on the book, "Walk Beside Me." Here, courtesy of Jaylan Salah is an interview with the author, Christine Handy, and the film's...

Interview: Claude Schmitz, Director of ‘The Other Laurens’

Film reviewer Conor Truax noted that L’Autre Laurens (2023) features a “Dadaist sense of causality” but that descriptor doesn’t fully capture how deeply strange the film’s unique rhythms can feel when you’re...

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