Tuesday, May 13, 2025

Awards

Interview with Director Fernando Andrés and Actor/Producer Jacob Roberts of ‘Rent Free’

Prior to the world premiere of Fernando Andrés latest film, Rent Free, I got a chance to sit down with him and co-lead/producer Jacob Roberts to discuss the film. Andrés is one...

Movie Review (Tribeca 2024): ‘Firebrand’ Feels Dull and Idle

Director: Karim AïnouzWriters: Henrietta Ashworth, Jessica AshworthStars: Alicia Vikander, Jude Law, Eddie Marsan Synopsis: Katherine Parr, the sixth wife of King Henry VIII, is named regent while the tyrant battles abroad. When the...

Chasing the Gold: Best Editing Shouldn’t Cut Out ‘The Fall Guy’

Editing is what makes movies really come to life. A static shot or a tracking shot can evoke a lot of emotion or wizardry when it comes to staging a scene, but...

Interview: Director Joel Potrykus and Actor Joshua Burge of ‘Vulcanizadora’

Prior to the world premiere of Vulcanizadora, I was able to sit down with multi-hyphenate filmmaker Joel Potrykus, and lead actor and longtime collaborator, Joshua Burge to discuss the film. During our...

Chasing the Gold: Best Original Screenplay Should See the TV Glow

An original film can be anything from a new way to tell an old story to something entirely out there and unique. The out-of-there films should be far more represented by the...

Movie Review (Tribeca 2024): ‘Bang Bang’ is Tim Blake Nelson’s Time To Shine

Director: Vincent GrashawWriter: Will JanowitzStars: Tim Blake Nelson, Glenn Plummer, Andrew Liner Synopsis: Tim Blake Nelson stars as 'Bang Bang' Rozyski, an eccentric retired pugilist obsessed with rectifying the sins of his past. When...

Movie Review (Tribeca 2024): ‘Sacramento’ is Charming But Lacking

Director: Michael AngaranoWriters: Michael Angarano, Christopher Nicholas SmithStars: Kristen Stewart, Rosalind Chao, Michael Angarano Synopsis: Rickey, an energetic and free-spirited young man who convinces Glenn, his long-time friend who's settled into domestic life,...

Midnights at Tribeca: The Films of the Program, and an Outlier That Fits the Bill

The so-called “Midnights” section at any given film festival offers audiences a slate of films that aim to “shake things up”, or to stray from mainstream programming. Something like Celine Song’s Past...

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