Tuesday, July 1, 2025

Zach Youngs

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Chasing the Gold: Hundreds of Real Daughters

Humans have been grappling with mortality, grieving, and making each other laugh for millennia. It takes a beautiful spark of ingenuity to let an audience accept your vision of something as old...

Classic Review: ‘Alice Doesn’t Live Here Anymore’ Still Packs a Wallop

Director: Martin ScorseseWriter: Robert GetchellStars: Ellen Burstyn, Kris Kristofferson, Harvey Keitel Synopsis: A recently-widowed woman is on the road with her precocious young son, determined to make a new life for herself as...

Chasing the Gold: “Wicked,” “Emilia Pérez” and a Game of Best Picture Musical Chairs

Since the advent of movie sound, there have been movie musicals. Their power has waned over the years, but there is almost always one that a big studio will take a chance...

Chasing The Gold: Editing Time

I like to romanticize editing as an art in and of itself. Unlike painting, sculpture, stage performance, or photography, film gets the benefit of an edit. A scene in a movie can...

Movie Review: ‘Wicked: Part 1’ is Incomplete But Impressive

Director: Jon M. ChuWriters: Winnie Holzman, Dana FoxStars: Cynthia Erivo, Ariana Grande-Butera, Jonathan Bailey Synopsis: Elphaba, a misunderstood young woman because of her green skin, and Glinda, a popular girl, become friends at...

Chasing the Gold: Best Actress: The Legacy Oscar

There is a concept that circulates every award season and is pervasive in every conversation about the performance categories. It's called a "Legacy Oscar." Essentially, a "Legacy Oscar" is about rewarding a...

Chasing the Gold: Best Picture: Superheroes are No Longer Golden

It seemed for a while there (pre-pandemic) that superhero films were building to something. It seemed a sort of legitimacy was developing within critic's groups and awards circuits as the genre ballooned...

Chasing the Gold: Best Original Screenplay: The Real, the Weird, and the Dramedy

I've discovered that rather than trying to categorize the five nominated films in Best Original Screenplay into archetypes like you would with Best Picture— the Indie Darling, the Blockbuster, the Genre Defier,...

Zach Youngs

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